Showing posts with label 2015 Pongal. Show all posts
Showing posts with label 2015 Pongal. Show all posts

16 January 2015

2015 Arunachaleswarar Thiruvoodal Enactment

The below two photographs are of the enactment of the 2015 Thiruvoodal (petty quarrel) between Lord Shiva and the Goddess which partly takes place on the mada veedhi (perimeter streets) of Arunachaleswarar Temple here at Tiruvannamalai. 

Thiruvoodal is enacted by Shiva and Parvati to convey social truths to their devotees. It takes place; inside the compound of Arunachaleswarar Temple, on the streets delineating the perimeter of the Temple, and on the girivalam pathway itself; by iconic representations of Shiva and Parvati. Thiruvoodal Festival is regarded in such high esteem that one of the perimeter roads has earned the special name Thiruvoodal Street by this convention. 

From the early hours Abishekam is performed at the Temple to start the procession by 5 a.m. At which time an iconic representation of the Lord (and Parvati) is carried by attendants on a palanquin with a huge sunshade. 

The palanquin first visits the Kodi Kampathu Nandi and gives darshan as Viratswarupa and afterwards separates into three parts representing; Brahma, Siva and Vishnu before leaving the compound of Arunachaleswarar. 

After Blessing the Nandhis en route the Holy Couple of Periya Nayakar (Protagonist Of the Universe) and His Consort find their way out through the thitti vaasal - a small entry at the east of the Temple compound, instead of leaving through the main Temple gate known as the Raja Gopuram. 

On blessing the Sun at the thitti vaasal the procession goes around the temple perimeter thrice. During which the actual staging of the Divine Quarrel is re-enacted on the streets; the first time as Brahma, second as Vishnu and the third round as Rudra.


The Gods "quarrelling" on the Tiruvannamalai streets

To support the enactment of the 'tiff' between Shiva and the Goddess, emissaries are employed by both to convey messages between the deities and participate in 'brokering a deal' between the feuding couple. The emissary used by Shiva on his behalf is Sundaramurthi Nayanar – a saint feted as a great devotee of Lord Siva and one of the Tamil Samaya Acharyas (four Tamil religious Teachers). His story is included in the famous book entitled Periapuranam. Saint Sambandhar is the other emissary engaged to help conciliate the Divine couple. 

A Tamil Poem "Thirukkutraala Voodal" narrates how Devi and Swami sing mockingly against each other’s courting. Thiruvalluvar has stressed in his verses the fact that such play between the couple enhances love and affection between spouses especially in making love which is described as the supreme form of "understanding" each other. 

Parvati complains about Shiva in the presence of Saint Sundarar. She talks of her unhappiness about the unkempt ways of Shiva; about his matted hair and having the Goddess Ganga in his disheveled locks, about his naked body smeared with ashes, his reclusive nature and his way of wandering about in cremation yards, His liking for wearing bones and dried skin, the carrying of a skull and his other strange behaviour. The Goddess also complains of Lord Shiva appearing in the minimal clothing of a Kaupina (loincloth) in front of the Rishi’s wives to whom he gives mouna darshan. Parvati also criticises that she is unable to get her Lord to work as he is immersed in meditation most of the time. 




Saint Sundarar is nonplussed and does not know what to do. Shiva, for his part, knowing full well that Parvati is more concerned with 'this and now' while he dwells purely in the eternal, pleads with her to reconcile. Parvati is implacable and stops talking to Shiva. She enters the temple without him. In order to placate her and as night is approaching, Shiva agrees to circumambulate Arunachala. During his circumambulation, he meets Bhringi Rishi and grants him liberation. The Lord loses all his Jewels during his hill round. 

When Lord Shiva completes his pradakshina he returns to Arunachaleswarar Temple early the next morning. He wishes to have reunion with his consort. This part of the Festival is known as Maruvoodal. The point of the Maruvoodal myth is to show the world that even a Celestial Couple has differences between them. But in the end there should only be reunion, even at the cost of a loss in finances which is represented by the loss of the jewels the night previously. 

Returning to his residence, Shiva knocks at the door but it has been bolted by Parvati. Lord Shiva asks, 

‘Oh my darling why have you locked the door?’ 

‘Sir after we came to an understanding still you went without me. And see now look you have lost everything there is no ornament or clothes. Not, only that but you went and gave darshan to all kinds of people. So, I am now requesting you must establish your manliness to me and retrieve everything that is lost and give the special one-legged dance.’ 

Shiva starts the dance, Parvati forgets everything and opens the door. 

To learn about the sagas concerning the Gods which are used to create the scenario of the 'petty quarrel' (Thiruvoodal) that needs resolution go to this link here

Happy 2015 Pongal from Arunachala


Pongal was originally a Harvest Festival for the farming community but today it is celebrated by all. It follows the solar calendar and is celebrated on the same days each year. With the end of the wet month of Margazhi (mid December to mid January) the new Tamil month of Thai heralds a series of festivals.

According to the calendar based on the solar system the year is divided into two halves following the apparent movement of the Sun northwards and Southwards. The former is termed Uttarayanam and the latter is Dakshinayanam. Uttarayanam marks the Sun’s movement northward for a six month period and all important events are scheduled during this time. On the first day of Thai, the Sun leaves the zodiac sign of Sagittarius and enters that of Capricorn, the latter is known as Makaram. The event thus is celebrated as Pongal.

There is a Tamil saying; "Thai peranthal Vali Perakum" – which means - with the dawn of the month of Thai, there will be peace, happiness, prosperity, brightness and harmony in the life of everyone.

Four festivals are celebrated at Tiruvannamalai (and throughout Tamil Nadu) for four consecutive days during Pongal Festival. Bhogi Pongal on January 13th, Surya Pongal on January 14th, Maattu Pongal on January 15th, and Thiruvalluvar Day (Kaanum Pongal) on January 16.

On Bhogi old clothes and materials are thrown away and set on fire, marking the beginning of a new life. The second day of Pongal, is celebrated by boiling fresh milk early in the morning and allowing it to boil over the vessel - a tradition that is the literal translation for Pongal. The third day, Mattu Pongal, is meant to offer thanks to the cows and buffaloes, as they are used to plough the lands. The fourth day of this Festival is called Kaanum Pongal. In a few places this day is also known as Karinaal or Thiruvalluvar Day.


Decorated Nandi at Arunachaleswarar Temple, Pongal 2015


Today the third day is known as Mattu Pongal, on which we offer thanks to the cows and buffaloes. To look at an earlier cow pongal at Tiruvannamalai, please go to this link here. As well as farmers and agriculturalists celebrating Mattu Pongal today, the cow (buffalo) is also worshipped at Arunachaleswarar Temple.

The Five Nandis

During Mattu Pongal at Arunachaleswarar Temple, apart from other celebrations, the five Nandis inside the Temple are lavishly decorated with garlands and foodstuff.

The five Nandis are; Pradosha Nandi, in the Moolastanam, Ratha Vilaku Nandi in the Second Prakaram, Kodi Kampathu Nandi in the Third Prakaram, Chinna Nandi in the fourth prakaram and the Periyar Nandi that stands in front of the Vallala Gopuram in the Fifth Prakaram.


Mattu Pongal Arunachaleswarar Temple 2015


The Gods giving darshan at Thitti Vasal Gate, Big Temple


Also on this day and unique to Tiruvannamalai, we observe the Tiruvoodal Festival. Legend has it that the Lord in answer to a promise given to Parvati appears on this holy day (Uttarayana) to dance on one foot. He says; ‘On Uttarayana holy day, I will do the dance when the sun rises.’ 

The word 'Thiru' signifies; deity, sacred, holy and wealth and the word 'Voodal' actually means 'tiff' or 'petty quarrel', and represents the friction between the male and female in a love relationship which is consciously exacerbated. The distinguishing mark of Voodal is that it should arise and stay only for a brief period and not be prolonged as its focus is the bliss when the Voodal is withdrawn. 

The poem Thirukkural says in the chapters dedicated to 'kama' which is concentrated on the relationship between man and woman and the establishment of household and children, that; 'The way to amplify bliss through desire or relationship is through voodal. That ever present bliss you can only see when the tension comes and is withdrawn. It is like salt to food – beyond a certain limit it is lost completely.' Thirukurral explains the tiff as 'creation of a tension, which when released you have a bliss that is always present. It is the Voodal that helps one focus upon that.' 

Thus Thiruvoodal is enacted by Shiva and Parvati to convey social truths to their devotees. It takes place; inside the compound of Arunachaleswarar Temple, on the streets delineating the perimeter of the Temple, and on the girivalam pathway itself; by iconic representations of Shiva and Parvati. Thiruvoodal Festival is regarded in such high esteem that one of the perimeter roads has earned the special name Thiruvoodal Street by this convention. 

To read more of this narrative please visit my website at this link here, and an earlier posting on Arunachala Grace at this link here.