29 November 2017

2017 Arunachala Karthigai Festival: Day 7. Procession of Ters (Radhams)



The 7th day of the  Arunachala Karthigai Deepam Festival is probably the most popular of all the ceremonial processions of the Deepam Festival. It is the day the Radhams are hauled by devotees around the mada veedhis of Arunachaleswarar Temple.

This day all the panchamoorthies participate in the procession, each in their own wooden chariot. The first two chariots are those of Lord Vinayaka and Lord Murugan (with both His wives). 


The first Radham to start on procession of the mada veedhis is that of Lord Vinayakar which is followed by that of Lord Murugan

Here the chariot has reached Pey Gopuram Street (West Side of Temple)

This year devotees carrying children in sugarcane cradles accompanied the chariots on part of their parade

Sugarcane cradles (Karambu Thuttis) with the child in the sling, being carried by parents and relatives



2017 Arunachala Karthigai Festival: Day 6. Night—Silver Chariot



The below pictorial report is of the night procession of the sixth day of the 2017 Arunachala Karthigai Deepam Festival with the Lord in his processional Silver Chariot.



Aarti is performed to the panchamoorthies in the Kalyana Mandapam (3rd Prakaram)

The Panchamoorthies are carried in palanquins around the outside of the Siva Shrine to the Yagasala Shrine (3rd Prakaram)

At the Yagasala Shrine ceremonial markings and pottu are added to the foreheads of the Deities

After the markings and pottu have been added, the Deities are then carried away from the Shrine through the Temple, exiting via the Thitti Vassal gate next to the Raja Gopuram (5th Prakaram)

The Gods are then carried across Car Street to the Tank next to Siva Sannidhi Street

Moving towards the loading mandapam

From the loading mandapam (yellow building) the God is then transferred into the Silver Chariot

Priests and attendants seating in front of the Lord on top of the Silver Chariot

The Lord in Silver Chariot leads the procession, the other Deities follow in their own conveyances

2017 Arunachala Karthigai Festival: Photographs of Deepam Festival



Cultural Programmes regularly held in Auditorium, 4th Prakaram

Dance academies in Tamil Nadu send Bharat Natayam dancers to perform

Dance and Music programmes are very professional

Illuminations throughout the Temple and around the Temple Tanks

This large illumination outside the Alankaram Mandapam off Car Street

Traditional musicians playing in front of processions and on the streets of Tiruvannamalai

Relations come to perform circumambulation of the Temple with baby in a cotton cradle (Karumbu Thutti)

The Deepam Cauldron created in 2016, has now been repaired and repainted and awaits in the 1000 Pillar Hall to be soon carried to the top of Arunachala

Ghee awaits in one of the Temple rooms, also to be transported to the top of Arunachala



2017 Arunachala Karthigai Festival: Day 6. Day—Chandrasekhara on Silver Elephant: 63 Nayanars



In the festivities of the morning of the sixth day, a glorious Silver Elephant, leads a procession of the great Shiva devotees, the 63 Nayanars.

The Nayanars are remembered as a group of 63 saints (poets) of the 6th to 8th century who were devoted to Lord Shiva. It was they who influenced the Bhakti movement in Tamil Nadu. The names of the 63 saints were first compiled by Sundarar and the list was expanded by Nambiyandar Nambi during his compilation of material for the famed Tirumurai.

Out of the 63 Nayanars, the four Saiva Samaya Acharyas are remembered best of all. Those four are: Tirugnasambandar, Tirunanvukkarasar (Appar), Sundarar and Manikkavasagar.

The principal teachings of the four Saiva Samaya Acharyas is of love and surrender to God; and of service to God and godly men. That love, devotion, and service to God is the only way one can obtain His Grace. God is One and He is Shiva. That man must get over his bonds which keep him in ignorance and obtain inseparable union with Shiva through the Lord's Grace.




Lord Chandrasekhara on Silver Elephant

Lord Chandrasekhara on Silver Elephant on Car Street


Lord Vinayakar on Silver Rat Vahana

The saints being carried in Palanquins

School Children carrying the Saints in Palanquins

63 Nayanars in Palanquins, Car Street

Four Saiva Samaya Archaryas

28 November 2017

2017 Arunachala Karthigai Festival: Day 5. Night—Big Silver Rishaba



Big Silver Rishaba


"The Festival begins nine or ten days before Deepam. Each evening there are solemn processions round the Temple, which are over and above the regular worship and the private offerings of puja which go on through the day.

The day comes to its climax with the procession of the panchamoorthies in the evening, which lasts almost until midnight . . . .

It was recommended not to miss the night of the silver bull, and I had accordingly arrived in very good time . . . . in the Kalyana Mandapam, ‘the portico of weddings,’ the priests were busy decorating the murtis, using silk and gold brocade, flowers and valuable jewels. Meanwhile the cars were standing outside the Temple, and on them also ornaments were being loaded. All this seemed to go on interminably; but at last there was a sudden blare of trumpets form the inner courtyard, their sound re-echoing loudly from the high enclosure walls. Accompanying the trumpets was the low drone of the tamburas, while the silvery melody of flutes pierced though the noise of the crowd.

Now the file of moorthies with their attendants emerged from their shrines, and when they passed under porticos or gopurams the echo from the low vaults become deafening. Soon they came to the Vallalla Gopuram where were standing. In front were the torch-bearers, next the musicians, and last the palanquins, carried on the bare shoulders of devotees. On either side was the tightly-packed crowd with outstretched arms, giving cries of fervent devotion. Somewhere breaking coconuts on the ground, while others held out at arm’s length gilded trays of burning camphor. The enthusiasm spread, swelled, multiplied itself irresistibly. Light, heat, scents, sounds, bodies and souls too, all were weeded together into a single vast and vibrant outpouring of love in honour of the Lord of Arunachala.

We followed behind the procession, crossed the outermost courtyard, passed under the huge gopuram over the East Gate and reached the long colonnade which adjoins it on the east, where the cars were waiting. The moorthies were installed on the cars; and once again the work of decoration was resumed with renewed zeal; flowers, jewels, lights in even greater quantity. The crowd was now more tightly packed than ever. The friend who was guiding me managed to open a path for me immediately in front of the chief car, where the palanquin of Shiva Annamalaiyar was mounted on the silver bull.

Over him was held a huge ceremonial umbrella which touched the roof overhead. Behind the car was a trailer with a dynamo, and thousands of electric bulbs sparkled all over the palanquin, the platform, the decorations, among the jewels, silks and flowers which adorned the statue. A devotee, who was standing near, was so moved that he cried out: "How can one doubt any longer that it is the Lord himself upon his car, who presents himself for our adoration!"


[Edited Narrative By Swami Abhishekananda 1970]




Panchamoorthies give darshan outside the Alankaram Mandapam

The Lord on his Vahana, the Big Silver Rishaba

2017 Arunachala Karthigai Festival: Day 5. Day—Chandrasekhara on Rishaba Vahana



On the morning of Day 5 of the 2017 Arunachala Karthigai Festival, Lord Chandrasekhara is seated on the Rishaba Vahana.


Lord Chandrasekha exiting the 5th prakaram on way to Thitti Vassal Gate

Drummer in front of the Alankaram Mandapam

Lord Chandrasekhara on Rishaba (bull) Vahana

Procession of the mada vedhi (perimeter streets) of Arunachaleswarar Temple

Procession on Car Street, Tiruvannamalai

Completing procession of the perimeter streets around Big Temple

27 November 2017

2017 Arunachala Karthigai Festival: Day 4. Night—Kalpavriksha and Kamadhenu Vahanas



One of the most popular processions during the Arunachala Deepam Festival, is that of Kalpavriksha (also known as Karpavirutcham), the wish-fulfilling tree and Kamadhenu, the wish-fulfilling cow. Both of which emphasis the wish-fulfilling aspect of Arunachala.

The Kalpavriksha is a mythological Divine tree said to fulfill all desires. Its mythology narrates that the wish-fulfilling tree originates from the churning of the ocean of milk after which the god Indra, returned with the tree to his paradise. During the Deepam Festival on the Fourth Night the Lord is seated under the Kalpavriksha Tree.

The second major Radham appearing on that night is that of Kamadhenu (literally meaning; the cow; "from whom all that is desired is drawn", or “the divine cow providing for all needs”). The Kamadhenu is a divine cow-goddess described in mythology as the mother of all cows who provides the owner with whatever is desired.

It is often the wish fulfilling aspect of Girivalam that brings many pilgrims each Poornima (Full Moon) to the Hill, whatever the difficulty or weather, to perform girivalam. In fact many pilgrims prefer it when the conditions are extreme (cold, heavy sheeting rain, previous tapas such as fasting and mortification etc) as they believe that the greater the difficulties they overcome in performing girivalam, the greater will be the focus of their sankalpa (intention) and success of their wish.

The now deceased Annamalai Swami explains the power of the Hill as thus:-

“. . . It is not an ordinary hill. It is spirituality Itself. It has a powerful, magnetic pull to the Self. Seekers who come to this place with the intention of realizing the Self will have untold benefits to do pradakshina on a full moon.

In the proximity of this holy hill the presence of the Self is more powerful and more self-evident than anywhere else. Indian mythology speaks of a wish-fulfilling tree. If you find this tree and tell it what you want, your wish will be granted.

Arunachala also has this reputation. This is why so many people come here on a full moon night and walk around it. But very few people come here and ask for their complete freedom, for undisturbed peace.

Arunachala is a light. It shines. It is the light of the Self, and the light of the Self will continue to shine on you whether you believe it or not. Arunachala is greater than all other religious places. There are other holy, powerful places in the world, but none have the power of Arunachala . . . There is a huge amount of shakti, or spiritual energy, here.”





Aarti to the Panchamoorthies' Alangarams

The Lord being prepared on his Vahana inside the Alankaram Mandapam (outside Raja Gopuram)

Frenetic activity preparing all of the panchamoorthies outside the Alankaram Mandapam

Kalpavriksha: The Wish Fulfilling Tree

2017 Arunachala Karthigai Festival: Day 4. Day—Lord Chandrasekhara on Naga Vahana



On the morning of Day 4 of the 2017 Arunachala Karthigai Festival, the vahana for Lord Chandrasekhara is the naga.

The use of the word naga usually refers only to mythological serpents while snakes living in nature are called sarpas. However the word naga is also used to represent the cobra.

The cobra which is seen coiled around the neck of Lord Shiva, represents power over destruction and creation. It primarily represents rebirth, death and mortality—due to the casting of its skin thus being symbolically "reborn". The snake also represents Kundalini Shakti and as a vahana of Lord Shiva depicts desires kept under control of the Divine.




Alangaram of Lord Chandrasekharar

Lord Chandrasekharar on his Naga Vahana

Procession of the mada veedhis (perimeter streets of Arunachaleswarar Temple)

Procession of the Panchamoorthies

Large crowds of pilgrims are attending each function

Drummer on Big Street (in front of the Alankaram Mandapam)

2017 Arunachala Karthigai Festival: Day 3. Night—Lord Chandrasekharar Simha Vahana



During this 10-day Arunachala Karthigai Festival, the panchamoorthies are daily taken out in procession and circumambulation of the mada veedhis around Arunachaleswarar Temple. Sometimes, the Deity is shown mounted on or riding the vahana, while at other times, the vahana is shown by the Deity's side. Many times, this vahana (vehicle) represents and symbolises a Divine attribute and even though the vahana appears to be independent, it is actually part and parcel of the Deity's presence and has an meaning to it.

In the case of the Lord on the Simha (lion) vehicle; the creature represents lordly power in general and lordly power of wild beasts in particular.The lion is regarded as a Royal beast and thus represents the best in animal creation. However it may also represent greed for food and hence greed for other objects of enjoyment, which invariably leads to lust. The Lord mounted on this Simha vahana represents His ascendancy and control of animal instincts manifested in the human being.

The lion is an archetypal symbol for the golden-rayed sun, the lord of the day, whose appearance kills the demonic forces of the night. The lion has always been important in Indian mythology as it symbolises the solar and luminous principle of life and knowledge.

The lion also expresses the heroism and prowess necessary to defeat asuric forces and represents the heroism and strength required to enter the spiritual path.



Aarti offered to the panchamoorthies inside the Kalyana Mandapam, 3rd Prakaram

Panchamoorthies performing circumambulation around the Siva Sanndihi, 3rd Prakaram

Lord Chandrasekharar on Simha Vahana

The Goddess on her Vahana, following the Lord on Simha

The panchamoorthies performing their procession of the mada veedhis