Pathala Lingam Photographs

I have made previous posting referring to the famous Pathala Lingam at Arunachaleswarar Temple, the most recent of which can be found at this link here.


On a recent visit to Arunachaleswarar Temple with friends who were visiting Tiruvannamalai for the first time, took the below photographs of the Pathala Lingam itself.


The below is of the Pathala Lingam in the 1940s before its renovation. Its condition is similar to how it would have been during the time Sri Maharshi performed his tapas at the Lingam.

"The background of Sri Pathala lingam is connected to a mutt that belonged to the Thondaimandala Vellalas where the thousand pillared hall stands. The head of the mutt, Azhiavradam Poonda Tambiran lived here, worshipping the Sivalinga and spreading Saiva philosophy. The Sivalinga he worshipped was the samadhi of a jnani. When Krishna Deva Raya of Vijayanaar wished to build the thousand pillared hall in the Temple, he purchased the mutt from the Vellalas and gave them lands to build another mutt. Inscriptions inside this hall describe this event. Not wishing to disturb the lingam, the construction workers raised the floor around it. The lingam then came to be at a lower level and was henceforth called Pathala Lingam. This shrine become the meditation place of Sri Ramana Maharsi soon after he came to Tiruvannamalai in 1896."

[Extract from “Arunachalam” by Shivani]

In the next photograph the Pathala Lingam is in the foreground and the background corner is where Ramana Maharshi sat in meditation.

“Eventually he moved into an underground cell in the courtyard of the first prakaram of the Thousand Pillared Mandapam of the Arunachaleswara Temple. The dark, sheltered spot was known as Pathala Lingam and it was here that became his place of meditation. Sitting in that dark, damp cell for hours at a stretch completely lost in samadhi, his body developed sores and worms crawled out of his raw flesh. Local urchins began to pelt him with stones. The intensity of the Swami’s tapasya started to receive attention and it was at this time that Sri Seshadri Swamigal entered Venkataraman’s life.” To read this short biography of Sri Ramana Maharshi click here.

Patala Lingam

On a recent visit to Arunachaleswarar Temple I noticed some great photographs on the walls of the Patala Lingam. It was in the cellar of the Lingam, that Ramana performed severe tapas, remaining in samadhi and totally oblivious to the wretchedness of his living conditions amongst scorpions and fireants.

The first photogaph is of the beautiful Pali Thirtam, which is the tank adjacent to Sri Ramana Ashram.

The below shows you the condition of the Patala Lingam during the 1940's before renovation.

And now the Patala Lingam after renovation.

Another photograph on the walls of the Patala Lingam, is a narrative recording the life of Bhagavan Sri Ramana and Tiruvannamalai. For those of you who haven't yet visited Tamil Nadu, I've left part of the Tamil translation, so you can see what the Tamil script looks like.

Below a photograph taken up at the caves on Arunachala, of the young Sri Ramana Maharshi at the age of 21.

Next is a split photograph, the top half being of Ayanakulam Tank (which is the tank that Sri Ramana disrobed when he came to Arunachala) and the bottom half of the photograph is of Pavala Kundru - one of the most beautiful Shakti Temples at Arunachala. It is the place that Parvati was meant to have lived whilst performing tapas at Arunachala. In more recent times, it is the place that Sri Ramana was living, when his Mother arrived at Tiruvannamalai.

The last photograph is of the top half Skandashram and the bottom Virupaksha Caves. Virupaksha Cave has a long history and was often inhabitated by saints and sages, including Sri Ramana Maharshi. But Skandashram is an original and was actually a labour of love constructed by a devotee name Skanda (thus Skandashram) for his Guru, Sri Ramana.

Arunachaleswarar Temple, with its huge 25 acre compound is replete with history - a fascinating and inspirational Temple to visit and spend time, again and again.