28 October 2013

Deepam 2013 Clean-up


As always preparations for the Arunachala Deepam Festival start long before the function in conjunction with the local administration, revenue department, police and Temple authorities. 

At the Temple; wooden levers have to be fashioned by carpenters, ready to be placed under the large wheels of the chariots that will be daily used throughout the Festival. Repair work is undertaken on all Temple chariots and vehicles. 

Fire drills will be conducted at the Tanks inside the Arunachaleswarar Temple. And soon lights on Arunachaleswarar Temple will be placed around the Temple Compound perimeter and on the Gopurams heralding the upcoming Festivities. 

The giant cauldron which will be later carried to the top of Arunachala will be repaired and repainted. And arrangements have to be made for a mountain of ghee, to be stored in various rooms throughout the Temple. 

To begin with some photographs of Temple clean up and preparations. 


Men working on repair and painting, Big Chariot


Each chariot has to be inspected and repaired

Clean up outside the Shiva Sannidhi

Arunachaleswarar Temple Flagpole

Everything getting a good hose down

20 October 2013

Postings on my Arunachala Blogs from September 18 to October 17, 2013


Below are links and short extracts of postings on my various Arunachala Blogs from Wednesday, September 18, 2013 to Thursday, October 17, 2013 


Arunachala Grace 

Some Favoured Arunachala Temples and Shrines: Selection of some out-of-the-way girivalam Shrines and Temples.

Pradosham Photographs: Pictorial report of Pradosham at Arunachaleswarar Temple.

Aarti at Pavala Kundru: Photographs of the beautiful Temple on Coral Hill spur, Arunachala. Video. 

Navaratri Kolu Celebration: Visting two homes of Arunachaleswarar Temple Priests to view their Kolu displays.

Navaratri Alangarams, Arunachaleswarar Temple: Amman Lingam Alangaram and Saraswati Alangaram, Mandapam Hall, Big Temple.

2013 Arunachala Navaratri Functions: Information and links of Navaratri Pujas at Ramana Ashram.

Visit to an Elephant: Time with elephant from Trichy at Seshsadri Ashram who was going to participate in the Raja Parivara Puja on Girivalam Roadway.

Rudra Pasupathi Nayanar: Famed devotee of Lord Shiva, who made a practice of chanting the Sri Rudam, while half immersed in water.

Pradosham, October 2, 2013: Photographs of the large crowds at Arunachaleswarar Temple attending Pradosham.

Counting the Cash: Photographs of Temple appointees counting Hundial donations.

Mahapuja for 18 Siddhars, Arunachala: Raja Parivara Puja to be performed for the 18 Siddhars at Tiruvannamalai.

Mottayan Swami and Kootankuchi Swamigal: Information about two holy beings residing off the Girivalam Roadway, Arunachala.

Tremors felt at Tiruvannamalai: After a gap of almost 25 years, Tiruvannamalai experiences a small earthquake.

Whisper into my Ear: The method and benefits of talking into sacred Nandi’s ear.


Arunachala Birds 

House Sparrow: Description of the most common bird in India and resident at Arunachala. Photographs and Video

Ways to deal with Bully Birds: Modern bird feeders and hints of how to control bully birds in the garden.


Arunachala Land 

Act for Seed and Food Freedom: Information and links about the agricultural independence of India

Tiruvannamalai Puja Flowers: Tiruvannamalai trees and shrubs, flowers of which are used in Temple pujas.


Arunachala Mystic 

Significance of Arunachala Girivalam Asta Lingams: Story of Mooppanar Swami, and his work restoring the Asta Lingams on Girivalam Roadway.

Sri Siva Siddhar Mona Swami Birthday Function: Photographs, video and report of Swami’s birthday celebrations at his Ashram

Mouna Swamigal, Girivalam Roadway: Photographs and narrative of a Swami residing off the Girivalam Roadway


17 October 2013

Some Favoured Arunachala Temples and Shrines


Some who perform Arunachala girivalam like to go around the Hill in silence and without stopping. Others like to stop at favourite shrines and lingams along the way. I prefer the former method, and enjoy silent circumambulation. However to view favoured Shrines I frequently take a vehicle to visit certain Temples. 

There are a number of fascinating Shrines and Temples which are located a little way off the main girivalam roadway, so do not attract the same number of visitors, but are very well worth a visit.

Below are some of my own favourite spots which are not as well visited as the more famous Girivalam shrines:


1. Balaji Temple. A Temple still under development. But with a completed major Shrine room dedicated to Lord Venkateshwara. This Temple with large grounds has an interesting selection of other Shrines including: Lord Hanuman, Goddesses Kali and Durga, Lord Sani with Kettu and Raghu, the Snake Goddess.



Balaji (Sri Venkateshwara) Temple from distance


2. Pachaiamman Temple. The Temple is beginning to attract larger crowds than previously. It is particularly interesting because of its legends connected with the Goddess Parvarti and its huge Guardian Statues. 



Guardians to the Goddess at Pachaiamman Temple



3. Esanya Ashram (located across from Esanya Lingam) located on the alternate girivalam pathway, parallel to the main roadway. The Ashram contains the Samadhi of the great Saint.


Samadhi of great saint Isanya Desikar


Below is a very nice story about how the famed Saint Isanya Desikar helped his British devotee Ayton, overcome dangers in his efforts to safely attend a Deepam Festival. 


The story goes thus:- 

Isanya Desikar, whose math is located just outside Tiruvannamalai on the old pradakshina road, was a distinguished yogi who, like many before and after him, felt the spiritual call of Arunachala. He was born in 1750 in a small village called Rayavelur in northern Tamil Nadu. He came and settled at the foot of Arunachala only late in his life, but nevertheless, by virtue of his intense and personal relationship with Arunachaleswara, he is regarded as one of the major saints of Arunachala. 

Isanya Desikar had a western devotee, who is now recalled by the name of Ayton. He was the then District Collector for the region that extended from Tiruvannamalai to Vriddhachalam. Ayton had heard about the greatness of Isanya Desikar and approached him in the hope of getting a cure from the tuberculosis from which he had been suffering for many years. 

Isanya Desikar smiled and after a brief pause spat on the ground. The moment he spat, Ayton was cured of the disease. Ayton then spoke to the holy man with both trepidation and devotion. 'Swami, I have recently acquired a large amount of land, I would like to offer your holiness as much as you need. It can be a permanent endowment in your name.' Isanya Desikar smiled and asked tauntingly, 'Will your land yield crops even during a drought?' Then, pointing his finger towards Arunachaleswara and Apeetakuchamba, he added, 'Here is a householder with two children and a large family. It is proper to give him any amount of land, but it is not proper to gift it to me, a sannyasin.' 

Ayton took leave of him but returned on many occasions. He got into the habit of addressing him reverentially and affectionately as 'Tata', which means 'grandfather'. It is said that before he began any new project he would always mediate on Isanya Desikar and invoke his blessing by saying, 'Tata, please lead me in this work. It is your work.' At Deepam Festivals Ayton would take the lead in dragging the huge temple chariot through the streets of Tiruvannamalai. However, before moving the chariot for the first time he would pick up one of the ropes and exclaim loudly: 'Tata, you hold the rope and lead us!' The local people were all astounded that such a prominent British official should have such devotion towards a naked sannyasin. Ayton made it a point always to attend and lead this annual festival, but one year he found himself stranded by floods on the southern side of the River Pennar just before the beginning of the festival. Knowing that he was expected to be at Arunachala to start the chariot on its journey, he called out to his mount: 'Horse, I must see Tata and I must also get the Deepam Festival started. Think of Tata and cross the river!' Without a moment's delay or hesitation, the horse leapt into the raging torrent of water and effortlessly waded to the other side. None of the other people who were stranded dared to follow for they were all convinced that it would be suicidal to enter the surging waters. 

At the moment when Ayton put his faith in Tata and leapt into the water, Isanya Desikar opened his eyes after a long meditation and stretched out his hand in a southerly direction. When one of his disciples asked what he was doing, he replied, 'If someone falls into a river, should we not save him?' 

Ayton arrived safely and took Isanya Desikar's blessings to start the festival. When the news of Ayton's spectacular river crossing and Isanya Desikar's role in it spread among the Deepam crowds, many of them came to the north-eastern side of the hill to see the man who had been responsible for the miracle. Several of the new visitors turned out to be mature seekers who were looking for guidance from a Guru. Isanya Desikar accepted some as disciples, had a small thatched shed built to accommodate them and gave instruction by writing a guide to liberation entitled Jnana Kattalai.


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4. Adi Kamakshi Temple. One of the most ancient Temples at Arunachala located in a road close to Durga Amman Temple.


Front entrance of ancient Adi Kamakshi Temple


The Goddess at this Temple has a Lingam close to her Heart


5. Pavala Kundru. Located on a hill spur almost directly behind the famed Durga Amman Temple off the girivalam roadway.


Pavala Kundru Temple located on Arunachala Spur


6. Arunagirinathar Temple. Located a couple of blocks east of the Arunachaleswarar Temple’s Raja Gopuram.


Arunagirinathar Temple, third most ancient Arunachala Siva Temple



7. Kamakshi Temple. Off Thiruvoodal Street. This Goddess Kamakshi Temple is more recent than the Adi Kamakshi Temple. 

It is famous as a wish-fulfilling Shrine, and it also one of the 6 Temples at Arunachala that have steles (of Shiva and Parvati), and are believed to be part of an “Om” energetic field. 

I will write further on the six Om Temples [Parvati Temple, Niruddhi Lingam, Palani Andavar Temple, Esanya Lingam, Arunachaleswarar Temple and Kamakshi Temple (Thiruvoodal Street)].

16 October 2013

Pradosham Photographs Wednesday, October 16, 2013


Below are photographs of the large crowd attending the Wednesday, October 16 2013 Pradosham at Arunachaleswarar Temple. 


Large crowd in attendance, pradosham



Puja at Periyar Nandi, Arunachaleswarar Temple

Periyar Nandi, Arunachaleswarar Temple

Aarti at Pavala Kundru


The below photographs are of Pavala Kundru (Coral Rock) Shrine, situated on a spur of Arunachala. The current Temple dates from not earlier than the end of 18th Century, as historical records date the destruction of the original Shrine by the forces of Tippu Sultan to have occurred in 1790. 


View of Temple from main road towards bus stand


The opening hours of the Temple are somewhat erratic, and this week was the first time in about six visits, that I visited at a time that the Shrine was actually open. This was particularly satisfying as one has to climb 150 steps on the side of the slope to reach the Temple. 


Beginning of a long, steep trek

A fascinating stele in a shrine on the side of the walkway

A beautiful Nandi statue on the side of the walkway

Side view of Temple

Nandi in front of Temple, facing the Lingam in Shrine Room

Nandi front of Temple. Board with information about Sri Ramana


The Temple was recently renovated with the support of Shantimalai Trust and Ramana Ashram. 

Outside the front door of the Temple is a board placed by the Ashram, which reads: 

The first instruction imparted by Sri Ramana Maharshi was to his Mother at Pavala Kundru in 1899: 

"The ordainer controls the fate of souls in accordance with their past deeds. Whatever is destined not to happen will not happen; try how hard you may. Whatever is destined to happen will happen. Do what you may to stop it. This is certain. The best course, therefore, is for one to be silent.” 



North Side Arunachaleswarar Temple from Pavala Kundru

Ardhanariswarar

Puja at Shrine of Pavalagiriswarar and Ardhanariswarar


One of the most unique features of the current Temple is that there is both the Pavalagiriswarar Lingam and a statue of Ardhanariswarar in the Shrine room. 


Goddess Muttambikai

 
In a nook outside the main shrine room there is a statue of the Goddess Muttambikai, and to the right of that nook is a tiny room in which Sri Ramana Maharshi used to meditate during his six month stay at this Temple. 


View of Arunachala from Pavala Kundru

Unique view of Pavala Kundru on Arunachala spur


I hope to be soon posting more detailed information about the history and mythology of this unique Temple on my website Arunachala Samudra. But for now, as well as some photographs, have also uploaded a short video of aarti being performed in the main Shrine Room. 



14 October 2013

Navaratri Kolu Celebration



Navaratri is a joyous, major Festival celebrated throughout India each year around late September or early October. This year the nine day Festival concluded on Vijaya Dasami (Day of Victory) which falls on October 14, 2013. 

It seems that around Tiruvannamalai Navaratri is not celebrated as lavishly as in other parts of India. Perhaps one reason is that many residents of the area are already anticipating the upcoming Deepam Festival. 

This year some friends and I were invited to the homes of two Brahmin Priest families connected to service at Arunachaleswarar Temple. The below photographs of the Kolu displays were taken in their homes. The last photograph in this posting was taken of the Kolu display at Yogi Ramsuratkumar Ashram. 


Kolu Display


One very fascinating aspect of the Navaratri Festival, of which I have never written about is Kolu (Tamil = Golu) which means “Divine Presence”. This celebration incorporates the exhibition or display of dolls and figurines on numbered tiers or steps in the home and in some cases at Ashrams and public halls. 


Top 3 Tiers of Display more detail


Preparations for Kolu begin well in advance. Many families have dolls dating back from several generations and between each year’s Celebration, the dolls are carefully wrapped and packed in large trunks. The figurines can be simple or very complicated and based upon marriage occasions, musical instruments, shops, current affairs, Gods and Saints, or depictions of the Epics and Puranas (i.e. Mahabharata, Ramayana, Krishna Leelas etc.). 


Another section of Display


Kolu had a significant connection with the agricultural economy of Ancient India. In order to encourage de-silting of irrigation canals the Kolu celebration was aimed at providing demand for clay that was needed for the celebratory dolls. It is believed that the tradition of Kolu has been in existence from the reign of the Vijayanagara kings. 


Display in another Priest's Home



Start of the celebration 

An auspicious time is chosen before placing the Kalash and dolls for worship with which the Kolu festival begins. A Kalash is a small pot made up of silver or brass containing rice, sticks of Turmeric, Toor dal and a rupee coin. A coconut and mango leaves are placed at the mouth of the pot. 

After placing the Kalash, the Kolu dolls are arranged in tiers of more than nine levels. There is a specific order in arranging the dolls. 

Generally they follow a set sequence as below:- 

Steps 1 to 3—Dedicated to Gods. The kalash is always kept on the first step and arranging the kalash on first step marks the initiation of the ceremony. The different idols of various Gods and Goddesses are arranged in these three steps. 

Steps 4 to 6—The next three steps are devoted to saints like Sai Baba, Swami Vivekananda, Demigods and national leaders. 



Figurine of Lord Iyyapan


Step 7—On this step dolls depicting festivals, celebrations and occasions are displayed. 

Step 8—Scenes of everyday life, such as shops, bus stop, cars, street scenes etc. 

Step 9—On this step, traditional Marapachi Bommai are placed along with other dolls symbolising living things in the world. (Marapachi Bommais are a pair of male and female dolls carved out of a special medicinal redwood called ‘Marapachi’ is a These dolls are a traditional part of South Indian Brahmin marriages in which male and female dolls are gifted to the bride). 


Figurine of Wooden Ther (chariot)


After arranging the dolls, friends, neighbours, visitors and relatives are invited to view the Kolu. In the evening of the conclusion of Navaratri i.e. Vijayadasami (the day of Victory) the dolls from the ‘Kolu’ are symbolically put to sleep by laying them horizontally and Kalash is moved a bit towards North to mark the end of that year’s Kolu. 


Figure depicting Ravana in the Ramayana


My Favourite: Cricketing Ganesha facing multiple Ganesha outfielders


Prayers are offered to thank the God for the successful completion of the year’s Kolu and for the hope of a successful exhibition in the following year. Then the Kolu is dismantled, packed and stored for the next year. 


2013 Kolu Display at Yogi Ramsuratkumar Ashram

Navaratri Alangarams, Arunachaleswarar Temple



Today, Vijaya Dasami, concludes the 2013 Navaratri Function. To learn more about the significance of this Festival go to these links here and here. To read more about kolams (an essential floor decoration at all Festivals) go to this link here. For a nice explanation of the significance of Vijaya Dasami, visit this link here

The below photographs are of pujas performed in the Mandapam Hall at Arunachaleswarar Temple, on the 7th day of the Festival, Saraswati Alangaram and the 8th day of Navaratri, Amman Lingam Alangaram. 



Saraswati Alangaram, 7th Day Navaratri Festival

Amman Lingam Alangaram, 8th Day Navaratri Festival

Elaborate Hair Details back of Goddess

Chakra covering over Alangaram

Devotees entering Mandapam on way to Alangaram

10 October 2013

2013 Arunachala Navaratri Functions


This year renovation work is being undertaken at the famous Durga Amman Temple at Arunachala, so there will be limited Navaratri celebrations at that Shakti Temple. For the most elaborate and beautiful pujas at Tiruvannamalai over the 2013 Navaratri festivities, its best to visit Arunachaleswarar Temple, where special pujas are conducted in their Mandapam. 



Navaratri Rishabha Vahanam -- 5th Day
 

Another spot to visit over this Festival is Ramana Ashram, which always puts on very beautiful puja functions for each day of Navaratri. 

In this posting I am including information on Navaratri Rishabha Vahanam, which is the fifth day of celebrations at that Ashram. To view photographs of the puja go to this link here, and a video at this link here


6 October 2013

Visit to an Elephant



Being that I love elephants and also enjoy a nice, celebratory procession, I visited Sri Seshadri Ashram yesterday (Saturday October 5, 2013) in order that I could view the procession connected with the Raja Parivara Puja, which was scheduled to leave that Ashram at 4.00 p.m. As things usually get off to a slow start I turned up at Sri Seshadri Ashram at about 4.30 pm. But was disappointed to see that neither the horse nor cow (for the puja) had arrived, and that arrangements for the procession seemed to be delayed.

Fortunately the sweet elephant from Trichy was on time and was waiting patiently at the Ashram whilst snacking on some nice greens. I was told that she had been transported from Trichy by lorry, which I suppose in these days of speeding vehicles on overburdened roadways is the safest solution. In quieter times elephants would have a nice walk to functions. In days previously whenever Sri Sathya Sai Baba was switching from his Puttaparthi Ashram to his Whitefield Ashram, his elephant Geeta, would be taken between those stops by a long, leisurely walk. 

I waited at Sri Seshadri Ashram till about 5.00 p.m. but as not much progress was being made starting up the procession, decided to leave and go upon my household shopping duties. 



Having a little munch

Checking it all out

Wearing freshly painted face decorations

Pots inside Sri Seshadri Siddhar Hall

Young lads with their musical instruments


The sweet elephant wearing her "fancy dress" outfit

4 October 2013

Rudra Pasupathi Nayanar



Rudra Pasupathi Nayanar was born at Thiruthalayur in a Brahmin family of Vedic Scholars. The Nayanar who was a fervent devotee of the Lord, made a practice of chanting the Sri Rudram, one of the most purifying holy hymns of Lord Shiva standing in neck deep water. He performed this tapas both in the early morning and evening with utmost devotion and faith. Nayanar achieved moksha because of his austere life and perpetual devotion to Lord. 



Sri Rudram: Namakam-Chamakam in Devanagari, English translations




Sri Shiva Rudram: Namakam-Chamakam slokas in Devanagari Sanskrit with English translations. Sri Rudram is a Hindu strotra dedicated to Rudra (Shiva), taken from the Yajurveda. The text is also famous for its mention of the namah shivaya mantra. Chanting the Rudram is considered to be of great benefit. Legend reports that Lord Shiva, after Bhasmasura was killed with the help of Lord Maha Vishnu, performed the Tandava Dance and then chanted the "Rudra Yagna" at the place where the "Sri Kalahasti" Temple stands now, (one of the 5 Pancha Moorthis). 



The story of Rudra Pasupathi Nayanar story goes thus: 

“The country watered by the Kaveri is a famed one rich in its fertile fields. Tiruttalaiyur was a city in it, great in its inhabitants of high ancesty, flourishing together, knowing no want. The sacrificial fires of the Brahmins rose up to the skies there (a landmark from afar for celestial bliss), the dense groves rich with blooms dripped honey, the cows yielded the five-fold products meet for the adoration of the dancing Lord. Well this place was the home for benevolence, righteousness and true culture. 

The righteous Pasupatiyaar hailed from a noble family of Brahmins dedicated to Vedic learning, in the city. He duly served the Lord of the bull-mount, who gloried in His Better-half, the daughter of the golden mount! With a heart over-flowing with love, he incessantly and zealously chanted the “Rudram” in praise of the Supreme Lord whose feet Vishnu could not divine of yore. 

Before the dawn of each day, responding to the twitter of the birds that were astir, and the humming of the bees in the flower groves he would betake himself to the water-brimming pool, where the flaming lotus blooms lifted their heads with leap of flashing fish at the base. 





Then he would get into the cool water up to this neck, fold his hands above his head and chant the “Rudram”, in faultles accents, expressive of his love for the Lord of the matted tresses wherein sports the Ganga of the white waves. He would repeat this chant, the essence of the Vedas, at noon and night too, without fail. 

Thus he shone like the four-faced Brahma, seated in the lotus-bed. In due course, the Lord who had given his left side joyously to His consort Uma, desired to raise up this saint. The Lord, source of all, was greatly delighted at the rgular chant of the ”mantras” in the prescribed way, in time with the gorious austerity of the passionate devotee and showered His grace on him, who then reached the bounds of the immaculate Abode of the Lord. 

By virtue of his faultless chanting of the “Rudram”, with an over-flowing heart, he then found himself close to the dancing feet of the Lord. Therfore, he became known in this wide world by the hallowed name Rudra Pasupatiyaar. 

Ah, the Lord of the Trident shows His grace to the loving, perfect chanters of “Sri Rudram”. This is one way to reach up to Him.”