Mahashivaratri 2011 -- Cultural Programme at Arunachaleswarar Temple

This year Shivaratri falls on the night of March 2nd through the day of March 3rd. And as is customary at the Arunachaleswarar Temple, the Festival will be celebrated by musical programmes, dramas and classical dance in the Temple Auditorium on Wednesday, 2nd March through the early hours of Thursday, 3rd March:-



Programme Details


5.00 p.m. to 6.00 p.m. Devaram Music (Hymns to Shiva)


6.00 p.m. to 7.00 p.m. Classical Bharat Natyam by Meenakshi Angappan Troupe









7.00 p.m. to 8.00 p.m. Classical Bharat Natyam by Vanavaka Rajendran Troupe


8.00 p.m. to 8.00 p.m. Nattiya Nagadam (singing and Drama) by Mount St. Josephs School, Tiruvannamalai


9.00 p.m. to 10.00 p.m. Classical Bharat Natyam by Lalita Thiyaganrajan Troupe


10.00 p.m. to 12.30 a.m. Grammiya (Village) Cultural Programme by Mayial Swamy Troupe (comedy cinema actor from Chennai)

Arunachaleswarar Temple Flag Hoisting 2010

At the start of any Temple festival, a flag is hoisted outside the main Sannidhi to invite all to participate. As always the flag hoisting at the beginning of this year's Deepam Festival was a grand event. Below a pictorial representation of the occasion.


Right click on all photographs to view enlarged version.

Maha Kumbhabhishekam – Arunachaleswarar Temple

As a result of an archive search, I found the below descriptive narrative of the renewal ceremony of Maha Kumbhabhishekam which took place at the Arunachaleswarar Temple in June, 2002. The narrative will be inspirational to both those who already know and love Arunachaleswarar Temple and also to those who hope one day to visit this ancient Shiva Temple. [The photographs accompanying this narrative are from recent times].



“I remember it vividly. it was 9:47 in the morning on June 27, 2002. That moment was perfectly still like a calm before a storm. What followed was a devotional frenzy that all good Tamil Nadu temple-goers know only too well.

Three hundred thousand devotees were packed around a 217-foot rajagopuram (one of four main outer temple towers) at the Arunachaleswarar Temple in Tiruvannamalai, South India. They had been there all morning some since the night before. Suddenly, as if in response to some orchestrated cue, everyone roared, "Annamalaikku Haro Hara," "Glory to the Lord of Annamalai." Six eagles circled over the Temple's sanctum sanctorum and abhishekams (water ceremonies) were simultaneously performed in nine towers and nine shrines throughout the temple complex. The 1,300-year-old temple was experiencing its fifth known Maha Kumbhabhishekam. It was history in the making. The last such ceremony occurred in 1976. The two before that were in 1944 and 1903.

A Maha Kumbhabhishekam is held either to formally consecrate a new Temple or reconsecrate an old one, which usually occurs at twelve-year intervals, following renovation, extensive cleaning and renewal. The rites culminate with the priests' pouring sanctified water over the temple spires, each of which resembles an inverted pot, or kumbha. Leading up to the consecration, a number of rituals are performed by the sthapati (main temple architect) in charge of the construction or renovation.

The temple at Arunachaleswarar is the second largest in India. Throughout its long history, it has enjoyed extraordinary popularity among wealthy patrons. This remains true today. Just before the Maha Kumbhabhishekam of 2002, more than Rs. 450 Lakhs was spent on Temple renovation and repair. Although a great deal of this money came from affluent donors, much was also solicited through pamphlets, posters and "door stickers" as well as from television.

All nine gopurams were repaired, renovated and repainted. The 1000 - pillared mandapam (main temple hall) was completely cleaned and even outfitted with electricity. The temple's entire collection of ceremonial utensils were scrubbed and polished. And much of the old ornamentation was refurbished with new, intricately designed carvings and designs all gold-plated.

During the ceremony itself, more than five thousand policemen were on hand to keep order. The water and fire rituals commenced in coordination with the conclusion of a nine-day annual festival featuring worship of the Hindu Goddesses Durga, Amman and Pitari. The inaugural puja was held in the newly constructed yagasala (a place of fire worship) on the evening of June 22.





During the next six days, grand homas (fire ceremonies) were conducted at 102 agni kundams (fire pits) built in the yagasala just for this purpose. Each of these homas was dedicated to a God or Goddess. Thirty-three were for Annamalai (a form of Lord Siva), 25 for Amman (a form of Goddess Shakti), and five each for Gods Vinayagar, Murugan, Somaskander and Venugopal. The remaining 24 were committed to the parivara devathas (canonized saints devoted to Lord Siva).

Three hundred Sivacharyas, 15 oduvars (traditional temple singers) and 120 Vedic scholars from all over India orchestrated the homas while 108 tavil players (temple drummers) and nadaswaram masters (temple horn players) provided appropriate festival music. The grand procession around the temple was led by Tyagaraja Gurukkal (69) and Alasyanatha Gurukkal (54), both long-time chief priests at Arunachaleswara Temple.

Doordarshan, Jaya TV and a local television channel beamed the Kumbhabhishekam live as it occurred. All India Radio also broadcast a running commentary. Dina Malar, a renowned Tamil daily, hired seven photographers to cover the event. All in all it was a grand event in Tamil Nadu, a gracious gift of upliftment to its motherland of India, otherwise deeply troubled by the darker events of 2002.

For hundreds of years, the town of Tiruvannamalai and the temple Arunachaleswara have stood foremost among South India's most sought-after spiritual destinations. Successive South Indian kings always gave great importance to them both. They dug ponds and wells—built gopurams, compound walls and prakarams (temple courtyards) and donated jewels and gold. Famous Indian kings down through history—like Rajaraja Chola, Rajendra Chola, Harihara Bukkar, Krishna Deva Rayar, as well as the kings of the Chera, Pallava, Pandya, Rashtrakotta, Hoysala and Naik dynasties—were proud to have Tiruvannamalai as part of their kingdom. Some of them even made it their capital. Even when caught in political crisis, they held onto Tiruvannamalai.

Historical details about the Arunachaleswarar Temple are revealed in stone inscriptions on the prakara walls and copper plates of the temple itself. These inscriptions, which refer to a period of time spanning a thousand years starting from 750 AD, indicate that the greatness of Arunachaleswarar was made known to the kings of the times primarily through important South Indian devotional literature like the Thevaram and Thiruvasagam.

Aruna literally means “force” and achala means “that which cannot be moved.” So, Arunachaleswarar Temple represents Lord Siva as indomitable power. And this famous Temple is now attracting an ever increasing number of pilgrims each year.”

[By Kesav Mallia, Chennai]

Thiruvoodal Festival 2009

An important festival connected with Arunachala occurs during the time of Pongal and is known as the Thiruvoodal Festival. This Festival is celebrated on January 16th and is ennacted inside the compound of Arunachaleswarar Temple, on the streets delineating the perimeter of the Temple, and on the girivalam pathway itself, by iconic representations of Shiva/Parvati in order to convey moral and social truths to their devotees.

Photographs of 2008 Festival

The word 'Voodal,' means 'petty quarrel' or 'tiff' and emissaries are employed by both of the Divine Couple to convey messages between the deities and participate in ‘brokering a deal’ between them.

Click to enlarge

To find out more about this Festival and the legends associated with it check out this earlier link here

Winding Down

Last night (Saturday, December 20th) the Deepam Flame was still alight on top of Arunachala but I think thats probably the end of it for this year and we will now have to wait until December 1st, 2009 for the next Bharani Deepam and all attendant festivities.

On my way home yesterday afternoon through town on a desperate search for a cup of tea, I met up with a wagon being hauled to the Big Temple which was carrying the levers used with the Maha Radham chariot. The photograph gives a good idea of the size and weight of the huge levers.

I took the below photograph also whilst on North Sannidhi Street (in front of the Big Temple) of a deserted ride named "Break Dance" located at the Temple entranceway and with a rather incongruous 'Statue of Liberty' by the side of the ride.

However I still have photographs which I hope to be posting on Arunachala Grace of later Festival functions, so keep checking back.

The Deepam Festival -- Part Two

The full 2008 Deepam Programme is listed in an earlier post on Arunachala Grace -- so please check the link to keep up-to-date with the Deepam schedule. As promised I will be posting many 2008 Deepam photographs throughout the Festival -- in this respect you can check this Blog on Wednesday when I hope to upload many photographs of processions and daily life of devotees and inhabitants of Tiruvannamalai.

Below I post Part Two of the excellent 'The Deepam Festival' by Apeetha Arunagiri, whose website is at this link HERE. You can view Part One of this narrative at this link.

"Deepam Festival lasts fourteen days. The Big Temple displays its treasures every night of the first nine days in processions around the circuit of streets in town. Millions of pilgrims come, perhaps two million sometimes, perhaps more; they camp out in the temple complex and fill every available hut, home, shop, guesthouse, ashram, room, corner, balcony, corridor, niche, stone bench, and nook under trees and rocks. They all walk around the hill; some many times because it is exceedingly auspicious to do so. Lord Siva may very likely grant a pilgrim’s wishes.

Many years ago when my daughter was small, the old infirm lady who lived with us - an elderly Brahmana woman of ninety-nine-odd years - used to bundle her pots and pans, condiments, clean white saris – she’d bundle them all up in a cloth and scoot off by rickshaw into town for Deepam every year. She had an age-old arrangement with a family in the main street, she used to camp on their verandah for the ten days, staying awake at night to worship the gods as they came past. The divinities would no doubt reward her for all her trouble.

Although we are tempted to conjecture that the motivation to partake of this exceeding auspiciousness arises from other-worldly concerns lured by the possibility of relinquishment from the cycle of birth and death, this is not entirely true. For the Hindu it is considered monumentally difficult for an individual to achieve the freedom from attachment to this world that is essential for absolute freedom. It is love of this world that fires the hearts of the devotees; the possible fulfillment of desires sustains arduous pilgrimages.

The number of pilgrims walking around Arunachala has increased so much during the past ten years that we now have a mini-Deepam every single month. A famous film star’s pronouncement that Arunachala grants wishes at full moon as well as at Deepam is what started it all off. Since then, the entire town has to be frozen of incoming traffic for the duration of the moon’s radiant fullness and thousands of extra buses are scheduled. The ostensibly other-worldly Deepam festival is actually a tremendous affirmation of confidence in life on Earth.

Hawkers come with their wares: food in particular and pictures of gods, film stars and politicians. Hawkers bring spiritual books, protective talismans, plastic toys and bunches of grapes, things to hang on your rear vision mirror and stand on your TV, wind chimes, socks, belts, warmers for heads, underpants, bangles, molded plastic divinities, fruit trees, pillows and blankets, jewels, hair clips, watches, fruit trees and motor bikes – to name a few conspicuous items. The religious festival becomes a vast marketplace. The Holy Hill is garlanded with opportunities.

Beggars come by the busload with their leprous legs and stumpy arms and their begging bowls; some have little vehicles. Sadhus come in orange - the mendicant’s uniform. Businessmen also come. Families come with plastic carry bags of clean clothes and blankets. With their shaven scalps smeared with turmeric paste; they wash their saris, dhotis and shirts in the tanks beside the hill-round road route and walk with one wet sari end tied modestly about their body - the other held by a family member up ahead, the cloth streaming out to dry in the breeze. Skinny people with big feet and wide eyes: these are the true-blue pilgrims who camp on the flagstones of temples and mandapams. Modern middle class families stay in expensive hotels. Groups come with musical accessories and flower garlands, voices joining footsteps. The Hill becomes garlanded in humans, encouraged by the voices of the hawkers and bucket loudspeakers blaring from the frequent stands selling tapes of devotional music.

A recent upsurge in progress has resulted in the construction of several sheds along the way, in which pilgrims can rest and watch TV. A special cable was laid to provide video images of the festival happenings including much film of pilgrims walking around the Holy Hill so that resting pilgrims can even see themselves perhaps, by courtesy of our recent technological achievements." -- To be Contd.

[By Apeetha Arunagiri]