27 September 2008

Mother Worship


While walking down Chengam Road on my way to Ramana Nagar, I noticed a little pathway off the main road. As there were bright colours at the end of the path, I knew there would be some kind of shrine set off the road.


So I followed the little road which opened into a pretty glade with various shrines and statues dedicated to the Divine Mother.




As well as the statues of the Mother there were also several small altars of stone iconic representations of the Divine Principle. Everything was well maintained and seems to be regularly visited by locals.


There are many legends associated with the Divine Mother at Arunachala, and hopefully in the runup to Navaratri and Deepam, I will try and give some information regarding Shakti Worship at Tiruvannamalai.



Further on my walk I passed travellers from Rajasthan who have come to Tiruvannamalai to make and sell statues in connection with the upcoming Navaratri Festival. In the above photograph a young man is preparing the molds for the statues.

They is a huge variety of different molds on hand.


Below is a collection of statues that have been prepared in the molds and now await painting.





As well as more expensive, traditional statues, the travelling families from Rajasthan are also preparing other kinds of statues to be purchased in conjunction with the upcoming Navaratri Festival.



The more orthodox statues are now getting a finishing touch.



The dates of Sharad Navaratri, 2008 are:

September 30th – Navratri, Festival of Nine Nights begins
October 5th – Durga Puja Begins - Durga Sashti puja
October 7th – Durga Ashtami Puja
October 8th, 2008 – Navratri Ends. Mahanavami Puja/ Saraswathi Puja and Ayudha Pooja in South India
October 9th – Vijaya Dashami and Dussehra




In olden times, this Festival was particularly associated with the fertility of Mother Earth. Navratri means 'nine nights'. The first three days of Navratri are dedicated to Goddess Durga (Warrior Goddess) dressed in red and mounted on a lion, next three to Goddess Lakshmi (Goddess of Wealth and Prosperity) dressed in gold and mounted on an owl and finally, last three to Goddess Saraswati (Goddess Of Knowledge) dressed in milky white and mounted on a pure white swan.

25 September 2008

Face Unveiled


As promised in this earlier posting the face of the Chathur Muka Statue has finally been unveiled. Although the painting was completed sometime back, we were compelled to wait to see the magnificent face of the statue. And here it is:






Grrrrr........






And to remember just how magnificent the original is, here is the companion identical statue situated just off the Girivalam Roadway near the Rajarajeshwari Temple. The statue also has a large tirtham (tank) attached. As of this time the statue has not been painted -- and lets hope it stays that way!

Movie Update


The below is the latest published news on the progress of the movie 'Thiruvannamalai,' currently being filmed in Coimbatore and locally at Tiruvannamalai.

“Perarasu Turns Spiritual: Director Perarasu has written a beautiful and spiritual song which praises lord Shiva for Thiruvannamalai.

Action film specialist director Perarasu has written a very beautiful song praising lord Shiva, which makes one wonder whether he is changing from "Adhiradi Perarasu" into "Aanmiga Perarasu".

This song will be featured in his present project Thiruvannamalai, which stars Arjun and Saniya Vakil in the lead. The song goes:

“Yemmai Aalum, Ulagai Aalum EesaneVinnai Aalum, Mannai Aalum NeysaneNamashivaya, Namashivaya, Om Namashivaya”

[Translation: Shiva, you are my friend and ruler, you are the King of the Earth and King of the Universe. Om Namah Shivaya]

This song was shot entirely on the "girivala pathai" of the Thiruvannamalai temple. About two hundred real sadhus were asked to participate in this song's shoot and no junior artists were used.

Thiruvannamalai is also an action film, in which Arjun plays a cable operator at loggerheads with local politicians. Sania Vakil plays his love interest.

Stunts, which are mainstay of any Arjun starrer, have been spectacularly choreographed by Anal Arasu. Apart from writing the lyrics of a few songs and directing the film, Perarasu has also written its story, screenplay and dialogues.”

We await further news with interest.

Arunachala Sunset


I took my camera on our regular evening walk in order to take photographs of the extensive sand quarrying currently underway at Samudram. Hope to post those photos in upcoming days, but in the meantime here are some nice photos of my doggies' evening paddle during a typical Arunachala sunset.


In the below all six of them are getting their feet wet - with little Muffin (the black doggie) just about to take the plunge. All the dogs are excellent swimmers but sometimes they just like to enjoy a nice standing soak.


The next photo is of the triplet boys: Caspa, Walle and Oscar who have been with me since birth, enjoying quiet time with Victor (the German Shepherd) the latest addition to our canine family and who came to us about six months ago. He came as an abused animal from the Animal Shelter and at that time had never known much about the 'good' things in life - but now he is the most enthusiastic walker and swimmer of the group - good job Victor!


Here is the view of Arunachala from where the doggies are swimming. This aspect is almost direct South of the Hill and is one of its most famous views.


Its getting late and the sun is setting.


Just one more pretty evening at Arunachala.




And in close up (the hill in this photo is NOT Arunachala).




In the definitive scriptural work, The Skanda Purana, there are several stories of Surya, the Sun in association with Arunachala, the primary ones being:

Sun God at Arunachala
"On the advice of Brahma, Bhaskara (i.e. the Sun-God) who is a mass of refulgence but who was harassed by Asuras, devoutly worshipped the Lord of Arunachala.

After plunging into the sanctifying pure Tirtha created by Brahma, he circumbulated Arunachala, the Lord himself.

After gaining victory over all the Daityas and (the privilege of) circumambulating Meru, he gained supreme refulgence that destroys the brilliance of enemies."
[Page 34, Verses 32-34]

"Aditya whose shape was formed by Tvastr blazed with brilliance. The Lord of Planets attempted to cross Sonadri. The horses of his chariot lost their power and became tired. Due to the refulgence of Sonadri he became devoid of glory. Even with all the attempted motion of the possessor of cluster of rays (i.e. Sun), he became unable to go to the heaven. On the advice of Brahma he propitiated Arunachala. When the Lord was pleased, he obtained the path of the sky and splendid horses.

Ever since then the Sun never crosses the mountain named Sona but goes circumambulating him."
[Page 35, Verses 45-49a]

Sun God's Charioteer
"When he obstructed the flow of water at the time of the gift of the earth by Bali (to Vamana), Bhargava (i.e. Sukra) lost his eye on being prickled with the top of the Darbha grass held in his hand by Vishnu (i.e. Vamana). He went to Sonacala and performed a very difficult penance. With his soul purified, he regained his eye.

He (i.e. Aruna, Garuda's brother) was stationed on the mountain named Bhaskara. By serving the Lord of Arunachala, he became the charioteer of the Sun-God."
[Page 35, Verses 51b-53]

Circumbulation of Arunachala
"One who circumambulates on Sunday becomes liberated. Piercing through the solar disc, he shall go to Siva's city."
[Page 59, 57b-64a]

"One shall attain innumerable benefits by circumambulating Sonagiri on equinoctical days, days on which the Sun takes another transit, the transit from one Zodiac to another, on Vyatipata days and other Parvan days."
[Page 186, Verse 51]

Holy Rites for Special Attainments
"If anyone worships the Lord of Sonadri on a Sunday with red lotuses, he will surely acquire great imperial magnificence."
[Page 120, Verse 1]

"During the Solar and Lunar eclipses a devotee should piously bathe the Lord with Pancantra repeating the five-syllable Mantra of Sonanatha. During the two Ayanas (i.e. transits of the Sun) the deity should be bathed with Pancagavya. The rite of bathing with Gavya shall be performed along with the recitation of the six-syllabled Mantra.

During the two equinoxes the bathing rite of the Lord of Arunachala should be devoutly performed with milk repeating Pranava (Om)."
[Page 123, Verses 32-34]

23 September 2008

Moral of the Monks


Its been a long time since I posted a story about one of my favourite topics – ANIMALS. So am now posting a wonderful narrative by Apeetha Arunagiri who is currently involved in an Arunachala Greening project. Apeetha first visited Arunachala in the 70’s so has a wealth of information and stories about a slower, slightly different Tiruvannamalai. Her story is about a group of Bonnet Macaques who used to reside at Arunachala (and as Bonnet Macaques often reach the age of 30+ perhaps some of the younger monkeys of her story are still alive!).

You can learn more about the macaque genus of which the bonnet macaque is a species at this link:


The Story - Moral of the Monks


They used to sit lined up ear to ear huddled together very still on a low branch during the heat of the day: Grandpa, King, Old Uncle, Grandma and all the mothers from the ashram family. Those mothers on the ends of the line intervened if necessary in the gamboling of the young ones down on the ground below, using the characteristic ‘Watch it!’ face - eyebrows way up, eyes popped, mouth in an open O. Hot hours passed every day like this, with activity below and occasionally on the edges. Tails hung down straight behind, their eyes were closed, the blue lids still. I used to spend the heat watching them and meditating myself. There’s nothing like the great heat to keep quiet the monkey mind.




The monkeys who lived in the old forest at this time were even more quiet and harmonious than these members of the ashram family. I used to watch the way they interacted with one another; if I remained still they soon forgot you were there. I was much impressed by their communicativeness; they talked to one another a lot. I admired their innately ethical behaviour; their pecking order was remarkably just. Quarrels seemed to work themselves out without the scapegoating and false accusations that you can’t help but notice among suburban monkeys.

At ashram mealtimes the monks sat up at the window bars of the dining hall and we would take them handfuls of food that long fingers quickly conveyed to simian food-pockets in their cheeks; very puffed those cheeks would be by the end of a meal. There were sixteen ashram monkeys at that time: rhesus bonnets, they were. Their king was young strong and very handsome. Old Uncle had a tick in his facial muscles and his lower lip hung down with a depraved look; a bit of a crook he seemed to be although the young boys were all very fond of him. Old Uncle had the look of a sleaze too: once he won the heart the king’s favourite queen. The showdown happened on my roof where I was sitting so I saw the whole story unfold with all the facial expressions - particularly the chagrin of the king. The outcome was that he just had to get used to old Uncle with Queenie - they remained a steadfast couple from then on.

Grandpa was an unusually calm long skinny monkey with a very long thin face. He was undoubtedly a wisemonk, his wife also. I came to know them both very well. Grandpa was so quiet and calm that we seemed to take part in staring meditations when the young ones were otherwise occupied and nothing much else was happening. These would continue for so long with neither of blinking that one of his eyes would remain alone in my visual field, articulated in a shifting optical sea of gold/green light in my head. He was very attentive to the needs of the young ones, old Grandpa. If very little monks happened to be gamboling unawares in the path of oncoming men, he would calmly step over between men and kids, so that the men’s shouts and perhaps stones thrown at him would send the youngsters scampering up safely away. The men I’m speaking of were not nice; given the chance they’d catch a baby monkey sell to a beggar.




Once Grandpa and a couple of boys suddenly dropped over the stone wall at the back door of the little tunnel room where I lived in those days, to find a couple of iddlies left for them on the bench. The boys sat respectfully not too near Grandpa as he nibbled contemplatively on the windfall, watching humbly. When Grandpa had eaten some of one, he casually tossed the remainder behind to one side of the bench, toward one little boy, who happily dusted it down and began on it, while his brother quietly crossed to the other side of Grandpa and waited while his honourable elder nibbled at the other iddly. Then Grandpa tossed the remainder of that to the other side for the waiting grandson, who pounced on it with an appreciative look. Grandpa then turned his back, put one foot up on the wall, leaned an arm on his knee, and thoughtfully savoured the iddly after-taste. He was a dignified elder. He died before a terrible affliction blinded and finally killed Grandma.

Sometimes showdowns between the ashram monks and the rabble mob from the fields behind the back stone wall would erupt in that huge compound, and very much a rumble that was. Mothers, Grandma and kids would stay up big trees and heckle, while the men would rouse up a big commotion and show of teeth around the edge of the central clearing, and if the worst came to the worst, which it often didn’t, there’d be a fast scruffle or two in the clearing, sometimes resulting in wounds and always ending with a lot of bravado as the entire ashram clan chased those marauders over the back wall right back to the fields where they belonged. These showdowns only happened during drought but they were worth climbing up on the roof to see. The aftermath would always be embellished by expressions of righteous indignation and exclamations of reassurance to polish up the enhanced group solidarity in victory.

I’d been away in the mountains some time when Grandma fell afflicted. The day I returned she was walking around and around the ledge that rims the inside of the big ashram well. She must have climbed down the ladder but because of her blindness, once she began her walk around the inner rim she missed the slightly recessed ladder each time she passed it and she’d been walking around all day - this I was told by one of the ashram watchmen leaning over the side of the well watching her. There were no other monkeys about, nor dogs, so I climbed down the ladder and when she came by again I quickly picked her up, she clung to my chest immediately and didn’t stir as I climbed back up talking softly to her. We headed straight home the back way as inconspicuously as possible.

She and all her family used to come to my house most every day so I guess she knew where we were heading. Once inside my little room I sat down with her still clinging to my chest and we breathed long and deep while I wondered what would happen next. Her eyes were two huge pitiful sores. A month ago - before I had left for the hills, she’d been her usual self: an exceptionally beautiful monkey with the softest face, the clearest calm eyes.

I started faintly drumming a beat on her back and she went to sleep. She must have been exhausted. When she woke up much later I carried her over to my food supplies and gave her some fruit. She was ravenous. There wasn’t much in my room; there was a high shelf up on which I kept my belongings which wasn’t much. There was a long wooden bench used as a bed in the rains which I pushed across below the window at one end of the tunnel-room and this became her place to sit, she seemed to like it there although it was sad to see her: hunched, listening. If I began drumming softly on one end of the wooden bench, she’d gradually come nearer and nearer to the sound until she’d be hunched up against me listening. My impression was that she loved leaning on me while I drummed so quite some time was spent like this every day, it was better than meditating. If I started to cut vegetables she’d come over and lean on me while I prepared the food. After a short while in her almost constant company, dogs in the street suddenly began barking at me when I passed.

I knew a boy named Ravi who had a way with animals. Ravi was a thief, ostracized by most people, but he had a great gift - one which few people ever appreciated or even realized. When Ravi saw Grandma he immediately went out to an old man he knew in a village several kilometres away, who was an herbalist who also had a way with animals. The herbalist recommended human milk to treat Grandma’s eyes. He thought that provided the disease had not progressed too far, then twice daily bathing with human milk would cure it. So Ravi hunted up a woman who had too much milk and twice daily he’d bicycle out to her village and return with a small quantity of balm for Grandma. He’d help me hold her and apply the milk; he was very gentle and patient and entirely in command of himself, fearless.

But Grandma’s eyes remained diseased; it had spread down into her throat so I had to feed her softer and softer, and then only liquid foods. She remained hungry for solid food I know, because she’d hold a piece of carrot or other vegetable from my chopping board in her cool little long-fingered hand; she’d clutch it until she went to sleep. After giving up on mother’s milk we foolishly – on the Vet’s advice - administered inter-muscular broad-spectrum antibiotic but Grandma couldn’t be saved, her body became more and more frail. I began to stay home with her all the time; Ravi brought me vegetables every few days. At first I’d sit with her when she was outside the tunnel, except when her family came as they did every day first thing in the morning. They began to stay around later and later and I had difficulty keeping them out of the kitchen and found it better not to eat while they were there unless I had enough for them too. The other women monkeys and young girls and boys also would clean her and chatter with her and the mothers would all sit very close to her. A crow who used to hang about in the park began to take a lot of notice of us and stay reliably near to Grandma after the family had gone. After a short while I found that I could attend to other things knowing that if Grandma wandered blindly too far away, the crow would kick up a big fuss. It was summer time and hence no rain so I’d carry her up on to the roof to sleep with me. If her family arrived very early before I woke the young ones would wake me by pulling my clothes – a habit they continued after she was gone.





She seemed to be quite happy during this time. One mother gave birth to her baby up there early one morning, all the other mothers were there and some of the young girls - no men and no boys. I’d hardly woken up when I realized what was happening. There was no fuss. The newborn crawled straight up to a nipple. The mothers and girls all stayed around for an hour or so and then they all went off.

I’m sure it wasn’t a coincidence that on the day that she died, all the monkeys remained much longer than usual. We had climbed downstairs; it was mid morning when they arrived and probably mid afternoon when they left. I remember distinctly how the mothers were with her that day - stroking her head and ears, putting their mouths to her forehead. They eventually took their leave of her and we sat on the smooth earth under the coconut leaf lean-to in the shade of a big Etty tree: she on my lap, her arms about my middle. I drummed my fingers gently down her spine and hummed and chanted, her breathing became very slight, her body very still. I remember the image of a beautiful big lizard returning again and again to my inner eye. It was about sunset when she died and I didn’t feel like moving for some time. Ravi came and sat with us in silence and then simply left, returning with a crowbar and spade. He dug a grave right there in the middle of my rammed-earth verandah. Then he went to get flowers and incense and other things - some bananas which she loved, for us to eat in gratitude for her. We made a puja: we sprinkled water, lit oil lamps, rang bells, waved incense. We sung a song. The grave was a little mound of sweet smelling flowers. It was early morning when I walked up on to the hill. I sat watching the clouds up until the next sunset, being much honoured by this passing.

The monkey family didn’t return to my house at all for many weeks. Ravi died before he was thirty. [To be Contd.]


*******************************************************

You can find many monkey postings by checking out the ‘search facility’ at the top left of this page. Of particular interest is the latest update of the small family of monkeys current residing at the animal sanctuary here at Tiruvannamalai. I also have a personal story about the sad tale of the death of a Bonnet Macaque which occurred whilst was visiting the Animal Shelter.

You may also be interested to read of the views of some local politicians and their ideas of how to deal with what they consider to be the ‘monkey menance’ at Tiruvannamalai District and other areas of Tamil Nadu.

To complete this posting you may enjoy looking at some very sweet photographs of a bonnet macaque working his way through a very large watermelon.

18 September 2008

Wheel of Time


“Giripradakshina or circumambulation of the Hill . . . . is traditionally performed following the movement of the planets around the unmoving sun, which means keeping the Hill always at one’s right. The eight cardinal points are marked by Shrines, Tanks and Mandapams, for those edifices date from an earlier medieval period when the Vaishnava faith was in the ascendant over the Saiva faith, and the Hill was then regarded as the Wheel of Time in the hands of Mahavishnu, the Lord of the Sun.”
[Monica Bose -- Hill of Fire]

The late Moonapar Swami is the person responsible for the restoration of the Asta Lingam Shrines which he believed were essential to the revitalisation of specific fields of energy and influence surrounding Arunachala. However the Asta Lingams were only restored comparatively recently, previously and specifically during the lifetime of Sri Ramana Maharshi the primary, cardinal Lingams were all in a serious state of neglect and decay.

Hopefully I may be able to get further information and citations about the eight cardinal points mentioned by Monica Bose in her book, 'Hill of Fire,' to ascertain whether they are in fact the same as the Asta lingams
.




If one believes that at one time the Vaishnava faith was in the ascendant over the Saiva faith in this area, then the Wheel of Time referred to in Monica Bose’s book, ‘Hill of Fire,’ refers to the Discus (i.e. Chakra) of Lord Vishnu.

Chakra means wheel or force field. Legend says that it was made by Shiva and gifted to Vishnu as a token of love. The story goes that Vishnu offered a thousand lotuses to Shiva everyday. One day in order to test the sincerity of Vishnu, Shiva hid a lotus. But in order to complete his worship Vishnu plucked out one of this eyes and offered it in place of the missing lotus to Shiva. In his pleasure at the sacrifice, Shiva gave his prized weapon, the chakra to Vishnu.

The Vishnu Purana identifies the chakra with the human mind whose "thoughts, like the chakra, flow faster than even the mightiest wind." When used as a weapon, the distinguishing feature of the chakra is its ability to return to the hand of he who throws it. Thus does Vishnu describe himself: "The world rests as the lotus in the palm of my hand, the cosmos revolves around my finger like a discus. I blow the music of life through my conch and wield my mace to protect all creatures."

Vishnu holds the chakra as a terrible weapon but also to preserve the Universe as whenever this energy is released it would instantaneously end time and causation. Hence the chakra is representative of the Wheel of Time.


Monica Bose elaborates her contention in her book Hill of Fire that:

“. . . . The area surrounding the Hill is like a palimpsest*, for besides the Vaishanava and Saiva monuments, much older forms of worship survive, such as the cult of fertility trees. To this day, women who wish for a child go to such a tree, usually a pipal tree, and tie to its branches a strip of cloth in the shape of a cradle, much as in ancient Celtic practice. Nearby there is usually a small stone chamber of dolmen (e.g. Idukku Pillaiyar Shrine) through whose narrow central channel the women pass in a re-enactment of birth, yet another way of awakening the life-giving force of the Great Mother of all beings.”

[* A palimpsest is a manuscript page, whether from scroll or book that has been written on, scraped off, and used again]


Idduku Pillaiyar Shrine, Hillround Roadway


Nowadays even gents and children go through the shrine in the belief that they will receive a general blessing of auspiciousness


There is a belief in parts of India that if a woman who is unable to bear a child after marriage, ties a cradle (miniature of either cloth or wood) to a Temple Tree and prays for a child, her prayers will be answered. [In India makeshift cloth cradles hang from the ceiling in the house or from trees in the compound or garden].



Photograph of Tiruchendur Murugan Temple


Wooden Cradles


The relevance of tying the representation in either cloth or wood of a cradle on the Temple Tree is to invest it with the power of the Deity, and thus create a ‘wish fulfilling tree’, to answer the desire for a child.


Sthala Vriksham (Temple Tree or Abode Tree)
“This literally means Sacred Tree at God’s abode. Almost every Temple has one special tree designated as 'Sthala Vriksham'. It appears from Indian literature that in ancient days God's deity was worshipped in the open, under trees. Such worship, with or without rituals or sacrifices went on for a long time. Sivalingas (Lord Shiva's Deity) came to be worshipped under the trees in a similar manner and such trees gained importance as "Sthala Vrikshams".



Devotee at Pipal Tree



Later to protect the deity under the tree from the sun and rain and from wild beasts, people built around them fences with the cut wood of the surrounding trees. Its only much later (mostly during the medieval period) these temporary structures were expanded (mostly by affluent kings) into huge Temples that we see today. But even after the Temple is built, the 'Sthala Vriksham' in isolation was considered very powerful and divine and was left untouched and not destroyed. They became part of the Temple tradition.”
[Sankar Salvady]

16 September 2008

Take It Easy!

As promised in an early post, I have just put up a short musical montage of the new eco sensitive Sparsa Hotel here at Tiruvannamalai. So if you want to check out some of its facilities, have a look at the video on the VodPod at the bottom left margin of this page.

All the facilities at the Hotel are now fully operational except the Health Spa which will offer special ayurvedic treatments and varieties of massage. The Health Spa is expected to be up and running within the next month. However for the health conscious, the gym with its exercise machines is already operational. Will update as things open up.

Tomorrow hope to be posting a very interesting narrative I am currently working on regarding Monica Bose, a Westerner who spent time at Tiruvanamalai during the years of Sri Ramana Maharshi, and her theory that Arunachala was primarily a Vaisnava site before its more famous Shiva connection.

In the meantime have posted above a very special photograph of a wonderful buffalo - who needs to tell the world about its secret of relaxation - as this is definitely one of the most peaceful looking creatures I have ever seen!

14 September 2008

Sparsa Hotel Update


Probably the most important quality for a Tiruvannamalai Hotel, Resort or Ashram is its location and view of Arunachala Hill. In this respect the new Sparsa Hotel has a wonderful vantage point set off from the girivalam roadway.

'Sparsa' is a chain of eco-friendly resorts with the first Hotel already open here at Tiruvannamalai and with work currently in progress on additional resorts at Kanyakumari, Chidambaram and Kumily. The resorts are operated by the Auromatrix group which is an established Hotel and Resort Company.

Even though many choose to stay at Ashrams or more rustic facilities, its good that comfortable and facility-laden Hotels are becoming available here at Tiruvannamalai and thereby providing safe and luxurious amenities to both the first time visitor to India and to those wishing for greater comfort and increased security and privacy.



As the Hotel is operated by an established Hotel group the service and maintenance at Sparsa is markedly better than at other Tiruvannamalai Hotel.


Office Management




Security



Pool and Garden Maintenance









All the facilities at the Hotel are reserved exclusively for guests except for the restaurant which welcomes visitors. Below one of the waiters is demonstrating an old fashioned curd churner.


Waiter



Restaurant


Arunachala Grace will be maintaining a 'direct link' on this page (view the box banner on the left hand column) to Sparsa Hotel, in order to facilitate easy bookings and reservations. Also will soon be posting a slideshow montage of the Hotel and its facilities.

12 September 2008

More on Ganesha Festival


One version of a legend relating to the source of Ganesha’s elephant head goes that at the behest of the Gods, who needed a deity able to remove obstacles from their path of action, Shiva himself was born from Parvati's womb, under the form of Gajanana.

According to the Linga-Purana, Ganesha was created by Shiva in order to triumph over the enemies of Gods and the image of a child was born from Shiva’s mind which had the head of an elephant. Looking at the child, Parvati took him on her lap and made the vow that any undertaking, would not be successful unless Ganesha be first worshipped. Shiva declared the child to be Ganapati, Lord of the Ganas (celestial hosts).



In the Varaha-Purana, Ganesha is depicted as a young man originating from the glittering forehead of Shiva absorbed in deep meditation. Parvati was disappointed that the boy was born without her intervention. So, she wished that his head became the head of an elephant. However, when she saw the elephant-headed child, she loved him immediately, and declared that any human or divine undertaking, should not be successful unless Ganesha be worshipped first.

Another Puranic legend tells that Parvati longed for a child and informed Shiva about her desire. He requested she observe a one-year penance. Thus, the Sage Sanatkumara submitted Parvati to various tests in order to ascertain the force of her will. Eventually a glorious child was born and the Gods and nine Planets (Navagrahas) went to Mount Kailash to admire him. One of the Planets, Shani (Saturn) would not raise his eyes to look at the child. Parvati requested him to view and admire the baby. When Shani raised his eyes and looked at the child, the baby's head instantaneously separated from the body.

In response Vishnu left on his vehicle Garuda in search of a new head to replace the lost one. On the banks of the Pushpabhadra River, he met a herd of sleeping elephants. Choosing a resting animal, whose head was turned northwards, he cut if off and brought it back. According to a version of this legend, this elephant was actually a Gandharva who desired to obtain liberation from his terrestrial life. On Vishnu’s return, the elephant head was attached to the child and Vishnu gave him the following eight names: Vighneshvara, Ganesha, Heramba, Gajanana, Lambodara, Ekadanta, Soorpakarna and Vinayaka.

The current Ganesh Chaturthi festival ends with Visarjan or immersion of the idol in water. Normally the immersion ceremony takes place on the Ananta Chaturdasi day. In 2008, the date of Ganesh Visarjan is September 14th however as this Festival is not codified, the date of the immersion ceremony is arbitrary with no strict rules and depends upon the wishes of the person performing the Visarjan.

Ananta Chaturdasi is believed to be the day when Lord Vishnu appeared in the form of Anantapadmanabha, the Ananta Sayana form of Lord Vishnu in which he is reclining on Ananta.


Wood carving at Suddhananda Ashram


Many folk at Tiruvannamalai completed the immersion ceremony at the beginning of the Ganesha Festival and the next three photographs are of an immersion at the local Tamari Nagar Tank here at Tiruvannamalai. 





Procession of many Ganesha idols on way to Tank




Tamari Nagar Tank and Arunachala




Immersion


Many places throughout India have made concerted efforts this year to persuade people to return to the immersion of traditional, plain mud Ganesha idols and NOT use representations that are made from highly toxic materials. 

To see photographs of the aftermaths of the immersion festival which involves Ganesha statues that are not made of ‘mud’ here are several profoundly sad photographs of the day after a previous Ganesha Visarjan Festival at Mumbai.










5 September 2008

Arunachala Newsletter -- September, 2008


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In the September 2008 issue of Arunachala Grace News there is a narrative of the dispute between Brahma and Vishnu and information about the Navagraha Mercury, of which Vishnu is the God. In keeping with the Vishnu connection (re: Krishna Jayanti August 23rd), the Arunachala flower highlighted this month is that of the Screw Pine, which features prominently in the story of the Column of Effulgence. To mark the anniversary of Sri Ramana (September 1st), there is a narrative of his first visit to Arunachaleswarar Temple upon his arrival at Tiruvannamalai. And to celebrate Ganesha Chaturthi (September 3rd) there is an account describing three lesser known Ganesha legends.

As for the rest of Arunachala Grace News, September 2008 issue, there is a potpourri of poems, inspirational anecdotes, folk tales (this month the folk tale deals with Nasruddin and Money), Arunachala Tidbits, an update on the work of the Arunachala Kattu Siva Plantation and finally a short description on a bird found throughout Tiruvannamalai District, i.e., the Common Woodshrike.

4 September 2008

Ganesha Chaturthi


This year, Ganesha Chaturthi commenced on September 3rd. The Festival is in celebration of the birthday of Lord Ganesha. It is observed in the calendar month of Bhadrapada, starting on the Shukla Chaturthi (fourth day of the waxing moon period) which comes sometime between 20th of August and 15th of September. This year the festival culminates on September 14th. An important part of the festival that everyone looks forward to, is the immersion of the idol i.e. Ganesha Visarjan into tanks, wells or ponds.

The festival of Ganesh Chaturthi is celebrated throughout India. Its observance was started by the Maratha ruler Chatrapati Shivaji Maharaja, to promote culture and nationalism and was later revived by the freedom fighter Lokmanya Tilak to defy the British who had banned public assemblies.



According to Hindu Mythology, once Lord Shiva was out hunting with his Ganas (attendants). Parvati, Shiva’s consort, was alone and desired to take a bath. But since there were no attendants to guard the entrance of the house, Parvati created a young Ganesha from mud and asked him not to let anyone inside. Soon, Lord Shiva returned and found an arrogant lad stopping him from entering his house. In a fit of fury, Lord Shiva cut off Ganesha’s head.

When Parvati came to know about the fate of Ganesha, she was overwhelmed with grief and her husband, Lord Shiva asked one of his Ganas to bring the head of the first animal he saw sleeping with its head towards north. The Gana returned with an elephant’s head and Shiva placed it on Ganesha’s body and restored his life.

I've noticed a couple of very large, fine statues of Ganesha that have been prepared and lavishly painted for the Festival and subsquent immersion, so hope to take and post some photos in upcoming days.

AKSP Update


Arunachala Kattu Siva Plantation (AKSP) has taken responsibility for the denuded Reserve Forest on the lower slopes of the mountain. The thrust of the project is social ecology. Eighteen rural persons - almost all illiterate - are engaged in water conservation strategies, bunding and check dams, seed collection, nursery work and plantation, maintenance and protection of saplings on the slopes.

The primary objective of the Greening of Arunachala is the rejuvenation of the artesian system. However the Arunachala Kadu Siva Plantation has a wider social ecological import:

To undertake responsibility for solutions to civic needs
To participate in the making of decisions about these solutions
To utilize and regenerate indigenous knowledge
To communicate the meaning of this work with villages and in the wider community.


Vediyappan Shrine at Plantation -- click on photo to enlarge


"Archeologists report that since time immemorial the mysterious wilderness - conducive to asceticism, meditation and contemplation, has always been juxtaposed with the cultivated terrain of Thiruvannamalai town. The prognosis for the future of Thiruvannamalai is a city with a mountain in the middle; the urban spread that will accomplish this is flourishing mightily right before our eyes. Yet Arunachala provides sufficient area designated as wilderness to support a flourishing botanical variety and habitat for many species of wildlife. The forest essential to enable this wilderness to be healthy will naturally replenish and regenerate the water table and eventually change our seasonalweather patterns. Such a forest therefore will ensure that the cultivated terrain presented in opposition to the wild mountain becomes truly synonymous with prosperity as it potentially is since the only sound economics in any nation lie in co-operation with natural processes."

[Aruna Apeethagiri - AKSP]

To find out more about Arunachala Kattu Siva Plantation and different aspects of Arunachala Greening and about the indigenous community and ethos of the area, you can visit Aruna Apeethagiri's excellent website at this link.

2 September 2008

The Sage of Arunachala


"The Sage of Arunachala" is a 73-minute documentary on the life and teachings of Sri Ramana Maharshi with narration by John Flynn. The film takes us from the birth of the sage to his final moments when crowds of devotees pushed in from all sides to have their last look. The youtube 7:24 minute clip summarizes Sri Ramana's teachings, backdropped by archival films and photos, and takes us to the final day of his life.