21 December 2008

Winding Down


Last night (Saturday, December 20th) the Deepam Flame was still alight on top of Arunachala but I think thats probably the end of it for this year and we will now have to wait until December 1st, 2009 for the next Bharani Deepam and all attendant festivities.

On my way home yesterday afternoon through town on a desperate search for a cup of tea, I met up with a wagon being hauled to the Big Temple which was carrying the levers used with the Maha Radham chariot. The photograph gives a good idea of the size and weight of the huge levers.




I took the below photograph also whilst on North Sannidhi Street (in front of the Big Temple) of a deserted ride named "Break Dance" located at the Temple entranceway and with a rather incongruous 'Statue of Liberty' by the side of the ride.




However I still have photographs which I hope to be posting on Arunachala Grace of later Festival functions, so keep checking back.

Pavala Kundru History


On my way from Tiruvannamalai Bus Stand to Ramana Nagar whilst going through the business end of town, I took the below photograph of one of my favourite Tiruvannamalai Temples, Pavala Kundru (i.e. Jewel of the Hill). This revered Temple has a fascinating history which starts with the legend of Goddess Parvati and her time on the Hill whilst performing tapas. In recent times Pavala Kundru is associated with Ramana Maharshi’s stay at the Temple. Currently there is a dispute underway regarding construction on the adjacent Coral Hill. But probably the most charming recent assocation of the Temple is its colony of beautiful Langur Monkeys.




View from Town

History of Pavala Kundru
“In 1790 Tippu Sultan captured Tiruvannamalai over-riding the Treaty of Mangalore (1784 A.D.) in which he and the English agreed to mutual restoration of conquests and exchange of prisoners. Tippu Sultan attacked Thiagadurga Fort (30 miles south of Tiruvannamalai). The whole population of the surrounding region took refuge in this fort.
Activated by the news from Thiagadurga and apprehending attack, the inhabitants of Tiruvannamalai collected arms and men to defend themselves till British reinforcements arrived. When Tippu Sultan attacked Tiruvannamalai, its inhabitants put up a brave resistance but were compelled to surrender in the end. Tippu Sultan, it is said, occupied the hillock of Pavalakkunru after destroying the small shrine that was there. His solders, it seems, were cruel to the people of the town but strangely the Temple of Sri Arunachala was left untouched, barring a single cannon shot that was fired at it. The missile seems to have hit a part of the northern wall causing minimal damage. After camping there for some weeks, Tippu Sultan and his army left Tiruvannamalai.




Location of Temple on a Arunachala Hillock

A gun belonging to Tippu Sultan was found buried near the hillock where he had camped. It was taken and placed in a museum in Madras. Ramana Maharshi said that whatever Temple might have existed on or about Pavalakkunru seemed to have disappeared probably on account of Tippu Sultan’s invasion. The present Temple was probably built only a hundred and fifty years ago.”

19 December 2008

Temple Gods Girivalam


Click on photographs to enlarge


During each Deepam Festival the God statues from Adi Annamalai Temple join with those of Arunachaleswara Temple to perform girivalam of Arunachala. This year Bharani Deepam was on December 11th and following tradition, the night after Deepam around 11 p.m. on the 12th December, the statues of Shiva-Parvati, Parvati and Shakti from Adi Annamalai were taken to Arunachaleswara Temple where they spent the night.

The next morning on the 13th the three statues from Adiannamalai seated on pandals pulled by tractors, led the three statues from the Big Temple; Arunachaleswara-Unnamalai, Parvati and Shakti-Durga -- and together the statues seated on six separate pandals performed girivalam of Arunachala Hill.




The below is of Shiva-Parvati from Adi Annamalai Temple, which is leading the procession around the Hill.


The statue of the Goddess.



The below pandal carries Arunachaleswara-Unnamalai of the Big Temple. Throughout the girivalam the pandals stop whenever devotees wish to make an offering to the Gods.




Deepam is the only time in the year that statues from both major Temples (Adi Annamalai and Arunachaleswara) perform girivalam together and visit devotees living throughout the area. The only other time Arunachaleswara-Unnamalai perform girivalam is during the Tiruvoodal Festival celebrated at Pongal (Tamil harvest festival in January).

18 December 2008

More Maha Radham Photographs


Click on all photographs to enlarge


Further to my posting on December 8th of the Big Car Festival which is part of the annual Deepam Festival, I am posting below more photographs of that day.




The ladies in the next photograph are actually holding on to chains attached to the Big Car and pulling it along -- which is its only means of propulsion.



In the below young lads jump on wooden levers jammed under the gigantic car wheels to give it a 'jump start' whenever it gets stuck.



The car started moving at 2 p.m. around the perimeter of the 26 acre Arunachaleswara Temple compound and by the time it had completed its circumbulation, night had fallen.

This year for the very first time I participated in the pulling of the chariot for most of the length of Thiruvoodal Street (which is famous during Pongal for a celebratory drama -- Thiruvoodal Festival -- between Lord Shiva and his consort Parvati). It was an amazing and thrilling experience.


Swami Nithyananda Birth Star Celebrations


Swami Nithyananda
will be visiting Tiruvannamalai on December 21, 2008 -- to participate in celebrations of his 32nd Birth Star.





The public celebrations include a procession at 9.00 a.m. originating at the Arunachaleswara Temple. The procession will be carrying statues of the God and Goddess, Anandeswara and Anandeswari on a chariot which will end at Nithyanandapuri -- Swami's Ashram located near Adi Annamalai on the Girivalam Roadway.

Food will be offered to all a
t that ashram at 1.00 p.m.

At the same venue at 6.00 p.m. Swami Nithyananda will give a discourse in Tamil which is anticipated to last 1 1/2 hours.

16 December 2008

Bharani Deepam 2008


Click on all photographs to enlarge


At about 4:30 am on the day of Bharani Deepam, which this year fell on December 11th, this is how the day started:



Early morning at Temple


The chief priest has just finished a simple ritual called Bharani Deepam and now ceremoniously waves a huge camphor flame in the direction of nearby Arunachala mountain. Although he is chanting Sanskrit slokas, he cannot be heard amidst the deafening furor of devotion that surrounds him. Finally, he touches the flame he is holding to the wicks of five huge, earthen, ghee-filled pots, representing the sacred elements earth, air, fire, water and ether. As these five flames loom up with red-yellow light, the famous, one-day, South Indian festival of Krittika Deepam officially begins.


The five pots


The one flame

A flame taken from the five earthen pots that were lit just after the early morning temple ceremony of Bharani Deepam is kept burning in the Temple throughout the day as a symbol of the merging of manifestation back into God, the one source of all. This single flame is referred to as the Bharani Deepam. At 10:00 in the morning, a select group of fishermen are blessed by the temple priest with a small ceremony. At this time, amidst ringing bells and temple music, the priest gives the fishermen a lamp that has been lit from the Bharani Deepam in the Temple. This lamp, also called Bharani Deepam, will be taken by the fishermen to the top of the mountain.


Local fishermen are traditionally given the privilege of carrying the Bharani Deepam up the mountain and lighting the Krittika Deepam in the evening, because, according to a popular myth, Parvati (the wife of Lord Siva) was born in a fishing village.



Devotees climbing the hill



Significance

"There is immense significance in this first Krittika Deepam ceremony called Bharani Deepam. At this time, the universal Lord manifests as the five elements, which will later fully merge to become one when the Krittika Deepam flame is lit in the evening. From one to many and many to one. This is the whole essence of Saivism and the meaning of Krittika Deepam."

All across India, millions of bonfires are lit on hills and in temples on Krittika Deepam. But nowhere is this festival celebrated like it is at Tiruvannamalai. Here it is unique.


Heightened security this year on Hill


Krittika Deepam occurs annually in the lunar month of Kartika, which occurs in November/December, on the last day of the 10-day festival called Brahmotsavam. It is on this auspicious day that, at precisely 6:00 in the evening, a sacred fire is lit on top of the 2,668 foot Arunachala mountain to symbolize the merging of all manifest existence back into the one source of all things. It is said that those who witness this sacred ceremony personally receive the blessings of Siva and Parvati. All of the traditional temple rituals that are performed during Brahmotsavam create a spiritual fervency that culminate with great power on Krittika Deepam as a grand congregation of devotees, holy men, officials, police personnel and media squeeze together, shoulder to shoulder, to witness the festival's magnificent consummation.



View of Temple and town from hill

Preparations for this holy day begin one month in advance with the local administration, revenue department, police and temple authorities. Since early morning, temple staff and volunteers have been carrying five-gallon containers of ghee and large pots of thick, braided cloth wicks to the top of Arunachala mountain. Once the mountaintop flame has been lit, it must be kept burning for ten days, which requires vast quantities of wick and clarified butter.



Deepam pot positioned on top of Hill



Devotees climbing on the hill,
miscreants lighting fires for luck (a local superstition)




Pot waiting to be lit -
moon in left corner background


As the day wanes into dusk and night begins to darken the sky, pilgrims stand or sit, motionless with anticipation, at the base of Arunachala mountain, preparing to worship God Siva as an infinite pillar of light.


By 5:00 in the evening, the area surrounding the Temple flagpole, as well as the adjoining terrace, is packed. People are grabbing seats to observe the dramatic arrival of five exquisitely decorated palanquins, carrying the Hindu Gods Vinayaka, Subramanya, Siva, Amba and Chandikeshwara. The devotees are constantly moving and adjusting their positions to get a better view and to make way for still more people pouring in.


Suddenly, the crowd's attention shifts to the Temple entrance from behind the flag pole. Some devotees jump up to get a better view. The first palanquin arrives with a dramatic flair. It's the Vinayaka Deity, a form of Lord Ganesha. Exquisitely bedecked with a variety of flowers artistically arranged, this relatively small Deity seems magically large in its luxurious setting. More than eight people are carrying the heavy wooden palanquin. They dance with graceful dignity to the accompaniment of temple music, devotional singing and Sanskrit prayers. Soon enough, they reach their designated position in front of the flag pole and come to a stop.


In a few minutes, the next palanquin arrives “Subramanya”. It's a little bigger. Unmindful of its weight, those who are carrying this celestial cargo somehow manage to dance with abandon, rocking the Deity joyously.


Now another palanquin is arriving, rocking to and fro. "Swami, Swami," the crowd shouts. Here, "Swami" is referring to Siva. Amba (Goddess Parvati) is right behind, followed by Chandikeshwara.


Within about 30 minutes, five palanquins have arrived in all their spiritual pageantry.


Later the five murtis gathered in the Temple compound




Finally, the appointed moment arrives. Against the backdrop of a sunset sky, crowned with the rising star of Kartika, thundering firecrackers, ringing Temple bells and a frenzy of rhythmic chanting merge to create a cacophony of chaotic splendor. Camphor is lit in a cauldron by the Temple flag pole, signaling priests on top of the mountain to light their flame.




Deepam on top of Arunachala Hill

The timing is perfectly synchronized




The air is charged as the overpowering sight of light, signifying Siva in the form of Jyoti (divine light), merges with Parvati to become Siva/Sakti. Now, finally, Ardhanarishvara is brought out of the Temple with great ceremonial fanfare. This is the only day of the year that this particular Deity is ever moved. It is most auspicious.





To learn more about the 'Legend of Ardhanarishvara' at Arunachala go to this link here.



When that flame is seen by the thousands of devotees below, the entire countryside explodes with flashing luminescence. Bonfires, lamps, neon lights and fireworks light the night like day as a surging, thronging, emotionally charged mass of devotees chant, "Arunachala Siva," "Annamalai” and "Annamalai Harohara”. The sight of the Krittika Deepam is magical. It brings an inexplicable joy. People are ecstatic, mesmerized by the light.




The Temple is closed for a day after Krittika Deepam, because it is believed that, when Arunachala manifested Himself in the Deepam, He temporarily shifted His abode from the temple to the hilltop.


Long-time pilgrims assert that, even years later, the very thought of an otherworldly moment like this recreates it, just as if it is happening fresh and new.

[Edited extract from ‘Fire on the Mountain’]

13 December 2008

Photographs on their way


Hope to be posting lots of amazing Deepam photographs over the next few days -- so keep checking back to view photos which will include the Bharani function at Arunachaleswara Temple and the actual lighting of the Deepam Flame on top of Arunachala Hill.

Deepam Lighting

I am below reproducing below an interesting newspaper report on the lighting of the 2008 Deepam at Tiruvannamalai.


“With the setting sun painting a dramatic red hue in the sky and providing a backdrop and 30 Lakh devotees loudly chanting 'Om Namah Shivaya', the maha Karthigai Deepam' was lit on top of the Tiruvannamalai hill on Thursday evening to mark the Karthigai festival.


Believed to be one of the oldest rituals in the world, the Maha Karthigai Deepam is the first to be lit atop the hill in a five feet high cauldron. It is only after the lamp is lit here that temples and people across Tamil Nadu light lamps on Karthigai festival.


This time too the 'Deepam' was lit to the joy of lakhs of devotees who gathered in the temple and around the hill but amidst unprecedented security arrangements. Lakhs of devotees climbed up the hill to catch a glimpse of the light. The flame is said to be visible for over 10 kms around Tiruvannamalai.


The cauldron is a big brass vessel designed in the form of a lamp and placed on top of the hill. It is filled with ghee and butter donated by devotees. An enormously thick wick made of loosely twisted woven fibres is immersed into the vessel and one end of the wick is drawn out. The lamp is lit around 6 pm when the full moon emerges from the east and appears on the horizon in the month of Karthigai. At the same time, in the temple, the idol of 'Ardhanarishvara' is brought out in a ceremonial manner.


‘First idols of Lord Ganesha, Muruga, Arunachaleshwara and Unnamulai are brought in procession and kept inside the 16 pillared Mandapam. Then exactly at 6 pm, Ardhanarishvara is brought out and at the same time, the lamp is lit on top of the hill. A signal using a lamp is shown from the temple to synchronise the timing. Early in the morning the 'Bharani' Deepam named after a star was lit,’ said a temple official.


Cutting across all religions, devotees make a beeline for the hill and ensure that the festival is celebrated with fervour. ‘Right from donation of ghee to making fireworks for the festival, people of all religions are involved. The lamp atop the hill also signifies one religion and one god,’ said the official.


Elaborate security arrangements were also made to prevent any untoward incident. According to a senior police official, 7,500 policemen including three deputy inspector generals of police, six superintendents of police, commando teams and 200 special task force personnel were deployed. People who were climbing the hill were prevented from carrying camphor or matchbox. Close circuit television cameras were also placed around the temple.”


********************************

Sadly a police head constable, who was posted on duty at Tiruvannamalai (along the Girivalam roadway) during the just concluded Karthigai Deepam festival died reportedly of stress on Friday morning. It is not known whether the head constable named Chandran, who was attached to the Crime Branch at Tiruthani Police Station, had any previous health complications.


He along with some 100 police personnel from the Tiruvallur district were posted for security duty at Tiruvannamalai since 9 am on Thursday. Chandran’s collegues said lack of sleep, rest and timely food had apparently caused his death. His colleagues said when Chandran was about to board the bus to return to his hometown they had heard him complaining of pain and then he swooned. He was taken to a government hospital where he was declared “brought dead.”


In another incident, a devotee who was carrying a ghee pot reportedly died of a heart attack whilst climbing Arunachala Hill on Thursday. The person was identified as a 25 year old man hailing from Perungappur Village, Villupuram District.

Cow Puja at Sri Nannagaru Ashram


As is his custom Sri Nannagaru, who hails from Jinnuru, Andhra Pradesh, visits Tiruvannamalai each year to celebrate Arunachala Deepam. Hundreds of his Andhra devotees follow him to Tiruvannamalai and while staying at his Ashram, organize various pujas and functions to be held the Deepam week. This visit Sri Nannagaru arrived at Tiruvannamalai December 10th and will be leaving in the morning of December 15th.


The below sequence of photographs are from a very nice cow puja celebrated yesterday at Sri Nannagaru Ashram.






The puja was particularly interesting for me as I count dear Iswari -- the grey and white cow -- as an old chum as I used to daily feed and pet her while she was a calf. Now she herself has her own beautiful calves.












And in the below photograph Sri Nannagaru surrounded by some of his Andhra devotees, look to Arunachala.


The view of Arunachala from Sri Nannagaru Ashram.


11 December 2008

Deepam 2008 Lighting


Click on photos to enlarge


Its late afternoon and I am at Sri Nannagaru Ashram to watch and celebrate the lighting of the Deepam flame on top of Arunachala, with my Guru and his devotees. As is the custom at this Ashram, a ghee lamp is waiting in the courtyard, to be lit after the Deepam on the Hill.




In the below photograph, my guruji -- Sri Nannagaru.




And we all sit waiting for the Deepam on top of Arunachala to be lit. And there it is.



Its dusk and it gets dark quickly.





As soon as the light appeared on top of Arunachala, the jyothi at the Ashram was lit by Sri Nannagaru. In the below he is circumbulating the light.



Its my preference to enjoy Deepam at the Ashram, but all over Tiruvannamalai there are celebrations, fireworks, ceremonies, functions and masses of people enjoying the evening in their own special way. Many homes like the one below have lighted ghee lamps stationed on their balconies and by their front doors.



The girivalam road is packed with pilgrims performing circumbulation of the Hill -- it will be like that through the night and well into tomorrow morning.

HAPPY DEEPAM TO ONE AND ALL

The Festival of Light

This completes the narrative, ‘The Festival of Light,’ by Apeetha Arunagiri. To read the first parts of this narrative go to these links; part one, part two and part three.


“Many are the occasions of inspiration throughout this festival but the outstanding event is the lighting of the Light.


This year I walked with our friend around to the temple dedicated to the feminine aspect Unnamalai lying on the west of Arunachala where the Shakti - the female power point of the hill - peeks up from behind the main protuberance. Unnamalai Temple has a gorgeous stone-pillared Mandapam, or hall, now newly painted and overflowing with pilgrims. And across the road, on the hillside, spreads a newly cleared Rest-a-while Park with a modern iron umbrella above cement benches. The Rest-a-while Park is a perfect viewing place for the lighting of the Light.


Underfoot is conspicuously sordid by this time in the Festival so our walk to the temple had meandered around piles of garbage. We passed a balloon man with his happy crowd of prospective little buyers and the nice clean boys selling ‘Healthy Milk Drinks’ next to the stacked plastic bottles of unhealthy pop shop. Outside Unnamalai a stall selling cheap audiotapes was blotting out existential consciousness entirely yet the ceremonies in the temple were going strong - assisted by other loudspeakers, and the pilgrims were slapping their cheeks and bowing down in obeisance the way they do.


We sat for awhile under a tree near to the shrine next to dear sadhu Ramana in yellow, who spends all his livelong days sweeping the hill round roadway; he had merged with the tree and didn’t look too enthusiastic. Across from me on the hillside sat the irascible sadhu, for once amused, and behind him rose a crassly painted modern iron umbrella sheltering the concrete benches which provide sadhus with such an excellent place to dry their cloths, two sadhus were diligently folding dry their orange dhotis.


As dusk approached we sat down near to the sadhu to wait for the flame to appear. Gradually the Rest-a-while Park’s uncontaminated spaces filled with quiet orderly pilgrims. We had to wait about an hour -- nobody was eating, smoking, talking or drinking. Some had lit incense. For thirty kilometers radius surrounding Arunachala at this time several million people were waiting suspenseful, staring up to the top of the hill, as they always do.


Up on the narrow rocky top of the mountain stands a gigantic copper lamp laboriously carried up that morning by a team of old blokes in loincloths who are traditionally honored with this task. The east face is swarming with humans on their way up with clay pots of ghee to replenish this lamp; a colorful pilgrim snake weaves the traditional path and more adventurous persons scramble up in other directions. The almost top plateau becomes a mini-market, even bangles and balloons can be bought up there, and many will spend the night beside their wares. The very top is standing-room-only of course – for men only; bare feet negotiate the brittle remains of broken clay pots softened by the sticky ghee surface of centuries. Everyone takes up flowers and incense to enhance the honour of presence.


A special ceremony in the Big Temple in town early this morning accompanied a flame-seed from the inner sanctum out into the enormous flagstone courtyard where it first lights another flame-seed set waiting beside another huge copper lamp, before traveling carefully up the path on the east face to the top. There it will be sheltered by the priests in breathless expectation of the rise of the auspicious full moon. Any parts of this ritual which are now left out or compromised by human weakness are just the effects of the degeneration of the times.


The moment our Celestial Orb appears on the eastern horizon the giant lamp on the very top will be lit and the moment the little flame on top appears, the priests in the Big Temple will light the big lamp in the vast courtyard so packed with humans now chanting “Om Namo Sivaya” that if the festival is pelting rain - as it sometimes is - it is surprising how the heat of so many bodies keeps them somewhat warm and dry. The temple elephant also waits with the crowd; this is part of her job. She loves festivals.


The appearance of the light on the top will also signal orchestration of thousands and thousands of small Deepam lamps set waiting outside huts and households as far as eye can see. Many household lamps are mountains of sweet rice-flour, with ghee to carry the flame. After the flame has consumed the ghee, family members share the tasty mountain in tribute to Arunachala. Even dogs get some sometimes.


At the cattle market on the south side of the mountain, thousands of immaculate cattle face the mountain, bells tinkling to the chewing of their cud and the cattlemen squat together in huddles - blankets across scrawny shoulders, by the little bonfires that contribute their own rustic gesture of affection for this wondrous world. Light is eternal.


Very frequently it rains at Deepam. Most of the year it doesn’t rain but at Deepam, it does. This year it is not raining and we are waiting in the Rest-a-while park on the western side of the mountain. The silence deepens towards the golden glow heralding the auspicious first appearance of the flame. Our moon is on its way. A soft golden glow stirs our suspense. Then an irrepressible upsurge of human aspiration arises, it’s palpable: everyone stands up. Loving palms are brought together above uplifted heads while millions and millions of voices carry the stupendous sound “Ahrhoroghorah!” up to the appearance of a tiny little flame.

Ahrhorghorah!

I don’t need to tell you what that means.”

10 December 2008

Arunachala Deepam Festival


[I am reproducing below an excellent article on the Arunachala Deepam Festival first published in 1981. The article has been edited]



"Behind the huge temple in Tiruvannamalai in Tamil Nadu, the holy mountain of Arunachala or Annamalai rises abruptly, with its high peak pointing towards the sky. It is a huge mass of igneous rocks covered with grass, herbs and low scrub. Like other high hills of those plains, Annamalai was thrown up from the depths of the earth by some volcanic eruption in the dim past, when the crust of the earth was formed. It is said that Arunachala was a fire mountain in the Krita yuga, a gold mountain in the Treta yuga, a copper mountain in the Dwapara yuga and a rock mountain in the Kali yuga, our current age.


Once a year, the top of Arunachala is alight with a fire that can be seen for miles around. It is the god Shiva, who is manifesting himself as a blazing pillar of light, the Lingodbhava. Rudra or Shiva has said, 'I am Agni or great energy and I am Soma; I am myself man together with nature.' Soma is the elixir of immortality, the amrita that when rising in the spinal column from Manipura Chakra brings eternal bliss. The macrocosmic concept of Shiva as Agni and Soma corresponds to the microcosm of the human body with its six psychic centres, adharas or chakras in the spinal column, of which Manipura Chakra is the third one, the centre of the fire element and of amrita.


In the Shiva Purana the story goes that once when Brahma, Vishnu and Rudra rose from the waters. Brahma and Vishnu embraced the shakti (energy) of Rudra and asked the lord to create everything as he wished. Rudra plunged into the waters and remained there for a thousand celestial years to contract energy for the creation. Meanwhile Brahma and Vishnu grew impatient, and after conspiring, Brahma created everything conducive to happiness with his shakti.


When that was all done, Sambhu (Shiva) emerged from the waters, lustrous with the thought of creation. But finding everything already created by Brahma, Shiva got very angry, and he opened his mouth and released a flame, which burnt everything. When Brahma saw everything on fire, he prayed to Shankara (Shiva) to cause his excessive energy to enter the sun, so that gods and mortals could live together in the energy of the sun. Shiva agreed to this and said to Brahma, 'There is no good use for this lingam except for the creation of progeny,' and with these words Shiva broke off his lingam and threw it upon the surface of the earth. The blazing lingam penetrated down through the earth and went to the very sky.


As Brahma and Vishnu could see neither the bottom nor the top of the fiery pillar, each of them took his Vahana (vehicle), and Brahma as the swan flew upwards while Vishnu as the boar dived down into the earth. But the farther they went the longer the lingam grew, and at last when the two unsuccessful gods had returned, the blazing column burst open, and Lord Shiva appeared in all his glory in the opening. He blessed the two astounded gods that had fallen to his feet and promised that he would appear in the form of a Jyoti, light, on the top of this mountain once a year on the day of Kartikeya in the month of Kartikeya (October-November).


At the bottom of the east of the hill, where the lingam had fallen to the earth, Shiva was worshipped as Tejo Linga in the temple of Annamalai. Thus this place became one of the mukti Kshetra (places of liberation), as it represents one of the five elements, or pancha bhutas, namely that of fire, tejo. Tiruvannamalai is then tejo sthala (the place of the fire's aura), just as Kanchipuram is prithvi (earth) sthala. Of the six chakra location (adhara kshetras), Tiruvannamalai represents the manipura kshetra. The manifestation of the Lingodbhava (symbol of creation) then resulted in the origin of the mountain and in the celebration of the Deepam Festival.


In the Deepam Festival is also reflected the union of Shiva and Parvati in the deity Ardhanarishvara. Once the goddess in play covered the eyes of her Lord Shiva with her hands, and thus the whole world was plunged into darkness. However, Shiva opened his third eye on the request of the gods, and the light was restored. Uma was ashamed of her childish behaviour, and she retired from Mount Kailasa to Kanchipuram to do penance and purge herself of her sin. Shiva then directed her to go to Tiruvannamalai to worship him there. Mother Uma became an anchorite and did hard penance, going around Arunachala hill with deep concentration on the holy name of the Lord.


Shiva was pleased with her, and he told her that she was now relieved of her sin which was causing the untimely pralaya (complete destruction of the world). He blessed her and said to her, 'Come and unite with me,' and disappeared in the hill. Then on Kartikeya day the Lord appeared as a blazing light, a jyoti on the top of the hill, and asked Mother Uma to circumambulate the hill. So she did, and when she rounded the western side of the hill, Shiva appeared on his white bull and blessed her. When she rounded the hill on the north-western side he absorbed her into the left half of his body. Thus came into being the form of Ardhanarishvara, the deity that is represented as half male and half female.


Arunachala is indeed the abode of Shiva. On the sides of the hill are many caves and small shrines where sadhus have been living for as far back as this holy place has been known, and some of them are indeed old themselves, being about two hundred years of age. There are several ashrams at the bottom of the mountain, including the ashram of Ramana Maharshi. When climbing up the steep hillside to the top, it becomes noticeable that the hill itself and its immediate surroundings are vibrating with a bright light, as if the sun and the atmosphere unite with the earth on this hill. The borders between the triloka (three worlds) become fluid and interchangeable, and the borderline between macrocosms and microcosms, between the universe and man, becomes thin and transparent. The universal energy is all pervading.


The Deepam Festival lasts ten days, and on each evening a special celebration takes place, that is somehow connected with the history of the holy place. The pilgrims are ordained to fast completely on Kartikeya day and to walk around the hill the entire distance of eight miles. By imitating Mother Uma in this way, the pilgrims draw on the energy that she manifested by her penance, and they also receive the blessings of Lord Shiva. One of the days before Deepam is the Car Festival, where the pancha murtis, the five deities of the temple – Vinayaka, Arunachaleswara-Unnamalai, Amman, Kartikeya and Chandeshwara are taken around the perimeter of the 26 acre Arunachaleswara Temple in huge, towering temple chariots fifteen to twenty meters high drawn by hundreds of pilgrims with big heavy iron chains.


On another evening, Shiva and Parvati form a procession in the streets on their huge silver bull Nandi, or the utsavas, the processional bronze images of the deities, are taken out in a magnificent silver cart. Or the deities enjoy a merry boat ride in beautifully decorated boats on the temple tank. All processions are headed by musicians playing flutes and big temple drums, and the light of many torches gleam from the jewelled dresses of the utsavas and light the faces of the devotees, who receive their gods with folded hands, bowing down to the ground. Wherever the deities are carried through the streets, mostly at night, people stand in front of the houses with plates prepared with prasad, which is then blessed by the gods and the coconut broken, when the pundits are doing arati (worship) in front of the deities.


Before a procession, the utsavas of the pancha murtis have hours of abhisekham (ritual anointment), when milk, water and a mixture of various substances is poured over them and arati, the circling of light, performed in between. All the silver and gold emblems and ritual tools are brought out from the treasury of the temple, and after the abhisekham the utsavas are dressed up in robes of pure gold studded with precious stones, and the main puja begins.


For hours on end the gods are showered with scented rose petals, sprinkled with rose water and garlanded under continuous recitation of mantras in the mist of the smoke from oil lamps and burning ghee. In this way the deities are well prepared for the manifestation of divine light on the evening of Kartikeya. In the early hours of the morning on Kartikeya day, the solemn ritual of preparing the five holy fires in five agantams (round vessels) is performed in the sanctum sanctorum of Annamalaiyar and they are kept burning until the evening.


At the mystic hour of dusk (pradosham), when millions of people have gathered in the courtyards and on the roofs of the temple, waiting since early morning, the pancha murtis, are carried out into the courtyard in a fast running motion, sitting in their golden palanquins covered with festoons. The deities are placed in a Mandapam (ceremonial pavilion) opposite the entrance to the Arunachaleshwara's temple and facing the holy mountain. At the moment when the sun is setting behind the western horizon and the full moon is rising in the east, the five deepams are brought out from the temple and placed in a big cauldron near the flagstaff. At that same moment the beacon light is lit on the top of Arunachala, and with one voice the crowd roars 'Harohara to Annamalai'. At that time also the deity Ardhanarishvara is brought out and placed on the stairs of the temple close to the big Deepam. The excited pilgrims are crowding and pushing to touch the holy fire, and puja is done before the pancha murtis in the Mandapam until the early hours in the morning.


Many tons of ghee have been carried up the steep, stony hill on bare feet, and the divine light will be shining from the top of Arunachala for nearly one week. All through the night, pilgrims climb the mountain to bring down the holy fire in small earthenware deepams, so from below a constant row of flickering lights can be seen zigzagging down the hillside like a line of small glow worms. Throughout the next day a stream of pilgrims murmuring the mantra 'Harohara' climb the steep and stony path on bare feet to worship the divine fire, burning in a huge copper urn, and fill their deepams or containers with holy ghee to burn in their small temples or puja rooms at home, a symbol of lighting the inner fire or Jyoti, dispelling the darkness of the soul.


Thus in the life of the pilgrim, the Deepam Festival is an experience of transcending time and space and of being elevated to participate in the powers of the divine world; one leaves this holy place after ten eventful days purified, renewed and in an altered state of being. By the grace of God, the pilgrim might even have undergone a slight transformation through being exposed to the manifestation of so much spiritual energy, rising one step higher on the path towards enlightenment."

[By Birgitte Dessau – edited]