29 November 2017

2017 Arunachala Karthigai Festival: Day 6. Day—Chandrasekhara on Silver Elephant: 63 Nayanars



In the festivities of the morning of the sixth day, a glorious Silver Elephant, leads a procession of the great Shiva devotees, the 63 Nayanars.

The Nayanars are remembered as a group of 63 saints (poets) of the 6th to 8th century who were devoted to Lord Shiva. It was they who influenced the Bhakti movement in Tamil Nadu. The names of the 63 saints were first compiled by Sundarar and the list was expanded by Nambiyandar Nambi during his compilation of material for the famed Tirumurai.

Out of the 63 Nayanars, the four Saiva Samaya Acharyas are remembered best of all. Those four are: Tirugnasambandar, Tirunanvukkarasar (Appar), Sundarar and Manikkavasagar.

The principal teachings of the four Saiva Samaya Acharyas is of love and surrender to God; and of service to God and godly men. That love, devotion, and service to God is the only way one can obtain His Grace. God is One and He is Shiva. That man must get over his bonds which keep him in ignorance and obtain inseparable union with Shiva through the Lord's Grace.




Lord Chandrasekhara on Silver Elephant

Lord Chandrasekhara on Silver Elephant on Car Street


Lord Vinayakar on Silver Rat Vahana

The saints being carried in Palanquins

School Children carrying the Saints in Palanquins

63 Nayanars in Palanquins, Car Street

Four Saiva Samaya Archaryas

28 November 2017

2017 Arunachala Karthigai Festival: Day 5. Night—Big Silver Rishaba



Big Silver Rishaba


"The Festival begins nine or ten days before Deepam. Each evening there are solemn processions round the Temple, which are over and above the regular worship and the private offerings of puja which go on through the day.

The day comes to its climax with the procession of the panchamoorthies in the evening, which lasts almost until midnight . . . .

It was recommended not to miss the night of the silver bull, and I had accordingly arrived in very good time . . . . in the Kalyana Mandapam, ‘the portico of weddings,’ the priests were busy decorating the murtis, using silk and gold brocade, flowers and valuable jewels. Meanwhile the cars were standing outside the Temple, and on them also ornaments were being loaded. All this seemed to go on interminably; but at last there was a sudden blare of trumpets form the inner courtyard, their sound re-echoing loudly from the high enclosure walls. Accompanying the trumpets was the low drone of the tamburas, while the silvery melody of flutes pierced though the noise of the crowd.

Now the file of moorthies with their attendants emerged from their shrines, and when they passed under porticos or gopurams the echo from the low vaults become deafening. Soon they came to the Vallalla Gopuram where were standing. In front were the torch-bearers, next the musicians, and last the palanquins, carried on the bare shoulders of devotees. On either side was the tightly-packed crowd with outstretched arms, giving cries of fervent devotion. Somewhere breaking coconuts on the ground, while others held out at arm’s length gilded trays of burning camphor. The enthusiasm spread, swelled, multiplied itself irresistibly. Light, heat, scents, sounds, bodies and souls too, all were weeded together into a single vast and vibrant outpouring of love in honour of the Lord of Arunachala.

We followed behind the procession, crossed the outermost courtyard, passed under the huge gopuram over the East Gate and reached the long colonnade which adjoins it on the east, where the cars were waiting. The moorthies were installed on the cars; and once again the work of decoration was resumed with renewed zeal; flowers, jewels, lights in even greater quantity. The crowd was now more tightly packed than ever. The friend who was guiding me managed to open a path for me immediately in front of the chief car, where the palanquin of Shiva Annamalaiyar was mounted on the silver bull.

Over him was held a huge ceremonial umbrella which touched the roof overhead. Behind the car was a trailer with a dynamo, and thousands of electric bulbs sparkled all over the palanquin, the platform, the decorations, among the jewels, silks and flowers which adorned the statue. A devotee, who was standing near, was so moved that he cried out: "How can one doubt any longer that it is the Lord himself upon his car, who presents himself for our adoration!"


[Edited Narrative By Swami Abhishekananda 1970]




Panchamoorthies give darshan outside the Alankaram Mandapam

The Lord on his Vahana, the Big Silver Rishaba

2017 Arunachala Karthigai Festival: Day 5. Day—Chandrasekhara on Rishaba Vahana



On the morning of Day 5 of the 2017 Arunachala Karthigai Festival, Lord Chandrasekhara is seated on the Rishaba Vahana.


Lord Chandrasekha exiting the 5th prakaram on way to Thitti Vassal Gate

Drummer in front of the Alankaram Mandapam

Lord Chandrasekhara on Rishaba (bull) Vahana

Procession of the mada vedhi (perimeter streets) of Arunachaleswarar Temple

Procession on Car Street, Tiruvannamalai

Completing procession of the perimeter streets around Big Temple

27 November 2017

2017 Arunachala Karthigai Festival: Day 4. Night—Kalpavriksha and Kamadhenu Vahanas



One of the most popular processions during the Arunachala Deepam Festival, is that of Kalpavriksha (also known as Karpavirutcham), the wish-fulfilling tree and Kamadhenu, the wish-fulfilling cow. Both of which emphasis the wish-fulfilling aspect of Arunachala.

The Kalpavriksha is a mythological Divine tree said to fulfill all desires. Its mythology narrates that the wish-fulfilling tree originates from the churning of the ocean of milk after which the god Indra, returned with the tree to his paradise. During the Deepam Festival on the Fourth Night the Lord is seated under the Kalpavriksha Tree.

The second major Radham appearing on that night is that of Kamadhenu (literally meaning; the cow; "from whom all that is desired is drawn", or “the divine cow providing for all needs”). The Kamadhenu is a divine cow-goddess described in mythology as the mother of all cows who provides the owner with whatever is desired.

It is often the wish fulfilling aspect of Girivalam that brings many pilgrims each Poornima (Full Moon) to the Hill, whatever the difficulty or weather, to perform girivalam. In fact many pilgrims prefer it when the conditions are extreme (cold, heavy sheeting rain, previous tapas such as fasting and mortification etc) as they believe that the greater the difficulties they overcome in performing girivalam, the greater will be the focus of their sankalpa (intention) and success of their wish.

The now deceased Annamalai Swami explains the power of the Hill as thus:-

“. . . It is not an ordinary hill. It is spirituality Itself. It has a powerful, magnetic pull to the Self. Seekers who come to this place with the intention of realizing the Self will have untold benefits to do pradakshina on a full moon.

In the proximity of this holy hill the presence of the Self is more powerful and more self-evident than anywhere else. Indian mythology speaks of a wish-fulfilling tree. If you find this tree and tell it what you want, your wish will be granted.

Arunachala also has this reputation. This is why so many people come here on a full moon night and walk around it. But very few people come here and ask for their complete freedom, for undisturbed peace.

Arunachala is a light. It shines. It is the light of the Self, and the light of the Self will continue to shine on you whether you believe it or not. Arunachala is greater than all other religious places. There are other holy, powerful places in the world, but none have the power of Arunachala . . . There is a huge amount of shakti, or spiritual energy, here.”





Aarti to the Panchamoorthies' Alangarams

The Lord being prepared on his Vahana inside the Alankaram Mandapam (outside Raja Gopuram)

Frenetic activity preparing all of the panchamoorthies outside the Alankaram Mandapam

Kalpavriksha: The Wish Fulfilling Tree

2017 Arunachala Karthigai Festival: Day 4. Day—Lord Chandrasekhara on Naga Vahana



On the morning of Day 4 of the 2017 Arunachala Karthigai Festival, the vahana for Lord Chandrasekhara is the naga.

The use of the word naga usually refers only to mythological serpents while snakes living in nature are called sarpas. However the word naga is also used to represent the cobra.

The cobra which is seen coiled around the neck of Lord Shiva, represents power over destruction and creation. It primarily represents rebirth, death and mortality—due to the casting of its skin thus being symbolically "reborn". The snake also represents Kundalini Shakti and as a vahana of Lord Shiva depicts desires kept under control of the Divine.




Alangaram of Lord Chandrasekharar

Lord Chandrasekharar on his Naga Vahana

Procession of the mada veedhis (perimeter streets of Arunachaleswarar Temple)

Procession of the Panchamoorthies

Large crowds of pilgrims are attending each function

Drummer on Big Street (in front of the Alankaram Mandapam)

2017 Arunachala Karthigai Festival: Day 3. Night—Lord Chandrasekharar Simha Vahana



During this 10-day Arunachala Karthigai Festival, the panchamoorthies are daily taken out in procession and circumambulation of the mada veedhis around Arunachaleswarar Temple. Sometimes, the Deity is shown mounted on or riding the vahana, while at other times, the vahana is shown by the Deity's side. Many times, this vahana (vehicle) represents and symbolises a Divine attribute and even though the vahana appears to be independent, it is actually part and parcel of the Deity's presence and has an meaning to it.

In the case of the Lord on the Simha (lion) vehicle; the creature represents lordly power in general and lordly power of wild beasts in particular.The lion is regarded as a Royal beast and thus represents the best in animal creation. However it may also represent greed for food and hence greed for other objects of enjoyment, which invariably leads to lust. The Lord mounted on this Simha vahana represents His ascendancy and control of animal instincts manifested in the human being.

The lion is an archetypal symbol for the golden-rayed sun, the lord of the day, whose appearance kills the demonic forces of the night. The lion has always been important in Indian mythology as it symbolises the solar and luminous principle of life and knowledge.

The lion also expresses the heroism and prowess necessary to defeat asuric forces and represents the heroism and strength required to enter the spiritual path.



Aarti offered to the panchamoorthies inside the Kalyana Mandapam, 3rd Prakaram

Panchamoorthies performing circumambulation around the Siva Sanndihi, 3rd Prakaram

Lord Chandrasekharar on Simha Vahana

The Goddess on her Vahana, following the Lord on Simha

The panchamoorthies performing their procession of the mada veedhis

25 November 2017

2017 Arunachala Karthigai Festival: Day 3. Day—Lord Chandrasekharar on Bootha Vahana



On the morning of Day 3 of the 2017 Karthigai Deepam Festival at Arunachala the procession of Lord Chandrasekhara on the Bootha Vahana is observed.

Bootha represents earth as one of the five manifestations of nature; air, water, fire, land and sky. The Lingam to which it is associated is the Prithivi Lingam of the Ekambareswarar Temple, Kanchipuram.

During Grand Festivals at Arunachaleswarar Temple, alangaram is performed at the Kalyana Mandapam. The Gods then leave by the front door of that Mandapam, perform circumambulation of the Siva Sannidhi and then stop at the Yagasala Mandapam for adornment and aarthi performed by the priests.


Deities in front of the Yagasala Shrine

 Deities carried through Temple towards egress of Thitti Vassal Gate

Lord Vinayaka on Vahana

Lord Chandrasekharar on Bootha Vahana in procession of mada veedhis

2017 Arunachala Karthigai Festival: Day 2. Night—Silver Indra Vahana



Lord Indra has a special significance with Arunachala, as He is associated with the Asta Lingam with the cardinal direction of east. The Indra lingam is dominated by the Navagrahas, Lord Surya and Lord Shukra (Venus) and devotees are blessed with long life and prosperity on worshipping it.


Indra is the King of the Gods and ruler of the heavens. He is the God of thunder and rain and a great warrior, a symbol of courage and strength. He wields a lightning thunderbolt known as the vajra, rides on a white elephant known as Airavata and also has a golden chariot drawn by ten thousand horses.


The formidable thunderbolt-wielding Indra strikes an imposing figure but as king of the Gods he is generally benevolent, being generous to his worshippers, guaranteeing peace and prosperity and delivering beneficial rainstorms to end droughts. He can also be called upon in times of war to give support with His Divine weapons, thus assuring a favourable intervention and outcome.


Lord Arunachaleswarar and Sakthi Amman being carried through Temple

The Lord mounted on Silver Indra Vimana

Young lad on horn

Process of the panchamoorthies through Tiruvannamalai

Large number of pilgrims attending all functions

24 November 2017

2017 Arunachala Karthigai Festival: Day 2. Morning—Surya Perai Vahana



On the morning of Day Two of the Karthigai Festival, Surya Perai is the Vahana for the Lord. Surya is the representation of Fire (or Agni) and the fourth element of the Panchabhutas. The essential character of Fire is to generate heat and according to Hindu Mythology, Agni is one of the Eight Guardians that guard our Universe (known as Asta-dik-palakas).

During each procession the panchamoorthies are seated on their respective Vahana. The word “Vahana” denotes “that which carries, that which pulls” and signifies the mount of the God. The mount represents a Divine attribute associated with the God.

Arunachala is replete with mythology connected with the Surya, the Sun God. To find out more about Surya’s connection with the Hill, go to this link.




The Panchamoorthies being carried through the Temple

The Gods being moved away from the front of the Alankaram Mandapam

Darshan of the Lord on Surya Perai Vahana

Rukku next to her own, Lord Ganesha

Procession of the Gods through Tiruvannamalai

The Lord on His Surya Perai Vahana

2017 Arunachala Karthigai Festival: Day 1. Evening—Adhikara Nandi Vahana



Yesterday evening the Lord's vehicle was the Adhikara Nandi. There are two types of Nandi statues at Siva Temples, the more common is that of the recumbent bull (Vrsabha) and the other is that of Adhikara Nandi. In the case of Arunachaleswarar Temple, the Adhikara Nandi of last night's function is in the form of a bull-headed human standing on two legs.

Adhikara Nandi's two back hands hold a parasu (battle axe) and mrga (antelope) and the two front hands are folded on the chest in a pose of obeisance. Since he is the chief of the ganas of Siva, exercising his authority (adhikara) over them, he is christened as 'Adhikara Nandi.'

The white bull—Nandi—is the divine vehicle of Lord Shiva, the Destroyer. He is the chief of the ganas, Shiva's attendants. Nandi means 'happy'.

Nandikesvara, Lord of happiness, one of Shiva's ganas was fond of dance and music. He was born of the Divine progenitor Kashyapa and the Divine cow Surabhi. He married Suyasha, the daughter of the Maruts. As his life was coming to an end, he prayed to Shiva to lengthen his life. Shiva granted him immortality and leadership over His ganas. He was given the title “Adhikara Nandi” (or “authoritative Nandi'), for it is only with Nandi's grace and permission that one can enter the temple of Shiva. Adhikara Nandi took on a human form as a bull-headed human standing on two legs (or in some instances a bull standing erect on his rear legs).

Nandi is more than Shiva's vahana or vehicle. As the chief of Shiva's attendants, he is also the guardian of all four-legged animals. Nandi is essential to every Shiva Temple—the sanctum sanctorum of each Temple, where the deity may be in a human or linga form, has an image of Nandi facing the shrine.

There is a story that Vrishabha Deva or Nandi was very proud of his role as the vehicle of the Supreme Lord Shiva himself. To teach him a lesson, Shiva placed a lock of his hair on the bull, who was unable to bear the weight. Realising that he had been arrogant, Nandi begged Shiva's pardon. Shiva forgave him and initiated him into divine knowledge.

Nandi completes the image of the happy family. In days gone by, people depended on the bull for transportation. The bull was thus the vehicle both for Shiva and man. He is also a symbol of how a powerful animal, imbued with Divine authority, is also a gentle and humble worker and helper to both the Gods and man.




Panchamoorthies giving Darshan


Adhikara Nandi Vahana before decorating

Adhikara Nandi Vahana on Procession

Goddess Parashakti on Her Vahana the mythological bird Annapakshi

2017 Karthigai Deepam Festival Day One—Late Morning: Panchamoorthy Silver Vimana Procession



After the Flag Hoisting ceremony, the Panchamoorthies each on their own palanquin are carried around the Flagpost five times in the order: Vinayaka, Murugan, Arunachaleswarar, Shakti and Chandikeswara. After circumambulation, each of the Gods are carried through the Temple which they then leave through the Thitti Vassal Gate, adjacent to the Raja Gopuram on the east side of the Temple. 

Afterwhich the five Gods are placed on their respective vahanas which are decorated most beautifully. The Panchamoorthies then give darshan to devotees in front of the Alankaram Mandapam.  After darshan the Gods on their respective vahanas  are pulled by tractor in procession around the perimeter streets (mada veehis) of Arunachalaeswarar Temple.


The Panchamoorthies giving darshan in front of the Alankaram Mandapam

The Panchamoorthies on procession of the mada veedhis