2014 Deepam Festival. Day Five—Day: Chandrasekhara in Rishabam

2014 Karthigai Deepam Festival -- Cultural Programmes

Throughout this long Deepam Festival, cultural programmes of traditional dance and music are held both in the auditorium inside the Arunachaleswarar Temple and also on floats moving around the town's Mada Streets (Temple perimeter streets). As well as cultural programmes, there are also street musicians and musicians attached to processions and festivities. 

Crowd Scenes 2014 Karthigai Deepam, Arunachala

Below are a sequence of crowd shots taken during the early days of the 2014 Karthigai Deepam Festival. 

The first photograph is of the much loved Rukku, the Temple Elephant, who is very much part of many of the celebrations and processions connected with this Festival. 

Rukku on Procession Detail

Ladies carrying Child around the 3rd Prakaram Shrines

The above photograph is of 'karampu thuthi' in which ladies and family members in answer to a vow, carry a child in a holder made of sugar canes and saris, either around the inside or outside perimeter of Arunachaleswarar Temple. This is often the consequence of a would-be parent praying to God for the boon of a child and their pledge to the Divine that they will offer the child (when born) to God and perform Temple circumambulation. 

Sometimes if the family lives a long distance from Arunachala, it might a few years before the vow is honoured and they are able to return to complete their Temple circumambulation. Problem is the longer you wait the bigger and heavier the child becomes! 

Devotees visit Kalyana Mandapam to take darshan of the Gods

Temple compound busy with  pujas, processions and cultural programmes

The next three photographs are of musicians connected with processions and programmes during the 2014 Karthigai Deepam Festival. 

Sadhus and Swamis an essential part of all Festivals at Arunachala

Young Lad offers his own aarti to the Gods

2014 Deepam Festival. Day Four—Day: Naga Vahanam

Today we had the procession of Chandrasekhara and Naga Vahanam. The first photo in his gallery is of the newly renovated and plated Naga Vahanam. 

Naga Vahana recently refurbished

Lord Arunachaleswarar on Naga Vahanam, 2014 Deepam

Lord Arunachaleswarar in Mandapam outside Temple Rajagopuram

Procession of the Panchamoorties around the Temple perimeter Streets

2014 Deepam Festival. Day Three—Night: Shima Vahanam

During Festivals the Deities are taken in procession around the Temple. Sometimes, the deity is shown mounted on or riding their vehicle, while at other times, the vahana is shown by the Deity’s side. Many times, this vahana (vehicle) is also represented by way of symbolisms, as a divine attribute. Though the vahana appears to be independent, it is part and parcel of the deity’s presence and has an meaning to it. 

In the case of the Lord on the Simha (lion) vehicle; the creature represents lordly power in general and lordly power of wild beasts in particular. Lion, the royal beast represents the best in animal creation. It can also represent greed for food and hence the greed for other objects of enjoyment, which invariably leads to lust. And as God’s vehicle represents His control of animal instincts in human beings 

The golden skinned lion is an archetypal symbol for the golden rayed sun, the lord of the day, whose appearance kills the demonic forces of the night. The lion has always been important in mythology in India as it symbolises the solar and luminous principle of life and knowledge. 

The lion also expresses the heroism and prowess necessary to defeat asurik forces and represents the heroism and strength required to enter the spiritual path. 

Alagarams left to right: Karthikeya, Shiva, Goddess

Lord Arunachaleswarar on Simha Vahana

Simha Vahana

Panchamoorthies outside Arunachaleswarar Temple

2014 Deepam Festival. Day Three—Day: Bootha Vahanam

This morning Day 3 of the 2014 Karthigai Deepam Festival at Arunachala was the procession of Lord Chandrasekhara on the Bootha Vahanam. 

Lord Chandrasekhara Alangaram

The Lord on the Bootha Vahana

In this and other processions throughout the Festival, the Panchamurthis are: Vinayagar, Lord Annamalaiyar, Goddess Unnamulaiyar, Lord Subramanya and Sri Chandikeswarar (representing all devotees).

Lord Chandrasekhara rounding Arunachaleswarar perimeter streets

Ganesha on his Vahana

2014 Deepam Festival. Day Two—Night: Indira Vahanam

Indra is the King of the Gods and ruler of the heavens. He is the God of thunder and rain and a great warrior, a symbol of courage and strength. He wields a lightning thunderbolt known as the vajra, rides on a white elephant known as Airavata and also has a golden chariot drawn by ten thousand horses. 

The formidable thunderbolt-wielding Indra strikes an imposing figure but as king of the Gods he is generally benevolent, being generous to his worshippers, guaranteeing peace and prosperity and delivering beneficial rainstorms to end droughts. He can also be called upon in times of war to give support with his divine weapons and favourable intervention. 

At Arunachala this God has a special significance as he associated with the Asta Lingam with the cardinal direction of east. The Indra lingam is dominated by the Navagrahas, Lord Surya and Lord Shukra (Venus). Devotees are blessed with long life and prosperity on worshipping the Indra lingam. 

Arunachaleswarar

Sri Indra with Chariot Vahana carrying Lord Arunachaleswarar

Sri Indra with Lord Arunachaleswarar

Panchamoorthies giving darshan outside Temple

2014 Deepam Festival. Day Two—Morning: Surya Perai Vaghanam

This morning was the Surya Perai Vaghanam procession.

Vaghanam on its way through the Temple

Procession on its way down Car Street

God on the Sun Vehicle

2014 Deepam Festival. Day One—Evening: Adhikara Nandi Vahana

There are two types of Nandi (Nandikeśvara) statues at Siva Temples, the more common is that of the reclining bull (Vrsabha) and the other is that of Adhikara Nandi. In the case of Arunachaleswarara Temple the Adhikara Nandi of last night’s function is in the form of a bull-head human standing on two legs.

Adhikara Nandi's two back hands hold a parasu (battle axe) and mrga (antelope) and the two front hands are folded on the chest in a pose of obeisance. Since he is the chief of the ganas (retinues) of Siva, exercising his authority (adhikara) over them, he is christened as ‘Adhikara Nandi.’

There are different accounts as to the origin of this manifestation. Desirous of a son, a sage named Salankayana, propitiated Lord Vishnu, who granted his wish by producing a boy exactly resembling Siva, from the right side of his body. He was named Nandikesvara. According to another account, a sage called Nandi obtained the status of a Deva and the headship of the ganas of Siva by propitiating him. A third account depicts Adhikara Nandi as emerging from the yagasala (sacrificial shed) of the blind sage Silada, in the form of a young lad resembling Siva, thus bringing ‘nandi’ or joy to him. Silada adopted him as his son.

Panchamoorthies Deeparthana

Arunachaleswarar

Arunachaleswarar on Adhikara Nandi Vahana

Panchamoorthies giving darshan front of Arunachaleswarar Temple

Day One 2014 Deepam Festival -- Panchamoorthy Silver Vimana procession

This first day of Karthigai Deepam Festival (November 26, 2014) began this morning with the hosting of the flag (Dwajaroghanam) outside the Siva Sannidhi, signifying the commencement of the Festival. At the ceremony, the flag was hoisted amongst Vedic chanting and nagaswara music (drums and cymbals). The priests then invited the sacred rivers, deities and rishis to come and witness the occasion. 

Rukku -- Our Prized Temple Elephant leading the Panchamoorthies

After conclusion of the ceremony the Panchamurtis were taken around the perimeter streets surrounding the Temple (Vetthis Mada) and then installed in the Kalyana Mandapam located in the third prakaram of Arunachaleswarar Temple where Deeparadhana took place. 

Carrying the Gods through the Temple

In this and other processions throughout the Festival, the Panchamurthis are: Vinayagar, Lord Annamalaiyar, Goddess Unnamulaiyar, Lord Subramanya and Sri Chandikeswarar (representing all devotees). 

Exiting Temple through gate next to Rajagopuram

To find out more about Sri Chandikeswar and how he was elevated to his high position: 

Panchamoorthies Darshan

”Shiva was pleased with the devotion of this boy and he appeared in person along with Parvati his consort, before the boy. Shiva embraced him and made him in charge of his ganas (devotees or followers). He was also made the steward of his household, naming him Chandikeswara.” 

Visit this earlier posting at this link here. 

Procession of Panchamoorthies around Temple

Flag Hoisting, 2014 Arunachala Karthigai Festival

Early this morning (Wednesday, 26 November, 2014) the Flag Hoisting ceremony at Arunachaleswarar Temple took place, marking the first day of the 2014 Deepam Festival at Arunachala. 

A permanent Dhvaja Stambha (flagstaff) is believed to be a later addition to the Hindu Temple. Initially, it was temporary and was primarily used to indicate the beginning of a Festival or other auspicious days and occasions. Whatever its history may be, the Pancharatra scripture states that a Temple without a Dhvaja cannot be said to be a Temple! 

Temple priests in charge of the elaborate ceremony

The Dhvaja Stambha, or Flag Staff, which is an important feature of the Temple, is located in front of the Siva Sannidhi. A Dhvaja Stambha usually represents the prosperity and pride of a Temple. But some texts suggest that the bottom of a flag post symbolizes Shiva, middle portion Brahma and the top portion Vishnu. 

Hoisting the Flag at Arunachaleswarar Temple

Today, Dhvaja Stambhas are permanent and in the case of Arunachaleswarar Temple it is plated with a precious metal. The top portion of the flag staff has three horizontal perches or three branches pointing towards the Sanctum Sanctorum. It symbolizes righteousness, reputation and propriety; or the Trimurtis – Vishnu, Brahma and Shiva. At the base of the Flag Staff is located the Bali Pitha (sacrificial altar for one’s malas, sins). One who hoists the Dhvaja (flag) aloft a Hindu Temple attains a divine body and enjoys the company of gods." So declares the treatise Deeparnava. 

There is a widespread belief that the Dhvaja Stambha gives an idea to a devotee from a long distance about the idol installed in the Temple and about the Vahana or Vehicle used by the deity. It is hoisted when there is an auspicious ceremony or Festival in the Temple. 

Lord Annamaliyar and Goddess Unnamulaiyar

Symbolically, hoisting the flag suggests setting out to conquer, and a devotee comes to the Temple to conquer his ego and gain control over the baser nature with the help of the Supreme Being. The Sanskrit word for the flag is ‘Dhvaja’ and it means whatever is raised. In the religious sense, whatever raises man to a higher level of understanding and activity is a ‘Dhvaja.’ The flag also suggests hope and desire to overcome ignorance. The Temple visit invigorates the devotee, recharging him with strength and bravery to face the hardships of daily life knowing full well that in the ultimate those who have surrendered to the will of God find victory. 

The God and Goddess being carried out

The Dhvaja which suggests the victory of good over evil is a symbol of victory and superior wealth. It signifies commanding respect, patriotism and kingship. The Kings of old in order to exhibit their Lordship over their kingdom and proclaim their continuing rulership would hoist a flag above their battlements or palace. 

 

Large crowd gathered for official beginning of the 2014 Deepam Festival

God is seen as the King of Kings, an Emperor above all emperors. He is the Supreme Power, not just on earth but in the entire Universe; which is, after all, His creation. The Hindu mind thus thinks it only befitting that tribute be paid to this all-powerful Master - the Dhvaja is thus sent aloft. If an ordinary citizen pays tribute to his king and receives favour, why the surprise when a devotee pays tribute to his King? 

Flagstaff with Arunachala in background

Sometimes the flag or banner hoisted in the Temple acts as a message board and gives an idea about the deity worshipped in the Temple. It also suggests which particular incarnation or manifestation of the God is given importance in the Temple. An interesting minor function of the Dhvaja is its use as a warning. Just as a city without the king's flag is a city 'without owner', a mandir without a Dhvaja is open to harassment by evil elements. The Dhvaja warns, "Beware, your entry is prohibited!" 

[Reference: Indian Temple Traditions – Kalpatharu Research Academy]