13 December 2008

Cow Puja at Sri Nannagaru Ashram


As is his custom Sri Nannagaru, who hails from Jinnuru, Andhra Pradesh, visits Tiruvannamalai each year to celebrate Arunachala Deepam. Hundreds of his Andhra devotees follow him to Tiruvannamalai and while staying at his Ashram, organize various pujas and functions to be held the Deepam week. This visit Sri Nannagaru arrived at Tiruvannamalai December 10th and will be leaving in the morning of December 15th.


The below sequence of photographs are from a very nice cow puja celebrated yesterday at Sri Nannagaru Ashram.






The puja was particularly interesting for me as I count dear Iswari -- the grey and white cow -- as an old chum as I used to daily feed and pet her while she was a calf. Now she herself has her own beautiful calves.












And in the below photograph Sri Nannagaru surrounded by some of his Andhra devotees, look to Arunachala.


The view of Arunachala from Sri Nannagaru Ashram.


11 December 2008

Deepam 2008 Lighting


Click on photos to enlarge


Its late afternoon and I am at Sri Nannagaru Ashram to watch and celebrate the lighting of the Deepam flame on top of Arunachala, with my Guru and his devotees. As is the custom at this Ashram, a ghee lamp is waiting in the courtyard, to be lit after the Deepam on the Hill.




In the below photograph, my guruji -- Sri Nannagaru.




And we all sit waiting for the Deepam on top of Arunachala to be lit. And there it is.



Its dusk and it gets dark quickly.





As soon as the light appeared on top of Arunachala, the jyothi at the Ashram was lit by Sri Nannagaru. In the below he is circumbulating the light.



Its my preference to enjoy Deepam at the Ashram, but all over Tiruvannamalai there are celebrations, fireworks, ceremonies, functions and masses of people enjoying the evening in their own special way. Many homes like the one below have lighted ghee lamps stationed on their balconies and by their front doors.



The girivalam road is packed with pilgrims performing circumbulation of the Hill -- it will be like that through the night and well into tomorrow morning.

HAPPY DEEPAM TO ONE AND ALL

The Festival of Light

This completes the narrative, ‘The Festival of Light,’ by Apeetha Arunagiri. To read the first parts of this narrative go to these links; part one, part two and part three.


“Many are the occasions of inspiration throughout this festival but the outstanding event is the lighting of the Light.


This year I walked with our friend around to the temple dedicated to the feminine aspect Unnamalai lying on the west of Arunachala where the Shakti - the female power point of the hill - peeks up from behind the main protuberance. Unnamalai Temple has a gorgeous stone-pillared Mandapam, or hall, now newly painted and overflowing with pilgrims. And across the road, on the hillside, spreads a newly cleared Rest-a-while Park with a modern iron umbrella above cement benches. The Rest-a-while Park is a perfect viewing place for the lighting of the Light.


Underfoot is conspicuously sordid by this time in the Festival so our walk to the temple had meandered around piles of garbage. We passed a balloon man with his happy crowd of prospective little buyers and the nice clean boys selling ‘Healthy Milk Drinks’ next to the stacked plastic bottles of unhealthy pop shop. Outside Unnamalai a stall selling cheap audiotapes was blotting out existential consciousness entirely yet the ceremonies in the temple were going strong - assisted by other loudspeakers, and the pilgrims were slapping their cheeks and bowing down in obeisance the way they do.


We sat for awhile under a tree near to the shrine next to dear sadhu Ramana in yellow, who spends all his livelong days sweeping the hill round roadway; he had merged with the tree and didn’t look too enthusiastic. Across from me on the hillside sat the irascible sadhu, for once amused, and behind him rose a crassly painted modern iron umbrella sheltering the concrete benches which provide sadhus with such an excellent place to dry their cloths, two sadhus were diligently folding dry their orange dhotis.


As dusk approached we sat down near to the sadhu to wait for the flame to appear. Gradually the Rest-a-while Park’s uncontaminated spaces filled with quiet orderly pilgrims. We had to wait about an hour -- nobody was eating, smoking, talking or drinking. Some had lit incense. For thirty kilometers radius surrounding Arunachala at this time several million people were waiting suspenseful, staring up to the top of the hill, as they always do.


Up on the narrow rocky top of the mountain stands a gigantic copper lamp laboriously carried up that morning by a team of old blokes in loincloths who are traditionally honored with this task. The east face is swarming with humans on their way up with clay pots of ghee to replenish this lamp; a colorful pilgrim snake weaves the traditional path and more adventurous persons scramble up in other directions. The almost top plateau becomes a mini-market, even bangles and balloons can be bought up there, and many will spend the night beside their wares. The very top is standing-room-only of course – for men only; bare feet negotiate the brittle remains of broken clay pots softened by the sticky ghee surface of centuries. Everyone takes up flowers and incense to enhance the honour of presence.


A special ceremony in the Big Temple in town early this morning accompanied a flame-seed from the inner sanctum out into the enormous flagstone courtyard where it first lights another flame-seed set waiting beside another huge copper lamp, before traveling carefully up the path on the east face to the top. There it will be sheltered by the priests in breathless expectation of the rise of the auspicious full moon. Any parts of this ritual which are now left out or compromised by human weakness are just the effects of the degeneration of the times.


The moment our Celestial Orb appears on the eastern horizon the giant lamp on the very top will be lit and the moment the little flame on top appears, the priests in the Big Temple will light the big lamp in the vast courtyard so packed with humans now chanting “Om Namo Sivaya” that if the festival is pelting rain - as it sometimes is - it is surprising how the heat of so many bodies keeps them somewhat warm and dry. The temple elephant also waits with the crowd; this is part of her job. She loves festivals.


The appearance of the light on the top will also signal orchestration of thousands and thousands of small Deepam lamps set waiting outside huts and households as far as eye can see. Many household lamps are mountains of sweet rice-flour, with ghee to carry the flame. After the flame has consumed the ghee, family members share the tasty mountain in tribute to Arunachala. Even dogs get some sometimes.


At the cattle market on the south side of the mountain, thousands of immaculate cattle face the mountain, bells tinkling to the chewing of their cud and the cattlemen squat together in huddles - blankets across scrawny shoulders, by the little bonfires that contribute their own rustic gesture of affection for this wondrous world. Light is eternal.


Very frequently it rains at Deepam. Most of the year it doesn’t rain but at Deepam, it does. This year it is not raining and we are waiting in the Rest-a-while park on the western side of the mountain. The silence deepens towards the golden glow heralding the auspicious first appearance of the flame. Our moon is on its way. A soft golden glow stirs our suspense. Then an irrepressible upsurge of human aspiration arises, it’s palpable: everyone stands up. Loving palms are brought together above uplifted heads while millions and millions of voices carry the stupendous sound “Ahrhoroghorah!” up to the appearance of a tiny little flame.

Ahrhorghorah!

I don’t need to tell you what that means.”

10 December 2008

Arunachala Deepam Festival


[I am reproducing below an excellent article on the Arunachala Deepam Festival first published in 1981. The article has been edited]



"Behind the huge temple in Tiruvannamalai in Tamil Nadu, the holy mountain of Arunachala or Annamalai rises abruptly, with its high peak pointing towards the sky. It is a huge mass of igneous rocks covered with grass, herbs and low scrub. Like other high hills of those plains, Annamalai was thrown up from the depths of the earth by some volcanic eruption in the dim past, when the crust of the earth was formed. It is said that Arunachala was a fire mountain in the Krita yuga, a gold mountain in the Treta yuga, a copper mountain in the Dwapara yuga and a rock mountain in the Kali yuga, our current age.


Once a year, the top of Arunachala is alight with a fire that can be seen for miles around. It is the god Shiva, who is manifesting himself as a blazing pillar of light, the Lingodbhava. Rudra or Shiva has said, 'I am Agni or great energy and I am Soma; I am myself man together with nature.' Soma is the elixir of immortality, the amrita that when rising in the spinal column from Manipura Chakra brings eternal bliss. The macrocosmic concept of Shiva as Agni and Soma corresponds to the microcosm of the human body with its six psychic centres, adharas or chakras in the spinal column, of which Manipura Chakra is the third one, the centre of the fire element and of amrita.


In the Shiva Purana the story goes that once when Brahma, Vishnu and Rudra rose from the waters. Brahma and Vishnu embraced the shakti (energy) of Rudra and asked the lord to create everything as he wished. Rudra plunged into the waters and remained there for a thousand celestial years to contract energy for the creation. Meanwhile Brahma and Vishnu grew impatient, and after conspiring, Brahma created everything conducive to happiness with his shakti.


When that was all done, Sambhu (Shiva) emerged from the waters, lustrous with the thought of creation. But finding everything already created by Brahma, Shiva got very angry, and he opened his mouth and released a flame, which burnt everything. When Brahma saw everything on fire, he prayed to Shankara (Shiva) to cause his excessive energy to enter the sun, so that gods and mortals could live together in the energy of the sun. Shiva agreed to this and said to Brahma, 'There is no good use for this lingam except for the creation of progeny,' and with these words Shiva broke off his lingam and threw it upon the surface of the earth. The blazing lingam penetrated down through the earth and went to the very sky.


As Brahma and Vishnu could see neither the bottom nor the top of the fiery pillar, each of them took his Vahana (vehicle), and Brahma as the swan flew upwards while Vishnu as the boar dived down into the earth. But the farther they went the longer the lingam grew, and at last when the two unsuccessful gods had returned, the blazing column burst open, and Lord Shiva appeared in all his glory in the opening. He blessed the two astounded gods that had fallen to his feet and promised that he would appear in the form of a Jyoti, light, on the top of this mountain once a year on the day of Kartikeya in the month of Kartikeya (October-November).


At the bottom of the east of the hill, where the lingam had fallen to the earth, Shiva was worshipped as Tejo Linga in the temple of Annamalai. Thus this place became one of the mukti Kshetra (places of liberation), as it represents one of the five elements, or pancha bhutas, namely that of fire, tejo. Tiruvannamalai is then tejo sthala (the place of the fire's aura), just as Kanchipuram is prithvi (earth) sthala. Of the six chakra location (adhara kshetras), Tiruvannamalai represents the manipura kshetra. The manifestation of the Lingodbhava (symbol of creation) then resulted in the origin of the mountain and in the celebration of the Deepam Festival.


In the Deepam Festival is also reflected the union of Shiva and Parvati in the deity Ardhanarishvara. Once the goddess in play covered the eyes of her Lord Shiva with her hands, and thus the whole world was plunged into darkness. However, Shiva opened his third eye on the request of the gods, and the light was restored. Uma was ashamed of her childish behaviour, and she retired from Mount Kailasa to Kanchipuram to do penance and purge herself of her sin. Shiva then directed her to go to Tiruvannamalai to worship him there. Mother Uma became an anchorite and did hard penance, going around Arunachala hill with deep concentration on the holy name of the Lord.


Shiva was pleased with her, and he told her that she was now relieved of her sin which was causing the untimely pralaya (complete destruction of the world). He blessed her and said to her, 'Come and unite with me,' and disappeared in the hill. Then on Kartikeya day the Lord appeared as a blazing light, a jyoti on the top of the hill, and asked Mother Uma to circumambulate the hill. So she did, and when she rounded the western side of the hill, Shiva appeared on his white bull and blessed her. When she rounded the hill on the north-western side he absorbed her into the left half of his body. Thus came into being the form of Ardhanarishvara, the deity that is represented as half male and half female.


Arunachala is indeed the abode of Shiva. On the sides of the hill are many caves and small shrines where sadhus have been living for as far back as this holy place has been known, and some of them are indeed old themselves, being about two hundred years of age. There are several ashrams at the bottom of the mountain, including the ashram of Ramana Maharshi. When climbing up the steep hillside to the top, it becomes noticeable that the hill itself and its immediate surroundings are vibrating with a bright light, as if the sun and the atmosphere unite with the earth on this hill. The borders between the triloka (three worlds) become fluid and interchangeable, and the borderline between macrocosms and microcosms, between the universe and man, becomes thin and transparent. The universal energy is all pervading.


The Deepam Festival lasts ten days, and on each evening a special celebration takes place, that is somehow connected with the history of the holy place. The pilgrims are ordained to fast completely on Kartikeya day and to walk around the hill the entire distance of eight miles. By imitating Mother Uma in this way, the pilgrims draw on the energy that she manifested by her penance, and they also receive the blessings of Lord Shiva. One of the days before Deepam is the Car Festival, where the pancha murtis, the five deities of the temple – Vinayaka, Arunachaleswara-Unnamalai, Amman, Kartikeya and Chandeshwara are taken around the perimeter of the 26 acre Arunachaleswara Temple in huge, towering temple chariots fifteen to twenty meters high drawn by hundreds of pilgrims with big heavy iron chains.


On another evening, Shiva and Parvati form a procession in the streets on their huge silver bull Nandi, or the utsavas, the processional bronze images of the deities, are taken out in a magnificent silver cart. Or the deities enjoy a merry boat ride in beautifully decorated boats on the temple tank. All processions are headed by musicians playing flutes and big temple drums, and the light of many torches gleam from the jewelled dresses of the utsavas and light the faces of the devotees, who receive their gods with folded hands, bowing down to the ground. Wherever the deities are carried through the streets, mostly at night, people stand in front of the houses with plates prepared with prasad, which is then blessed by the gods and the coconut broken, when the pundits are doing arati (worship) in front of the deities.


Before a procession, the utsavas of the pancha murtis have hours of abhisekham (ritual anointment), when milk, water and a mixture of various substances is poured over them and arati, the circling of light, performed in between. All the silver and gold emblems and ritual tools are brought out from the treasury of the temple, and after the abhisekham the utsavas are dressed up in robes of pure gold studded with precious stones, and the main puja begins.


For hours on end the gods are showered with scented rose petals, sprinkled with rose water and garlanded under continuous recitation of mantras in the mist of the smoke from oil lamps and burning ghee. In this way the deities are well prepared for the manifestation of divine light on the evening of Kartikeya. In the early hours of the morning on Kartikeya day, the solemn ritual of preparing the five holy fires in five agantams (round vessels) is performed in the sanctum sanctorum of Annamalaiyar and they are kept burning until the evening.


At the mystic hour of dusk (pradosham), when millions of people have gathered in the courtyards and on the roofs of the temple, waiting since early morning, the pancha murtis, are carried out into the courtyard in a fast running motion, sitting in their golden palanquins covered with festoons. The deities are placed in a Mandapam (ceremonial pavilion) opposite the entrance to the Arunachaleshwara's temple and facing the holy mountain. At the moment when the sun is setting behind the western horizon and the full moon is rising in the east, the five deepams are brought out from the temple and placed in a big cauldron near the flagstaff. At that same moment the beacon light is lit on the top of Arunachala, and with one voice the crowd roars 'Harohara to Annamalai'. At that time also the deity Ardhanarishvara is brought out and placed on the stairs of the temple close to the big Deepam. The excited pilgrims are crowding and pushing to touch the holy fire, and puja is done before the pancha murtis in the Mandapam until the early hours in the morning.


Many tons of ghee have been carried up the steep, stony hill on bare feet, and the divine light will be shining from the top of Arunachala for nearly one week. All through the night, pilgrims climb the mountain to bring down the holy fire in small earthenware deepams, so from below a constant row of flickering lights can be seen zigzagging down the hillside like a line of small glow worms. Throughout the next day a stream of pilgrims murmuring the mantra 'Harohara' climb the steep and stony path on bare feet to worship the divine fire, burning in a huge copper urn, and fill their deepams or containers with holy ghee to burn in their small temples or puja rooms at home, a symbol of lighting the inner fire or Jyoti, dispelling the darkness of the soul.


Thus in the life of the pilgrim, the Deepam Festival is an experience of transcending time and space and of being elevated to participate in the powers of the divine world; one leaves this holy place after ten eventful days purified, renewed and in an altered state of being. By the grace of God, the pilgrim might even have undergone a slight transformation through being exposed to the manifestation of so much spiritual energy, rising one step higher on the path towards enlightenment."

[By Birgitte Dessau – edited]

The Day Before

Tomorrow is the big day -- Deepam 2008, when the fire is lit on top of Arunachala. Hotels and rooms throughout Tiruvannamalai are full, roads repaired, provisions delivered, stalls set up and everyone is waiting for the sea of devotees to descend on the area.

The flower market is being constantly replenished with a continuous stream of garlands.





The annual cattle fair to the Arts College on Chengham Road is well underway.







Roadside stalls are full of eatables and snacks.



Even stalls promoting and selling milking machines have descended on this traditional, agricultural area.



The emergency services are well represented throughout Tiruvannamalai.



Lots of roadside restaurants selling snacks and tiffin.



One of my favourite stalls are the ones selling decorations and ornaments for cows and buffalos.



This enterprising artisan is carving and selling wooden icons of the Gods.




And one smart lady selling camphor and ghee lamps is taking rest before those crowds come pouring in.


Tiruvannamalai Movie Update

It has been announced that inspite of distribution problems, the film 'Thiruvannamalai,' will be released in Tamil Nadu on December 14th.

A three minute clip of the movie is available to view at this link HERE.

Its exactly what you would expect from a Kollywood movie -- lots of punch-ups and even more dancing.

9 December 2008

God Darshan

He who sees Me on the day of Arudra star in the month of Margasirsa in the company of Uma and worships my emblem or embodied image is dearer to Me than even Guha.

On that auspicious day the vision alone accords ample results. If he worships too, the result cannot be adequately described.

Since I manifested Myself in the form of the Linga Emblem in the field of battle, this place is known as Lingasthana.

Since this column is without foot or top it will henceforth be diminutive in size, for the sake of the vision and worship of the world.

This emblem confers bliss. It is the only means of worldly enjoyment and salvation. Viewed, touched or meditated upon, it wards off all future births.




click to enlarge

Since it rose resembling a mountain of fire, this place shall be famous as reddish Aruna Mountain.

Many famous centres will spring up here. A residence or death in this holy place ensures liberation.

Celebration of chariot festivals, congregation of devotees, the presentation of ordinary as well as sacrificial gifts and offering of prayers at this place shall be million fold efficacious.

Hence this sector shall be greater than all other sectors, very auspicious, full of all sorts of welfare and according salvation to everyone.

Worship me in my supreme Linga Form at this place and performing the other sacred rites shall accord the five types of salvation.

[Sivapuranam – Vidyesvarasamhita Chapter 9 vv. 15-27]

Chandikeswara



In many of the functions of Deepam Festival, the panchamurtis are taken on procession. These panchamurtis are: Vinayaka, Arunachaleswara-Unnamalai, Amman, Kartikeya and Chandikeswara. I am including information below about the fascinating Chandikeswara and why he follows the other murtis (idols) as their steward.




Chandikeswara idol Arunachaleswara Temple




“Chandikeswara,a devotee of Lord Shiva was born in the village of Seynalur on the banks of the river Manni in the Chola country, as a young lad named Vicharasarman.

He was the son of a pious and learned Brahmin named Yajnadatta. Vicharasarman was of great intelligence. One day when the lad was going to school, he saw a cowherd brutally assaulting a cow. Angry at the behaviour of the cowherd, young Vicharasarman took upon himself the duty of tending the cows of the village, to which the villagers acceded. From that day the cows looked happier and yielded more milk. More than the cow’s udders could hold. Vicharasarman, seeing that the milk was being wasted, collected it in vessels, set up lingams made of sand and poured this excess milk to bathe the lingas with intense piety for Shiva.The cowherd who had lost position on account of this Brahmin boy, saw him in this act and found this a good cause for denouncing him. He immediately brought it to the notice of the village elders as well as Yajnadatta, Vicharsarman’s father. The father saw his son pouring milk on small sand mounds and without investigating, kicked one of the lingas in anger. Young Vicharasarmana came out of his reverie and cut off the leg of his father with an axe with which he had kicked a linga.

Shiva was pleased with the devotion of this boy and he appeared in person along with Parvati his consort, before the boy. Shiva embraced him and made him in charge of his ganas (devotees or followers). He was also made the steward of his household, naming him Chandikeswara.”




Gangai Konda Cholapuram Temple




“Siva seated on a throne with four arms carries axe and antelope in his upper arms; with the lower the Lord is seen crowning Chandesa with a garland of flowers, a symbol of affection and stewardship. Chandesa is seen seated in front and with folded arms receiving the pride of place bestowed on him by his Lord. Chandesa is the embodiment of devotion and piety and the place he attained is considered the highest, a devotee of Siva is privileged with. It is called the Chandisa padam, the abode of deliverance. According to Saiva Siddhanta Siva bestows this grace, in the company of Sakti, His consort. In the sculpture under reference, Parvati or Uma Parameswari as she is often described, is seated by the side of Her Lord. The treatment of ornaments, the portrayal of limbs and affection with which Siva is seen taking the garland around the head of Chandesa are suggestive and truly convey the supreme message of Saiva Siddhanta, the image seeks to depict.

On the side walls is shown the story of Chandesa; Chandesa worshipping Siva as a Linga; the cows standing by the side; his father watching the happenings hiding himself behind the branches of a tree; disturbing Chandesa’s worship; perturbed Chandesa throwing his axe at his father and Siva bestowing grace on both.”
[By Dr. Nagaswamy]

8 December 2008

Big Car Festival


Click to enlarge all photographs



THE BIG DAY


In conjunction with the below photographs taken of today's great Maha Radham -- The Big Car Festival, I am also posting the next part of the excellent, descriptive narrative on 'The Festival of Light,' by Apeetha Arunagiri.

"There are several Big Cars, huge wooden carts carved with fabulous mythological figures telling all the stories, with the biggest wheels in the world; the biggest car dwarfs all the buildings in town except the giant temple towers. It is called The Big Car.

Our temple elephant leads the procession. Several elephants come for Deepam, most of them beggars; they walk from wherever they come from. On this day parents or family members also carry their babies around the procession route. They string a sari on a sugar-cane pole which they support on their shoulders making a hammock for the child. The babies carried are ones whose parents asked Arunachala to bless them with so they are carried in thanksgiving.


The splendid bronze figures of Annamalai and Unnamalai - male and female personifications of Arunachala, are heavily garlanded and bejeweled, seated up on The Biggest Car; the towering edifice is covered with long strips of embroidered cloth and gigantic flower garlands. There are several big cars pulled before and after The Big Car; there’s a women-only one carrying Abhithakuchalambal, and there’s also a kids’ car, which trails flamboyantly at the end.

It's all stupendously awesome.







Years ago we used to walk in to watch the Big Car come up the incline of one main street around midday; for years and years and years, we’d all have lunch in ashram and then everyone would make their way around to the east face of the hill to meet the gods coming up Thiruvoodal street. But now there are so many pilgrims that the schedule has extended interminably. Inauspicious times of the day intervene so the proceedings stop until the bad hour has passed, and there’s also the time when suddenly everyone goes home for lunch.









That year it was evening before the Big Car reached that street. My daughter’s two children - Hari and Ani - were very young so we secured a protected view from the balcony of a cloth shop half way down the incline, long before the towering, tottering, embroidered, garlanded Big Car - with it’s flouncing umbrella on the very top, appeared above the roofs of the shops and maneuvered itself into position for the strenuous haul up towards Arunachala.



Upon the up-roaring signal of its visibility from the crowd, Hari dropped his pile of coat-hangers and rushed to be held up over the balcony. His eyes popped, his ears flapped. Even though we’d seen it before, nothing can prepare us for the majesty of its annual sight. Below us the street was a sea of heads; all balconies and rooftops up and down the street full of faces and now that the Big Car appeared, bodies behind us pressed forward, pushing us onto the balcony rails festooned with dubious electrical fairy lights. It’s quite exciting.




Since the divinities are coming, dedicated persons don’t wear shoes. This year we noticed one Policewoman wearing socks to protect her dainty feet from the yucky street. About five thousand pilgrims pull the cart around the temple circuit-route, ladies on one side and gents on t’other. When the car stops, big chocks of heavy wood are wedged underneath the enormous wheels while the pullers take a rest and offerings are made to their majesties the gods. When ready to start again, young men with enthusiasm climb up onto the chocks with poles to steady themselves, and on signal they jump up and down on the slanted chocks until their force pushes the wheels forward, giving momentum for the pullers to haul the cart further up the street.




Looking down into the crowd below as the cart passed beneath us, we were treated to a seething mass of human energy - drums beating in time to muscles, bystanders shouting encouragement, enormous wheels slowly turning, the carving on the cart creaking, embroidery panels blowing in the wind, garlands wavering about, lucky little boys sitting up high lowering cloth carry bags on strings for people to send up coconuts and flowers, the Brahmin priests looking down impassively.




It’s the Brahmins particularly – the extravagant courtly costumes, the imperious faces staring down – that convey the true sense of the gods as majesties: as the most important personages in our world, out on a tour of the town, to be saluted by their adoring subjects. And a very large number of their adoring subjects are sweating, straining at the edge in the effort required to pull them. The Big Car teeters its way uphill until the momentum runs out. The chocks are wedged in again. Everyone breathes.




It will take about ten hours to circumnavigate the temple.”

Deepam Processions


I am posting photos of some of the current festivities of Deepam 2008. There are far too photographs to post, so would remind readers that I am compiling a full pictorial history of the Deepam Festival 2008. In this respect there will be well over two hundred photographs of the Festival.

If you wish to receive a DVD pictorial history of the 2008 Arunachala Deepam, please get in touch at the contact link situated top left of Arunachala Grace. A donation is required in order to cover costs and expenses. There is a PayPal facility located at the left column of this page. In the case of International readers please add an additional U.S.$10 to your donation to bear the cost of registered, airmail.

Click on all photos to view enlarged version


Second Night Function

The below is of lighted representations of the Five Deities (Five Deities:

Vinayaka, Arunachaleswara-Unnamulai, Amman, Murugan, Chandeswarar -- at the Brahma Tirtham inside Arunachaleswarar Temple.


Outside the concourse leading up to the Raja Gopuram (main gate of Temple) are the murtis of the Five Deities on display. They will be loaded onto vehicles and taken around in procession around the 26 acre perimeter of Arunachaleswar Temple.




And in the next photograph, the procession around Tiruvannamalai is underway. And the first chariot is that of Arunachaleswara-Unnmulaiamman.





Procession on the Fourth Night

Kalpataru Tree (wish fulfilling tree)


Lord Arunachaleswara and his Goddess, Unnamulai are seated under a representation of Kalpavriksha (of which the Kalpataru Tree is a synonym) -- which is a wish-fulfilling divine tree common in Sanskrit literature. Along with the Kamadhenu, or 'wish-giving cow', the Kalpavriksha originated during the ‘Samudra manthan’-- "churning of the milk ocean", and the King of the gods, Indra returned with it to his paradise. The Kalpavriksha tree figuratively refers to a source of bounty.

To those interested in finding out more about the esoteric significance of this tree, there is a very interesting article I found which starts:

"Leaving aside the sheer narrative brilliance of Vyasa, it is the perception of over-arching symbols, such as the Kalpataru, which gradually dawns on the readers, stirring the innermost depths of their psyche, as they voyage across the one hundred thousand verses of this ocean among epics; that fascinates them, compelling them to return, time and again, to the Mahabharata.

To appreciate the thematic brilliance of this concept, it is first necessary to recount the story of the Kalpataru, the Wish-fulfilling Tree, described in eidetic detail by Krsna in the beginning of chapter 15 of the Gita. Its roots are in the heavens and its branches permeate the cosmos, paralleled in occidental mythology by the Norse Yggdrasill" . . . to read more go to this link: ‘Desire Under the Kalpataru Tree’.


Kamadhenu (wish fulfilling cow)


In Hindu mythology, Kamadhenu was a divine cow who was believed to be the mother of all cows. Like her daughter Nandini, she could grant any wish for the true seeker. Kamadhenu provided Vasishta with his needs for the sacrifices. Kamadhenu (kama-dhenu, 'wish-cow'), was a miraculous cow of plenty who could give her owner whatever he desired.

7 December 2008

Sparsa Tiruvannamalai update

Below are a sequence of new photographs of Sparsa Tiruvannamalai, the new eco-sensitive, luxury hotel. In the upcoming Arunachala Grace Newsletter I will be posting a narrative about the Hotel's introduction of a traditional Tamil ethnic element into the Hotel. But for now here are some photographs.

Guests to the Hotel are invited to take a bullock cart ride throughout the nearby area.






In the below photograph a local potter is fashioning traditionally styled implements used in home and kitchens. The Hotel encourages guests to 'try their hands' making pots under the tutelage of the expert potter.




The Hotel is decorated throughout with reminders of Tamil history and culture. Below are figurines of Tamil musicians.




Below a photograph of one of the bedrooms fitted with a king-size bed at Sparsa Restort Hotel.









The dining room is now complete and welcomes customers who are staying outside the Hotel.



In the evenings the Hotel offers a variety of musical programmes.



Very nice photographs of dusk and evening at the Hotel.