Deepam Festival 2012, Ayyankulam Tank

After the night of the lighting of the Deepam on the top of Arunachala, there are several subsequent days celebrated at Tiruvannamalai which are also part of the Deepam Festival. For three consecutive evenings after the lighting of the Arunachala Deepam, the Gods are taken upon the Ayyankulam Tank upon beautifully decorated floats. 

Also during one of the days after Mahadeepam the Gods perform a grand circumambulation of Arunachala, stopping at many spots along the way, allowing devotess to make offerings to the Gods, and for the attendant priests to perform aarti. 

Ayyankulam Tank in the daytime

First Evening Lord Chandrasekhara

Crowds at Tank Edge, First Evening

Second Evening, Amman Theppal

Amman

Gods on Circumambulation

Stopping whenever requested

Deepam Temple Lights 2012

On this day of the Festival of Lights, Deepavali, what could be more fitting than posting photographs of the nine gopurams of Arunachaleswarar Temple lit up in full splendour for the 2012 Deepam.

Right click on below photographs for enlargements. 

Blessing the Deepam Cauldron

Right click on view enlargements of photographs

Very early this morning Puja was performed at the Arunachaleswarar Temple on the Deepam cauldron with sweet Ruku, the Temple elephant and one of the cows from the Temple goshala in interested attendance.

Many years previously, the Deepam pot used to remain on top of Arunachala throughout the year, and was only replaced after several years of use and weathering from exposure on the Hill, had irreparably damaged it. Nowadays, the pot is carried up Arunachala a few days before Mahadeepam. And after the Festival is over, brought back down the Hill and stored at the Arunachaleswarar Temple.





The pot started its slow ascent up the side of the Hill before dawn. And by daybreak the carriers have already reached nearly half way up the Hill.




Those who have climbed the Hill, from the Temple and Virupaksha side know only too well of the rough, uneven path. Progress is slow, but progress is certain.




Before long the Temple Cauldron will have reached its destination as beacon light on top of Holy Arunachala.

In Search of Secret India

As is the case with many pilgrims to Arunachala, my introduction to the Hill was through the writings of Paul Brunton in his remarkable book, “In Search of Secret India.”

The book charts the course of Paul Brunton’s spiritual quest travelling throughout India in search of a Guru. His journey led him to meet extraordinary men in very unordinary circumstances. Eventually he was to understand that his guru in form was Sri Ramana Maharshi, and three chapters in the book recount Brunton’s experiences both with Arunachala and with the Sage.

When the book “In Search of Secret India”, found its way into my life I was recuperating from an illness so was able to read the book many times in a restful and contemplative manner. Like Brunton, I also fell under the spell of several saints and sages presented “In Search of Secret India,” however my true enchantment was spun by what was termed, ‘The Hill of the Holy Beacon'. And the book left me with the overpowering intention to one day visit Arunachala during Deepam Festival, and view the light on top of the Holy Hill.

There can be no better joy in life then what man proposes and God disposes are unified and it has subsequently been my great good fortune to be allowed to be at Arunachala for many Deepams.

Below is a narrative from Brunton’s book which describes his first view of Arunachala;-

“ . . . We descend at a little wayside station and the train screeches and grinds away into the silent darkness. Night’s life has not quite run out so we sit in a bare and comfortless little waiting-room, whose small kerosene lamp we light ourselves.

We wait patiently while day fights with darkness for supremacy. When a pale dawn emerges at last, creeping bit by bit through a small barred window in the back of our room, I peer out at such portion of our surroundings as becomes visible. Out of the morning haze there rises the faint outline of a solitary hill apparently some few miles distant. The base is of impressive extent and the body of ample girth, but the head is not to be seen, being yet thick-shrouded in the dawn mists.

. . . . . I judge that we have now travelled about five or six miles, when we reach the lower slopes of the hill whose vague outline I had seen from the station. It rises like a reddish-brown giant in the clear morning sunlight. The mists have now rolled away, revealing a broad skyline at the top. It is an isolated upland of red soil and brown rock, barren for the most part, with large tracts almost treeless and with masses of stone split into great boulders tossed about in chaotic disorder.

Arunachala in the 1940's

Brunton’s companion said:

“. . . . . Once a year the temple priests celebrate their central festival. Immediately that occurs within the temple, a huge fire blazes out on top of the mountain, its flame being fed with vast quantities of butter and camphor. It burns for many days and can be seen for many miles around. Whoever sees it, at once prostrates himself before it. It symbolizes the fact that this mountain is sacred ground, overshadowed by a great deity.”

The hill now towers over our heads. It is not without its rugged grandeur, this lonely peak patterned with red, brown and grey boulders, thrusting its flat head thousands of feet into the pearly sky. Whether the holy man’s words have affected me or whether for some unaccountable cause, I find a queer feeling of awe arising in me as I meditate upon the picture of the sacred mountain, as I gaze up wonderingly at the steep incline of Arunachala.

“Do you know,” whispers my companion, “That this mountain is not only esteemed holy ground, but the local traditions dare to assert that the gods placed it there to mark the spiritual centre of the world!”

[In Search of Secret India by Paul Brunton]

Arunachala and Fishing Folk

Today spent time with an older gent who is well versed on the history of Arunachala. We talked about the fire-walkers of a previous post – upon which I hope to be getting some new fascinating in-depth information. We also talked about the fisher folk that are responsible for the Deepam cauldron on top of Arunachala during Krittikai Deepam Festival.

“Every year during Deepam five earthen-pot lighted lamps, representing the five elements, provide the flame for the single Bharani Deepam which fisherman carry to the top of the mountain for use as the source-light for the Krittikai Deepam.

That same morning the Deepam cauldron is hauled up the slopes of Arunachala supported by poles inserted into the cauldron’s rings. The unique privilege for taking the flame (source-light) and cauldron up the Hill and also for the actual lighting of the Deepam Flame is always given (for long as the Hill’s recorded history) to men of the fishing caste.”

Men of the fishing caste

The reason for the extraordinary grace shown to the fishing clan reputedly is explained by a famous legend of the time the Goddess Parvati was adopted by the king of the fishermen. A version of the story appears below.


Becoming a Fisherman

"Once, the Lord was explaining to the Goddess the secret import of the Vedas. However, the Goddess who was listening to the Lord, seemed to be beset with some anxiety and was otherwise engrossed. It was, therefore, apparent that She was listening in name only. The Lord noticed this and said that as She was not paying full attention to the important things discoursed by him she should be born in the fisherman’s community. The Goddess lamented this and the Lord assured Her that She would be born to the king of fishermen and that He (The Lord) would in due course come to wed her.

Ganapathi and Subrahmanya, the sons of the Lord were greatly perturbed by this and in their frenzy, considered the books of the Vedas to be the cause of the trouble and threw the offending books into the sea. The Lord took Nandikeswara to task for having allowed Vinayaka and Subrahmanya to go to Him without knowing His convenience and cursed him to become a shark in the sea. Any curse on Ganapathi would recoil on Him (the Lord) and hence the Lord did not impose any curse on him, however, Subrahmanya was cursed to become the dumb son of a merchant.

There was a place called Pakam on the eastern seashore of the Pandya Kingdom which was inhabited by fishermen and their king of the great fisherman clan of Paravar, was a great devotee of Lord Siva. The king had no children and one day, when he went to the sea for fishing, found a crying female child lying under a Pinnai tree (or Punnai, Calophyllam Inophyllam) on the seashore. He picked the child up with great joy and handed it to his wife saying that it was a gift of the Lord. His wife brought up the child very affectionately and adorned it with various jewels. The child grew to be a girl who constantly meditated on Lord Siva.

As ordained by the Lord, Nandikeswara became a shark and caused havoc to the fishermen’s boats sailing in the sea. The king of the fishermen took considerable pains to catch the shark – but all was in vain. The king therefore announced that he would give his daughter in marriage to any person who would catch the shark.

The Lord appeared in the guise of a young fisherman before the king of fishermen, who was struck with the personality and bearing of the young newcomer. To the king’s enquiry He replied that he was a fishermen and could net any big fish or shark. The king told him of the prize offered for netting the shark infesting the area. The newcomer went to the sea and in no time netted the shark.

The king and his men were astonished at the feat. And happily gave to the newcomer his daughter in marriage and celebrated the wedding immediately. The bride and bridegroom immediately appeared as Siva and Parvati on their Vrishabha mount and the shark also appeared as Nandikeswara.

The king of the fishermen prayed to the God extolling Him for the great kindness shown to an ordinary and illiterate man like him. The Lord told him that as he has he had been yearning to get a child for so long, he had sent Parvati as his daughter and He came himself came to wed Her. The Lord also blessed the king to have all prosperity and at the end of his life to become a denizen of Sivaloka. Then the Lord instructed Parvati about the secret import of the Vedas and She eagerly and earnestly listened to the discourse."

Exploration VodPod

Have just posted a new Video Pod at the left margin of this page with some interesting new videos:

The first of which is entitled 'Quantum Edition' and is comprised of clips taken from controversial film, "'What the bleep do we know - quantum edition."

The second video is the beautiful 'Shiva Rudrastakam' with meaning appearing in English during the video.

The third film is taken from the BBC series ‘The Story of India – Ages of Gold,’ narrated by Michael Wood. After 3 minutes, the narrator visits our own Tiruvannamalai during Deepam.

The next video is the fascinating exploration of astrology, sun worship and religion and entitled, 'Astrology and Sun Worship, Part 1' - I recommend this video for the 'open-minded' as it deals with controversial -- albeit -- fascinating concepts.

Finally the fifth video of this current Video Pod, 'Exploration' is a musical montage of the new luxury, eco-sensitive Sparsa Resort (hotel) here in Tiruvannamalai.

The Story of India

Posting this ‘You Tube’ video of the excellent BBC series ‘The Story of India – Ages of Gold,’ narrated by Michael Wood that traces the history of India. The below may be of interest to readers as after 3 minutes, the narrator visits our own Tiruvannamalai during Deepam.

Watch Your Feet

Work has started getting Tiruvannamalai smart in time for Deepam. Roads are getting relaid, trash cleaned, grass verges cut back and buildings re-painted. The below roadwork is of the Bangalore Road which also forms part of the Girivalam Roadway. I stopped by and had a chat with the Engineer in charge and was surprised to learn that the road repair was being carried out by a private Company under Contract to the Municipality. Somehow I had assumed that it was Government work. It seems like India is getting more like the West everyday!

My main concern about the above roadwork is that the labourers are not wearing proper protective foot gear. The man below has some sort of cover -- however I'm not too sure how the rubber would bear up under hot tar -- perhaps melt?

And in the two photos below we are really getting into 'skimpy mode'-- Ouch! But at least the workers are wearing some sort of foot cover -- I often have seen shoeless tar workers on road repair wearing nothing but plastic bags wrapped around their feet.

I have a feeling that its going to be a BUSY Deepam. Keep checking back over the upcoming weeks as I hope to give lots of fascinating information about different aspects of Deepam and how it is celebrated at Tiruvannamalai. The first Deepam celebration is scheduled for November 29th at the Durga Amman Koil (Temple) which inaugurates a raft of functions, ceremonies, rituals and processions both at the Durga Amman Temple and then the Arunachaleswarar Temple. The lighting of the Deepam (flame) at the top of Arunachala is scheduled for dusk (around 6.05 p.m.) on December 11th. I believe the Tamil TV station, Raj TV will be providing a live broadcast of that day. I will post all information as I get it.

A Quiet Lull

Have not been posting regularly on Arunachala Grace mainly due to lots of work at home. Things finally seem to be settling down and hope to give lots of great 'new' information about whats happening at Arunachala and Tiruvannamalai. In this respect I still have photographs of Deepam to post and lots of fascinating material about Pongal and different Temple Festivities such as "Tiruvoodal" associated with the the fourth day of Pongal. Also nice photos of the cow worship performed at the dairy next to my home. The function of East-West Jazz Fusion entitled 'Ramana Rocks' and held at Ramanashram and 'Arunai Rocks' held at the Hotel Arunai Anantha were a HUGE SUCCESS. I have been promised video footage of parts of the performance, so hope to soon post that on the VideoPod on this Blog. Busy Times. So keep checking back. And HAPPY PONGAL TO YOU ALL.

Ardhanarishvara at Arunachala

The following legend and commentary explains the reason Ardhanarishvara is worshipped so prominently during Deepam at Arunachala. At which time a Murti symbolising the union of Siva-Parvati is displayed inside the compound of Arunachaleswarar Temple immediately after the fire is lit on top of the Hill.

Legend of Ardhanarishvara

The Goddess once playfully closed the eyes of her Beloved thereby plunging the world into darkness and causing suffering to all living beings. The Universal mother comprehending her folly started worshipping Lord Siva in the form of a Lingam to absolve herself of the sin and reunite with him. After first visiting Kanchipuram, Parvati proceeded to Tiruvannamalai to do her penance. While performing penance at Pavalakundru (with the help of Sage Gautama), the demon Mahishasura came and disturbed Parvati’s tapas. The Mother then took the form of Durga Devi and destroyed the demon on Full Moon Day of the Tamil Month of Karthigai during the auspicious period of Pradosham. Satisfied with his Goddess, Lord Siva presented himself in the form of Fire atop the hill and merged with Parvati - thus was created the half-man, half-woman aspect of the Lord, symbolising the oneness of all beings. To commemorate this event, every year during the festival of Annamalai Deepam, Lord Ardhanarishvara presents himself as Jyoti Swarupa to his devotees.

This fusion of Siva and Shakti representing the male and female halves, transcends the distinction and limitation of male and female and takes the Lord to a level beyond gender-manifest Brahman, realization of which means liberation. Siva is snow-white while Shakti is golden. He is substance while She is substrate. Siva is static; Shakti dynamic and creative. Siva is Being and Shakti is Becoming. He is One; She is many; He is Infinite and She renders the Infinite into finite; He is formless and She renders the Formless into myriad forms; But both are one. Siva and Shakti exist in Nirmala Turiya state (Stainless Purity).

When it comes to worship of Ardhanarishvara, some worship the Siva aspect and some worship the Shakti aspect. Siva is viewed as the Holder of Power, though he is inert. Siva is Shava (dead body) without Shakti. All the power in creation, maintenance, and dissolution rests with Shakti. But the Great Mother does not exist without Siva. When they become one Ardhanarishvara becomes a being of generative and constructive force.

Philosophically, this form portrays the boundless Grace of God. The formless God is called Parashiva. On Its own free-will for the benefit of pashus (souls), which are drowned in pasha (bondage), It thinks to create the worlds. Its dynamism of creation thus springs out of It, which is called Shakti. Now Shiva and Its power Shakti create everything. This is the form of their togetherness that makes every existence active. Siva and Shakti are one and the same Supreme. They are associated like the person and the action of the person. They are one and the same like ice and the water - one becomes the other. Shiva and Shakti are compared to gold and gold ornaments; they are the same; Shiva is hypostasis and when this force fuses with Shakti, it results in a multitude of manifestations.

[With thanks to A. Venkatraman]

Recommended Blog

If you love Arunachala, Animals and Sri Ramana Maharshi, then please visit the recommended blog entitled Ramana's Meditator Creatures of which this is the current posting:

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The Light on the Hill Top

This was the first time that the little cubs were seeing the Deepam light on the top of the Arunachala Hill. They were all awe-struck at the sight.

The older cubs were telling the youngest one, six-month old Spotty, the story behind the fire on the hill-top.

Each one was telling his own version of the story and little Spotty was listening to each version with complete belief, unmindful of the inconsistencies.

Arunacub, who loved the Mahabharata, was telling Spotty of Vishnu and Brahma fighting with bows and arrows. Tirucub talked of Nandi the bull as Nandi the Hippo.

Mum Lioness had a difficult time controlling her laughter at this one. To read more, go here.

A Previous Deepam

To give you an idea of the wonder of Deepam, here is a video of Deepam from a previous year. This evening, after Deepam is lit, I will post photographs of the occasion as I experience it at the Ashram of my Guru, Sri Nannagaru.

If you cannot see anything below, please enable the cookies on your browser at: Tools>Internet Options

Deepam Day

I am posting this beautiful narrative, (authorship unknown) which describes in stirring, graphic language the events of this day, Deepam:

Deepam Day

"At about 4:30 a.m. this day November 24th, Bharani Deepam, the small main sanctum of the massive Arunachaleswarar Temple, is packed with souls who have been waiting in line all night.

The chief priest has just finished a simple ritual called Bharani Deepam and now ceremoniously waves a huge camphor flame in the direction of nearby Arunachala mountain. Although he is chanting Sanskrit slokas, he cannot be heard amidst the deafening furor of devotion that surrounds him. Finally, he touches the flame he is holding to the wicks of five huge, earthen, ghee-filled pots, representing the sacred elements earth, air, fire, water and ether. As these five flames loom up with red-yellow light, the famous, one-day, South Indian festival of Krittika Deepam officially begins.

All across Tamil Nadu, bonfires are lit on hills and in temples on Krittika Deepam. But nowhere is this festival celebrated like it is at Tiruvannamalai. Here it is unique. It is on this auspicious day that, at dusk (approximately 6:00 p.m. this evening), a sacred fire will be lit on top of the 2,668 foot Arunachala mountain to symbolize the merging of all manifest existence back into the one source of all things.

Preparations for this day begin one month in advance with the local administration, revenue department, police and temple authorities. Since early morning, temple staff and volunteers have been carrying five-gallon containers of ghee and large pots of thick, braided cloth wicks to the top of Arunachala mountain. Once the mountaintop flame has been lit, it must be kept burning for ten days, which requires vast quantities of wick and clarified butter.

As the day wanes into dusk and night begins to darken the sky, pilgrims stand or sit, motionless with anticipation, at the base of Arunachala mountain, preparing to worship God Siva as an infinite pillar of light.

At 6 pm, a roaring fire is ignited in the Temple at the base of Arunachala. This signals the lighting of a similar blaze on the summit. When that flame is seen by the thousands of devotees below, the entire countryside explodes with flashing luminescence. Bonfires, lamps, neon lights and fireworks light the night like day as a surging, thronging, emotionally charged mass of devotees chant, "Arunachala Siva," "Annamalai” and "Annamalai Harohara”.


The Chosen Fishermen
A flame taken from the five earthen pots that were lit just after the early morning temple ceremony of Bharani Deepam is kept burning in the Temple throughout the day as a symbol of the merging of manifestation back into God, the one source of all. This single flame is referred to as the Bharani Deepam. At 10:00 a.m., a group of fishermen are blessed by the temple priest with a small ceremony. At this time, amidst ringing bells and temple music, the priest gives the fishermen a lamp that has been lit from the Bharani Deepam in the Temple. This lamp, also called Bharani Deepam, will be taken by the fishermen to the top of the mountain.

Local fishermen are traditionally given the privilege of carrying the Bharani Deepam up the mountain and lighting the Krittika Deepam in the evening, because, according to a popular myth, Parvati (the wife of Lord Siva) was born in a fishing village. After their consecration ritual, the fishermen take off up the mountain. Their hike up the steep, rugged slopes will take about four hours.

In the Temple, all is quiet after the fishermen leave. By 5:00 in the evening, the area surrounding the Temple flagpole, as well as the adjoining terrace, will be packed. Pilgrims observe the dramatic arrival of five exquisitely decorated palanquins, carrying the Gods Vinayaka, Subramanya, Siva, Amba and Chandikeshwara.

Within about 30 minutes, five palanquins have arrived in all their spiritual pageantry. Now, we wait for the climax, the coming of Ardhanarishvara (Lord Siva as half man, half woman). This will occur immediately after the Krittika Deepam is lit. Everyone wants to be able to see the mountaintop. All eyes are looking up.

Finally, the appointed moment arrives. Against the backdrop of a sunset sky, crowned with the rising star of Kartika, thundering firecrackers, ringing Temple bells and a frenzy of rhythmic chanting merge to create a cacophony of chaotic splendour. Camphor is lit in a cauldron by the Temple flag pole, signaling priests on top of the mountain to light their flame. The timing is perfectly synchronized. The air is charged as the overpowering sight of light, signifying Siva in the form of Jyoti (divine light), merges with Parvati to become Siva/Sakti. Now, finally, Ardhanarishvara is brought out of the Temple with great ceremonial fanfare. This is the only day of the year that this particular Deity is ever moved. It is most auspicious.

The sight of the Krittika Deepam is magical. It brings an inexplicable joy. People are ecstatic, mesmerized by the light. After nightfall, we see groups of people lighting lamps in the streets. Every house, every shop, every temple, not only in Tiruvannamalai but in all surrounding villages and towns, is bedecked with beautifully flickering lamps.

Throughout the day, street merchants have been performing annadana (free distribution of food). For this one day, the entire town has merged as one family of unforgettable warmth, amity and cordiality. Even amidst the discomfort of the crowded streets, life runs smoothly and everyone gets along harmoniously.


Cauldron/Fishermen
During the 10 days that the flame burns on Arunachala after Krittika Deepam, it consumes a ton of ghee and 1,000 feet of thick, cotton wick. The fishermen who have been chosen to light the Deepam hike up the mountain every day to restock the cauldron and keep the flame alive. They consider their task a sacred privilege.

A month after the celebration has ended they perform fire-walking to absolve themselves of any sins they have accrued by setting foot on the mountain while carrying the Deepam. They also arrange for special pujas (worship ceremonies), abhishekam (water ceremonies) and homas (fire ceremonies) to be performed in their names.

The fishermen who have been chosen to light the Krittika Deepam are all gathered together inside a side shrine adjacent to the main Temple. They have just been blessed by the Temple priest who now lights the ghee lamp they will carry up Arunachala mountain. To the thundering of drums, they all suddenly rise together to stride quickly out into the main temple courtyard where hundreds of pilgrims are waiting for them. They make their way out of the Temple into the street heading for the trail that leads up the mountain.

The main devotee fisherman, who is carrying the ghee lamp, is moving very quickly. At first, a few of his colleagues stumble behind him with a cluster of pilgrims clumsily striving to keep up. As the progression proceeds, more pilgrims join the march. Soon, there are hundreds. Then there are thousands.

Pilgrims scramble, most shoeless, along the snake-like trail, snatching blessings at various shrines along the way. Storm clouds are gathering rapidly around the mountain's summit. Now we are meeting devotees coming down. There is only one trail and we tangle in a human traffic jam. Miraculously, the fishermen thread their way through this obstacle as if it is not there.

Temple

As the temple fire is lit at 6 pm, the moment is overwhelming. Thousands of pilgrims are chanting "Aum Namasivaya." Suddenly a fire is jumping skyward from the top of Arunachala, "Siva and Parvati are one." "

Deepam Legend

The first night of the lighting of the Deepam Flame, 2007, will be November 24th. In this respect, there are two famous myths from the Puranas that describe the history behind the famous yearly Deepam on the top of Arunachala. The first is about Brahma and Vishnu's dispute over the column of light and the other is of the boon given by Shiva for Parvati's penace in atonement for killing the demon Mahisasura, a devotee of Shiva.

It is customary to celebrate Deepam in all Shiva Shrines at the same time that Deepam is celebrated at Arunachala, however the legend for these Siva Shrines is different to that of Arunachala. This other legend goes thus:

The Ghee Lamp, Rat and King:

While Lord Shiva was seated in Mount Kailas with Devi Uma, a ghee lamp was in the process of extinction. A rat nearby approached it to drink the ghee and in that act the wick was pushed out a little, enabling the flame to brighten. This pious act though unintentional, resulted in the rat securing a human birth with huge wealth and the rank of a King.

With that prosperous boon the rat was born on earth as Mabali. Mabali, while reigning in all glory, one day wanted to worship Siva and went to a Siva shrine with all his royal paraphernalia. While in the Temple, a drop from a ghee lamp fell upon Mabali. The King got sores from that one drop and his malady continued for a long time.

It was then Lord Siva proclaimed, "King, thou art very arrogant. Hence you got this trouble through me. From this day on if you light Shiva shrines with ghee, you will be rid of your sores and live happily." Highly delighted on hearing these words the King from that day commenced lighting Shiva Temples and dark places with ghee (clarified butter) lamps. Lord Shiva looking at the king's piety, gave him liberation in the month of Kartigai on star Kartigai during poorva Paksha.

It is for the reason the Lord appeared before the King in the form of Light, that Deepam Darsan is celebrated in all Siva Shrines on this same day every year.

Deepam Processions

One of the earliest references to Karthigai Deepam festival is found in the Ahananuru, a book of poems, which dates back to the Sangam Age (200 B.C. to 300 A.D.). The Ahananuru clearly states that Karthigai is celebrated on the full moon day (pournami) of the Tamil month of Karthigai. It was one of the most important festivals (peruvizha) of the ancient.

Karthigai is essentially a festival of lamps. The lighted lamp is considered an auspicious symbol. It is believed to ward off evil forces and usher in prosperity and joy and indispensavle for the festival of Karthigai.

After the completion of the preliminary 3 day functions; Sri Durgambal on Kamadenu vahanam, Sri Pidariamman on Lion vahanam, Sri Vinayagar on Mooshiga vahanam, the ten days of Bhrammotsavam which takes place in the month of Kartikai (Scorpio, Nov 15 through December 15), started up today.

Each of these festival days is marked by a procession of the Pancha Murthis (5 God idols) inside the Big Temple and around the streets of Tiruvannamalai. The Gods are; Arunachaleswarar (Shiva), Unnamulaiyaal (Shakti, Parvati), Ganapati, Subramanian (Murugan) and Chandikeswarar in gaily decorated mounts.

Most noteworthy among the proceesions are the Rishabha Vahana Utsavam celebrated on the fifth evening (19th November) of the festival and the Rathotsavam (Maha Radham) Big Wooden Chariot around roads of town, celebrated on the seventh day of the festival (November 21st).

Order of Processions

First Day 15th November
Day: Panchamoorthies
Five Deities Silver Chariot

Night: Panchamoorthies
Mooshigan Mayil (Peacock), Adihara Nandi (Bull),
Sina Rishaba Chariots

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Second Day, 16th November
Day: Sri Vinayagar
Sri ChandrasekaraVimanams
(Chariots) of Sooriya Prabha; the Sun.

Night: Panchamoorthies
Silver Indra Vimanam Chariots


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Third Day, 17th November
Day: Sri Vinayagar
Sri Chandrasekara in new Vahanams

Night: Panchamoorthies
Simha (Lion) Vaahanamam,
Silver Swan etc

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Fourth Day, 18th November
Day: 1008 Sanka Abishekam,Sri Vinayagar,
Sri Chandrasekara Vimanams - Naga (Cobra) Vahanam

Night: Panchamoorthies
Silver Kalpatraru, Kamadenu (Cow of Plenty),
Ruby and Silver Chariots.

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Fifth Day, 19th November
Day: Sri Vinayagar
Sri Chandraskara Glass, Rishaba Vahanams, Silver Elephant

MAJOR PROCESSION Night: Panchamoorthies
Silver Mooshigan,Silver Mayil
Large Silver Bull Rishaba Vahanam

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Sixth Day, 20th November
Day: Sixty-Three Nayanmars (Saints)
Sri Vinayagar, Sri Chandraskara Mooshikan

Night: Panchamoorthies
Indra Vimanam - Silver Car, Etc.

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Seventh Day, 21st November
BIGGEST AND GRANDEST PROCESSION
Big Wooden Chariot -
The Maha Radham around roads of town

Night: Panchamoorthies reach Ashthana Mandapam

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Eighth Day, 22nd November
Day: Sri Vinayagar,Sri Chandrasekara, Silver Chariot

Night: Panchamoorthies start with Horse
Vahanams etc at night 4.p.m. Pichandavar in Golden Meru

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Ninth Day, 23rd November
Day: Sri Vinayagar,Sri Chandrasekara, Glass Vimanam

Night: Panchamoorthies
Kailasa Vahanam,
Kamadenu - Cow of plenty
Raveneswaram Vahanam etc.

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Tenth Day, 24th November
MAHADEEPAM DAY

4 a.m. Maha Barani
Day: Tank Teertham
Ceremony 4.00 A.M.

Dusk: Panchamoorthies in Golden Vimanams
6 p.m. Deepam fire on top of Mountain.
Tank Ceremony


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Tank Ceremony
25th November
Day: Sri Chandrasekara Boating Festival

Night: Panchamoorthies in Golden Rishaba Vimanams.

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Tank Ceremony
26th November
Day: Sri Parasakthi Boating Festival

Night: 7 p.m Sri Arunachaleswara
and Mother Apeethakuchalambal
Sri Chandikeswarar

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Tank Ceremony
27th November
Day: Sri Subramania Boating Festival

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Tank Ceremony
28th November
Day: Sri Chandikeswarar Festival

Night: Sri Chandikeswarar Utsavam
Rishaba Vahanam
Silver Bull.

Arunachala Newsletter, November 2007

The November issue of Arunachala Grace News will be sent direct to inboxes within the next few days. If you are not already a subscriber to this Arunachala Newsletter, you can sign up for free at the left hand column of this blog. This month we have the second part of information on Adiannamalai Temple and news on Arunachala Kattu Siva Plantation's efforts to get parts of Arunachala designated a National Park. In this November issue we also describe some of the legends associated with the upcoming Tamil festival of Deepam. As well as poems, Arunachala tidbits, inspiration and a short story about a jewelled begging bowl entitled 'The Sage and the Thief', we also have interesting narratives on the indigenous Peacock and the Bael Tree.

Hill Round

Whenever Sri Nannagaru visits Arunachala he will take the opportunity of going around the Hill and stopping at a few of his favoured shrines and holy places. Many of Sri Nannagaru's devotees follow him on his girivalam, thereby making the hill round a festive occasion.

The first stop of this Sri Nannagaru hillround is a Ganesha Shrine. In the below photograph devotees of Swamiji are crowding around (thereby hiding him from view) at the front of the Ganesha shrine.

Sri Nannagaru at the Ganesha Shrine

Even though Sri Nannagaru performs his hillround as a private affair, he is also courteous and friendly with many of the people following him on his girivalam. Sometimes Swamiji will take the time to stop and bless various followers.

Another favourite Swamiji stop over is Ramana's Bridge (passed Adi Annamalai Village) which is an area reputed to have been greatly favoured by Sri Ramana Maharshi when he used to perform pradakshina around Arunachala. (Sadly due to road modernization, the actual bridge where Ramana used to sit, has now disappeared).





The view of Arunachala from Ramana's bridge.

Sri Nannagaru actually performs his hillround by car. A whole convey of autorickshaws, trucks, vans and two wheelers, hotly pursue the lead car of Sri Nannagaru, vying with one another to get first in line after Swamiji's car.

Sri Nannagaru leaving Ramana Bridge and heading for Kubera Lingam.

The below photograph is particularly interesting because in it, one can see the new pavement meant for pilgrims performing pradakshina. Sadly many people believe that the material used on the pavement is not suitable because it actually makes barefoot walking quite painful. Whoops!

At the Kubera Lingam, a sannyasin sits quietly at the gateway of the Shrine.

It is Sri Nannagaru's practice to stop at Kubera Lingam and enjoy silent sitting for up to an hour. Some of his devotees, aware of this preference, go straight to Kubera Lingam for a good seat and await the arrival of Swamiji. He often gives a discourse or a spiritual talk while at this Lingam stopover.

This particular day Swami did not give a discourse and his devotees were able to enjoy a period of quite sitting at one of the famous asta lingams of Arunachala.

Performing hillround with Sri Nannagaru is a great experience and if you have the opportunity, definitely take it. Its certainly a unique and blessed way to perform Arunachala girivalam.

On August 15th, Sri Nannagaru left Arunachala for his native place Jinnuru, Andhra Pradesh. He will be returning to Arunachala around November 20th, in time for Bharani Deepam which takes place on November 24th. Swamiji is expected to remain at Arunachala at that time for up to 10 days.

For more information about this realised Master, please visit his website here.

Moon Calendar

This month full moon (Poornima) fell on Thursday, February 1st. If you want to check out upcoming full moons and Deepam dates please check out:

http://www.arunachalasamudra.org/fullmoon.html

The link will give you information about full moon (Poornima) and Deepam dates at Arunachala all the way through to the end of 2009.