9 December 2014

Day 3 Theepal - Lord Subramanya: Deepam Festival December 8, 2014


This evening the third night of Thirthotsavam (i.e. Water Festival) Lord Subramanya (with his two wives) was taken out on a float on the Ayyankulam Tank located in front of the Arunagirinathar Temple a few minutes from the Big Temple. 


Lord Subramanya

Float on Ayyankulam Tank

3rd Day of the Thirthotsavam Festival, 2014 Karthigai Deepam

7 December 2014

Day 2 Theepal - Parashakti: Deepam Festival December 7, 2014



This evening the second night of Thirthotsavam (i.e. Water Festival) the Goddess Parashakti was taken out on a float on the Ayyankulam Tank located in front of the Arunagirinathar Temple a few minutes from the Big Temple.


Devotees seat on the steps on the side of the Tank
Parashakti Theepal
Parashakti Goddess leaving the Tank

Lord Arunachaleswarar performs Karthigai Girivalam


Traditionally after Karthigai Mahadeepam Lord Arunachaleswarar performs girivalam (pradakshina) of Arunachala. This year that girivalam occurred this morning i.e. Sunday, December 7, 2014. Many of His devotees line the street to take his darshan.


Lord Arunachaleswarar

The Lord and Panchamoorthies performing girivalam

Procession goes around the full 14 km perimeter of Arunachala



Day 1 Theepal - Sri Chandrasekaran: Deepam Festival December 6, 2014



Brahmotsavam is intended to teach us the way to divine self-realisation. The last of the celebratory observances during Karthigai Festival is Thirthotsavam which literally means “water festival”. Four days are allocated at the end of Deepam to celebrate the water festival at Ayyankulam Tank in front of Arunagirinathar Temple (the third oldest Shiva Temple at Arunachala). The water festival is representative of the sadhaka’s plunge into the higher realms of consciousness – and typifies an entering into samadhi... an end of religious aspiration. 


Sri Chandrasekaran

The Theepal for the Gods are floating structure made up of drums and timber and decorated with lights, flowers, religious paintings and silken buntings. Lights are installed around the perimeter of the tank and focus lights placed at strategic points. When the murtis of the Gods come to Ayyakulam Tank they are placed lovingly on a float and then the float pushes off and completes an allocated number of turns upon the Temple Tank. Devotees sit on the steps of the tank to take darshan of the God on the Theepal. Thereafter the deity of that day is taken in procession around the four Mada Streets (perimeter streets) surrounding Arunachaleswarar Temple. 


Float on Ayyakulam Tank, Arunagirinathar Temple

Photographs, Video 2014 Arunachala Karthigai Mahadeepam


Below are two more photographs of the lighting of the 2014 Karthigai Deepam at Arunachala. 


Right click on photographs to view enlargement.





A short video (in Tamil) of the lighting of the flame of the 2014 Karthigai Deepam, Tiruvannamalai. 




Cow Festival 2014 Karthigai Deepam Festival Tiruvannamalai


Below is a pictorial representation of the 2014 Cattle Festival held at Tiruvannamalai during the Arunachala Karthigai Festival. 

The history of the Cattle Festival (which is held at Tiruvannamalai this time each year), is a long one that stretches back for hundreds of years. 

Unfortunately last year 2013, due to an outbreak of an infectious Cattle disease, the Festival had to be cancelled. However this year's Festival is a grand one with many bullocks, horses and even some sheep in evidence at the grounds of the Fair. 


The Fair is held in fields off the NH66 on the southside of Arunachala


Hundreds of Bullocks from Tamil Nadu at the Fair

These lucky bullocks enjoying the shade

White horse commonly used during wedding processions

Large number of horses for sale at the Fair

Horse carts and even sheep this year at the Fair

Beautiful colourful decorative and functional specialty items

Such stalls stretch down the sides of the NH66 near Arts College

Plentiful bells for cows and bullocks

Sometimes selling a bullock, is like losing a friend

Powerful bullocks to be used for agricultural and cart pulling purposes

Traditionally negotiations conducted by finger touching under cover

Excitement surrounding a deal just completed

6 December 2014

Arunachala Karthigai Mahadeepam -- December 5, 2014


Ardhanarishvara 

There are many subtleties and esoteric meanings connected with the mythology and legends of Arunachala. One of the most famous being that of Ardhanarishvara - a form of the divine which is particularly celebrated at Arunachala and not more so than during the festival of Deepam. 

At the mystic hour of dusk when thousands have gathered in the courtyards and roofs of the Temple, waiting since early morning, the pancha murtis, are carried out into the courtyard in a fast running motion, sitting in their golden palanquins covered with festoons. The deities are placed in a Mandapam (ceremonial pavilion) opposite the entrance to the Arunachaleshwara's temple and facing the holy mountain. 

At that time also the deity Ardhanarishvara is brought out and placed on the stairs of the Temple close to the big Deepam. This is the only day of the year that this particular Deity is ever moved. It is most auspicious. 

In the Deepam Festival the union of Shiva and Parvati in the deity Ardhanarishvara is also reflected. Once the Goddess in play covered the eyes of her Lord Shiva with her hands, and thus the whole world was plunged into darkness. However, Shiva opened his third eye on the request of the Gods, and light was restored. 


Ardhanarishvara

Uma was ashamed of her childish behaviour, and she retired from Mount Kailasa to Kanchipuram to do penance and purge herself of her sin. Shiva then directed her to go to Tiruvannamalai to worship him there. Mother Uma became an anchorite and did severe penance and also She performed girivalam around Arunachala with deep concentration on the holy name of the Lord. 

Shiva was pleased and told Her that she was now relieved of the sin which was causing the untimely pralaya (destruction of the world). He blessed Her saying, 'Come and unite with me,' and disappeared into the Hill. 

Then on Kartikeya day the Lord appeared as a blazing light, a jyoti on the top of the Hill, and asked Mother Uma to circumambulate the hill. So she did, and when she rounded the western side of the hill, Shiva appeared on his white bull and blessed her. When she rounded the hill on the north-western side he absorbed her into the left half of his body. Thus came into being the form of Ardhanarishvara, the deity that is represented as half male and half female. 

To learn more about the 'Legend of Ardhanarishvara' at Arunachala go to this link here


Ardhanarishvara darshan Temple Compound

Lord Arunachaleswarar

Lord Arunachaleswarar Darshan Temple Compound

MahaDeepam

“. . . However all this was only preparatory for the last and principal day of the Festival, on which the darshan of the Light is given. This day is also a day of fasting, as the spirit must be pure and completely unencumbered in order to receive the grace of this darshan. On this day one refrains from all food, or at least from taking the normal heavy meal of rice, until the evening after sunset, when one has actually seen the light on the crest of Arunachala. 

I spent this day at the Esanya Madan . . . and arrived around two o’clock, at the inner courtyard of the Temple which was already more than half full. However with the help of friends I managed to insinuate myself onto a balcony from which I could get an excellent view of the whole ceremony. By four o’clock it looked as if not a single square foot in front of the sanctuary remained unoccupied, and yet the crowds continued to arrive. From my balcony I looked down on a sea of heads, all exposed without protection to the fiery rays of the sun. 

In order to divert the crowd, as they awaited the great moment, a succession of speakers came to the microphone which was placed quite near me on the balcony. They had only a limited success, however; and even when Murugan Das took the microphone, began to sing and invited the crowd to join in the refrain he carried scarcely half of them with him. Then he chanted the great mantra “Glory to Shiva!” and at once every tongue took up the cry, which was bellowed from the loud-speakers and echoed back from the enclosure walls. Soon there was only the cry of “Om Namah Shivaya! Om Namah Shivaya!” coming in great waves of sound endlessly repeated from all sides and uttered in fervent supplication.


Deepam inside Arunachaleswarar Temple


Towards five the singing stopped, as a procession emerged from the Kalyana Mandapam. It was the five murtis (Ganapati and Subramaniyar, the two sons of Shiva; the Bull Nandi, Shiva’s vehicle, Parvati, his consort; and finally Shiva himself) which were now coming attired in their most splendid garments and covered with flowers, to mix with the crowd so that they might have the darshan of the Holy Light. Immediately in front of the porch of the sanctuary stands a mandapam which was built in 1202 by Mangayarkarasi to provide a shelter for the Lords of the Temple during this annual function. The murtis passed through the crowd in their palanquins carried on the shoulders of the Brahmins. Once they were in their place, everyone’s attention was once more turned towards the Mountain and the chanting of mantras began again. 

The atmosphere became more and more tense. The sun had now disappeared behind the mountain, and the lengthening shadow of the mighty Linga of rock gradually spread across the sanctuary, the courtyards and the Gopurams. The great moment was drawing near for which everyone was waiting—the appearance of the Flame. Expectation filled every heart and showed on every face. It increased in harmony with the rhythm of the cosmos itself; as slowly beyond the horizon the moon rose into the sky, while in the depths of space the constellation of the Pleiades, of Krittika, appeared in the same direction. 


2014 Mahadeepam Arunachala Hill


Suddenly there was the sound of an explosion, like a gunshot. Young Brahmin torch-bearers came running out of the inner sanctuary, brandishing their lighted torches at arm’s length. Priests offered the flame of the arati before the murti of Arunachala at its space under the mandapam. In front of the main gate a huge bronze cauldron, filled with oil, camphor and clarified butter, burst into a giant flame. 

And from the peak of the Mountain also, - on which all eyes had been fixed for the last full hour, not only in the Temple and the town, but in the whole countryside around to a distance of many leagues—the flame mounted up, manifesting both outwardly and in the heart of the faithful, the mystery of Light which from the beginning has at the same time hidden and revealed itself in Arunachala. 

That is all. The Flame has been seen. Joy and grace have filled all hearts. The crowd immediately begins to disperse, though it will be more than two hours before the Temple courts are completely empty. Each one as he leaves, goes to the bronze cauldron and casts into it his offering of camphor or of oil to be burnt up in the one great flame - a symbol of his own departure into the mystery of the Flame. 


2014 Mahadeepam at Arunachaleswarar Temple and on Hill


Meanwhile those from above begin their slow and difficult descent from the Mountain. They had climbed up early that morning in the first light of dawn, carrying jars of oil and clarified butter. The worthiest of their number were entrusted with bearing the sacred fire, taken from each of the Temple shrines, in order to light the Deepam flame. This had to be done at the very moment when, from their lofty observatory, they saw simultaneously the red sun disappearing in the west while the moon’s dish came over the horizon in the east. 

As soon as I left the Temple precincts amid the crowd of faithful, I joined with many others in once more following the circular road round Arunachala . . . as I stepped into the cool air of the night . . . all the detailed features of the Mountain had disappeared. There was nothing to be seen but the sharp outline of its mystic triangle sketched against the sky. As the moon climbed majestically towards the zenith, it shed over it its silvery light, while all around was spread a mysterious shadow. 

The Mountain had become an immense lamp, from the top of which glittered the bright Fame. OM.”
[By Swami Abhisktananda 1970]


5 December 2014

Bharani Deepam 2014


This is the flame that will light the 2014 Karthigai Deepam on top of Sacred Arunachala. 



Wishing all a Blessed and Sacred Deepam; may that LIGHT bring you a joyous and peace-filled 2015. 




[I hope to post a narrative and photographs of the lighting of the 2014 Deepam tomorrow -- December 6, 2014]


Click here for links and information about 2014 Arunachala Mahadeepam -- Live Streaming Video 

2014 Arunachala Karthigai -- Bharani Deepam



'The all-pervading quiet of early morning is suddenly disrupted by a mad clamor of thunderous sound. Ringing bells, pounding drums and piercing nagaswarams (temple horns) almost overpower the belting voices of hundreds of devotees who are singing songs in praise of Siva, the Lord of Arunachala. It is 4:30 am on the 5th December, 2014, and the main sanctum sanctorum of the massive Tiruvannamalai Arunachaleswarar Temple is packed with souls who have been waiting all night for this moment. 

The chief priest has just finished a simple ritual called Bharani Deepam and now ceremoniously waves a huge camphor flame in the direction of nearby Arunachala mountain. Although he is chanting Sanskrit slokas, he cannot be heard amidst the deafening furor of devotion that surrounds him. Finally, he touches the flame he is holding to the wicks of five huge, earthen, ghee-filled pots, representing the sacred elements; earth, air, fire, water and ether. 



As these five flames loom up with red-yellow light, the famous, one-day, South Indian festival of Krittika Deepam officially begins. A single flame is then taken from the pots and kept burning in the Temple throughout the day as a symbol of the merging of manifestation back into God, the one source of all. This single flame is referred to as the Bharani Deepam. 



Significance "There is immense significance in this ceremony called Bharani Deepam. At this time, the universal Lord manifests as the five elements, which will later fully merge to become one when the Krittika Deepam flame is lit in the evening. From one to many and many to one. This is the whole essence of Saivism and the meaning of Krittika Deepam." 



Town's people and pilgrims from far afield, are climbing Arunachala some in order to secure a good viewing point for the evening's lighting of the 2014 Deepam cauldron, others so that they can personally deliver their ghee offerings to the top of Arunachala and some to just touch the cauldron that will hold the flame that will be lit that evening. From the town, the stream of people climbing up the slopes of Arunachala look like a line of tiny ants. 



Around 10:00 a.m. this Bharani morning, a group of fishermen will be blessed by a priest in a ceremony at the Temple. Amidst ringing bells and temple music, the priest will give the fishermen a lamp in a protected container that has been lit from the Bharani Deepam in the Temple. After the consecration ritual, the fishermen take off up the mountain. It will take them about four hours to carry the flame to the top of Arunachala. 

This lamp, also called Bharani Deepam, will be taken to the top of the Hill by fishermen from hereditary fishing families. Others of the same hereditary fishing family will remain at the Temple and this evening light the Deepam flame outside the Arunachaleswarar Siva Sannidhi.'

Festival of Lights


The streets surrounding Arunachaleswarar Temple are full of shops and street stalls selling lamps of every description in time for lighting this evening celebrating Karthigai Deepam. 





4 December 2014

Deepam Puja at Sri Rajarajeshwari Temple


As is my usual custom today, the day before Deepam, went early morning with a friend from Malaysia to Rajarajeshwari Temple to attend abhishekham of the Goddess. A very special Temple at Arunachala.


Goddess Rajarajeshwari

Sri Meru Chaktra

Nandi takes darshan of his Lord

The Goddess

Arasu, previously Civil Engineer who now manages this family Temple

2014 Deepam Festival. Day Eight—Night: Arunachaleswarar Horse Vahanam



In Hindu iconography, positive aspects of the vahana (vehicle) are often emblematic of the deity that it carries. In this procession each of the panchmoorthies not only has the horse as its vahana, but each God also carries a whip in their hand. 

The main characteristic of the horse is its loyalty, industriousness and swiftness. It is symbolic of energy and effort and also symbolises the air or prana which runs through the channels of the body and is the vehicle of the mind. That means, with God as driver, we have the possibility of controlling the mind and wind and guide it towards any direction and at any speed that we wish. The neigh of a horse is also symbolic of the power to awaken the sleepy mind for the practice of sadhana and righteousness. 



Alangarams: (left to right) Karthikeya, Arunachaleswarar, the Goddess

Lord Ganesha, whip in hand

Panchamoorthies Darshan outside Temple Mandapam

Arunachaleswarar on Horse Vahanam